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Program Name: BlackMagic Design Davinci Resolve v11.3.1 Serail Collection
1 R& \; E( i1 {, sProgram Type: Color correction
, b* p# J. L: C$ Q1 g) ]Version：11.0b1-11.3.1; c9 ~; U6 r. k! \
Developer: Blackmagic Design Pty. Ltd.
6 L& |. k8 Y9 _& k' B- A9 sHomepage: www.blackmagic-design.com/products/davinciresolve
$ f. Z7 `) l- ^0 ]4 w* r$ N3 H @4 CRelease Date: 28.03.2015, T% U& G5 _; c8 I. O( C
Interface Language: English,Chinese,Japanese
3 z- c2 R& ^5 |: x. yPlatform: Win / Mac / Linux0 `8 H3 C Y# T6 G- ?! n
File Size: 1.8 GB4 G+ L4 g+ T) V0 l F% W _
- a$ Q- B6 V4 m, L9 w* L7 N9 aDaVinci Resolve 11 combines the world’s most advanced color corrector with professional multi track editing, so now you can edit, color correct, finish and deliver all from one system! Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.
# o9 ?% n# _* ~; k5 N1 J$ {# o4 A3 A; @
What's New in Design Davinci Resolve 11
5 u0 }0 q8 _& M- ~$ BThe world’s most advanced grading tools.
0 I- U. Y: m4 p% Y6 w7 cDaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!
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2 {3 K! V, t0 Y% p1 U' j* |Collaborate with over 70 new editing features!+ \' p6 f% E/ B& I
DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit!
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9 E) U- f! C0 A: NScalable power and real time performance.
3 I V: T: U+ v; H& Q( K% c) a5 d! M! ~DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. That’s important when you are working on high pressure projects with a room full of clients! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!
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Ensure complex jobsare well organized.# D+ L& q3 u+ x* ?
Saving and managing media is a critical part of every project! DaVinci Resolve’s new clone tool will back up your valuable camera files on location so you can check your footage before striking the set! The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you don’t need to convert files to begin editing or grading!
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" b/ V$ ^' U# t6 z' ]3 }Finish and deliver tovirtually any format!5 c0 c: s# F5 F$ R
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!9 Z8 k* x' ] k! g" v6 W
. W2 |9 q+ y: A
Unique YRGB 32 bitfloat processing.! y1 R3 Q( U5 W' s
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!* F+ ^: D+ M5 l8 s I7 p) m
+ A6 G. x) v: t1 f4 `The world’s most compatible post production solution!
- f- O$ A; f" h! `4 i; r) ZMove projects between your favorite NLE and VFX software! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Adobe® Premiere Pro® CC and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects® CC and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the world’s most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.9 p& H2 J1 `8 Q5 [' p2 h: r$ C% Z
7 \" ^) C7 _8 }" Z1 ?, e& d; YDaVinci Resolve 11.1 Key Features
) W i( S! h. O( u: I• Editable in and out points in the source viewer
: L3 l. \6 a) `, Y• Graphical fade sliders for video opacity
9 C' l! G9 z6 T1 ]) h) @& \& T u• Action and title safe overlays in the edit page* O' Z( H/ v! b% x) D1 K
• Improved asymmetric trimming2 |/ _" L5 ~* T/ y
• A new Swap Edit command
9 x8 K9 l2 |2 i) V I3 o) d. b8 u• The ability to trim gaps in the timeline! A4 n3 {/ K% k0 @9 Y# y
• A full screen timeline option
! s8 l1 S4 _- I; l- O: Q1 M5 {• Improved Final Cut Pro X XML import and export
; W2 t, w6 f7 C8 F- d1 A• Improved FCP X XML import and export: h% M) a" E. k J( h6 T; ]4 G
• Trim support for Quicktime and MXF clips4 ~, S/ w9 B. w1 ~* L
• Native mixed frame rate support for compound clips9 z- U5 ?! C$ f- l, f! Z
• Allow transitions to be added to multiple selected clips via Cmd+T; A& g" i5 ]; ?4 ?5 Y& @
• Find Source Viewer clip in Media Pool via Option+F3 Y! X+ H9 z2 P$ A5 o' i
• Second layer input for OFX plugins V5 _+ Z2 D r
• OpenCL support for Linux to support AMD GPUs7 J7 U5 l! j% |- B4 k
" m8 ^& T( f& v7 q
On touve : 8 S5 n7 N) [8 T
Multi-user collaborative workflow with simultaneous editing, grading and metadata entry (Full Version only)% K1 \7 x1 V* H$ I& H
User selectable enhanced and optimised foreground and background render caching- E7 d+ Y& u- l6 i; A. S
Completely New Multiple Level Render Caching includes selectable cache points for source, nodes, clip and timeline, cache indicators on edit and color page showing selection and status of cache and user selectable cache formats; ProRes, DNxHD, Uncompressed 10-bit and 16-bit float( {8 ~3 m2 j, k
Project setting to enable/disable background render caching) S/ v0 d% ?$ p9 P
Dual monitor user interface support
) k+ o# z, N# `+ ^( A2 G' F* `Apple certified ProRes decode and encode support on Linux
' J% o% p+ f. _3 \; y* Y- S. I3 sIncludes Mac and Linux decode and encode support of ProRes 4444 XQ% E0 x; h" \9 e+ Q5 v
High performance OpenFX framework extension for multi GPU OpenCL and CUDA plugins! H3 n6 p: O- o
GUI support for multiple languages; English, Japanese and Chinese
7 J" k, n& m1 \+ n% ^User customizable keyboard shortcuts and presets4 O8 `. q, G3 U1 v' e* K
Multiple auto save versions
" q2 @1 e& p% Q% m w. q" _2 U% e f! G% m
Media Page 2 ]' ]& \8 F0 f$ w$ D& V
Clone tool for SD Cards, SSDs and disk drives includes multiple destination clone and checksumreport8 Q! Z4 f4 x! a D5 |
New reveal or hide clip metadata window option' q. b1 ]4 Q! l* j
Media Pool thumbnail clip detail popup now displays clip frame rate
7 Y5 r/ t! P5 ^$ l4 y4 {2 Z" TSplit Clip operation automatically moves the focus to the newly created clip
' i# V* n$ L. X4 W4 s( @Camera metadata support for RED and Sony Raw clips' L+ B- J9 p* ]' E
. x3 @+ U" y/ N4 W; l# NEdit Page, Editing and Assembly g5 {; i; K6 J+ M" a# y* c
Keyboard absolute or relative timecode input for all viewers and timeline
/ i6 T% S0 F F, N+ q$ ~Create Timeline Using Bin and Create Timeline Using Selected Clips to quickly assemble a timeline from any mediain the media pool, with or without mark in/out preserved and using original clip order
2 O7 {& F8 r4 _- O( P8 uFull JKL transport control now includes frame by frame
* q* u" F: _! d; D( G: j7 ^3 cSource/Timeline viewer playhead ganging- m# A! w1 C/ Z; }8 X$ O
Split video and audio in and out points on source and timeline viewers9 D. \& q0 Y i- t0 E- q( o
Slide source destination selector in the track control manager% c3 U4 c9 k8 T* l* d
Shift click and drag to constrain clips in time while moving them to higher or lower tracks
( d5 L# x( F' U/ b3 eAbility to deselect a gap by clicking it
, M1 |7 o2 u7 z+ f4 ^( hThrough Edit Indicator on the timeline with join through edit command
3 J. F ?0 F* K; x ?! c4-up display for slip and slide' x K0 V. D6 N+ A
Option-dragging the top or bottom of a simple edit point turns it into a split edit point$ l% s4 R& S' g; O8 `( [( ]
Option arrow key to move clips vertically up and down tracks4 U. C+ q5 X7 O, U: c& x* D. F
Sub-clips are easily generated using the viewer9 W5 [0 b, o# v! A4 j k2 ^) H& S* N
End of timeline is now indicated on the viewer
4 i1 _+ C. M! M" VEditable names for video tracks
7 m ?6 g" e! u i/ J( GTimeline tracks display number of clips on the track
' [9 Q& ]- e _; v6 WInspector selector for Video, Audio, OpenFX adjustment options( k9 G* X* b9 K! b b# l
User defined favorite transitions, titles OpenFX plugins and generators
; X& T2 O- w" C/ AEditing of compound clips+ m L* p; q0 G. f" R% W/ K
Stereo Decision List import supported via ColorTrace
) E" O% Q: Y: ?( \Added support for AAF import/export for Avid Superimpose effect as normal composite with opacity& ?$ y" R" q d+ I
AAF support for 3D Warp effect
9 D8 ], G) T/ _0 p2 kSupport for FCPX 10.1.2 XMLs with DTD 1.4& U; ?- ~6 S4 x& w0 ^0 n
Added support for double-clicking the clip shown in the filmstrip to open the clip in sourceviewer
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3 ~' O- m* }5 B" V9 WTrim Edits
0 B6 U) W3 D% i) f5 g0 TYou can now always roll and edit in selection or Trim mode
5 n7 _3 h2 ]+ t& aTrim Start and Trim End let you resize the in or out point of a clip that intersects the playhead to the currentplayhead position
* k) Y+ |; i* K4 B; I/ M4 bSymmetrical and Asymmetrical trimming with multiple selections at once' y% l& {+ K& M- T% M4 |! f% u6 P
Extend edit command for single and multiple edit selections: T L' |- [) t# f
JKL dynamic trimming to dynamically resize or trim the selected edit
! p2 F. K# b* z3 P2 ?1 F6 cJKL dynamic Slip or Slide to dynamically slip or slide the selected clip
5 p- z' \5 z% K& _ U# h: t* aOption U key will now toggle Edit Point Type
2 s8 |; g, K) F3 h) g- cU shortcut selection will switch a selected clip among Video+Audio, Video Only, Audio Only
( y' w4 c6 `- \/ shortcut selection to Play Around Clip
2 H# u# D g, B" B, c- k! ]Move/Trim/Edit a selected edit or selection of clips based on timecode entry
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* n! v- J7 W9 qAudio
; X, ^1 e7 Z# l- K' JAudio crossfade with 0dB, +3dB and -3dB transition options
; B3 E( @2 n* l0 |9 F8 \$ i& k* CAdaptive audio track option to map up to 16 audio channels
2 @2 N& F* o$ `8 B* SClip audio mixer
+ U+ R' o( n, P* ?# B9 UNumeric editing of audio mixer fader value7 C+ `$ V: m+ r8 I* S3 S l% X
Option to use system audio even when Desktop Video is selected for use
. v: y- @6 Y& h8 c6 DSource viewer audio waveform display with each audio channel displayed
; z/ e3 ~" F: Z5 f# a& ~9 _( EMultiple zoom selection for audio in source viewer
+ D+ P p! l8 V2 QTrack audio mixer offers mono channel routing
, _. T" {$ V; h; B6 @Display of multiple channel audio waveforms in user selected timeline audio clip' a/ {+ J% F; @1 @# K& O) D
- \- y- g. P @) n; a- m) D6 q: { vTransitions x7 }, J6 _. u, j) U( {
Add default transition to selected edit points
& g) p% e5 i) W C, g1 n: Q5 dDefault transition contextual menu includes duration selections0 b7 f0 u" X4 t& U- R
Inspector now includes a transitions duration parameter; }: z6 Z# P1 Z- p7 S
Inspector includes transition start on edit, center on edit and end on edit options* u4 m9 X* @0 }: z$ ?1 m0 |
Also includes ease in, ease out and ease in/out transition options
, f' I+ |4 S: ^; RConcurrently add transitions to multiple selected edit points6 ^* w/ P/ ^, w
Extend edit command to extend clips to the playhead
/ `' X8 _2 G" H% \& P& R n9 [+ vOval Transition now includes aspect ratio support. e, p7 i" d$ D4 v6 Z4 c
Default transition support
, P- Y7 J" M; q# D2 sFavorite transitions indicators
* E& h# ]0 L, B1 j9 V2 nCommand drag and bump a clip in a track generates a dissolve
- G) `, F0 V1 |# G7 ?Image dissolve modes, Video, Film, Additive, Subtractive, Highlights and Shadows
0 u/ Z* s) l9 I$ bNew transitions - Box, Heart, 5 Star, Triangle
7 {! {- B3 f! c/ I: H3 @
+ ]6 ^, q8 f/ n l% J1 CEffects
' m, N* \2 }, H* Y( q9 F1 t' G# AEdit keyframe timeline with curve editor including spline based (bezier) ease-in/ease-out and linearselections
* \; P- m" q, g3 h% JGraphics files have default duration for editing
8 b# y+ x, Q+ j4 m( R) oCopy and paste all attributes to multiple clips' ?0 \1 ~2 e# K* z
OpenFX plug-ins can now be used for transitions and generators1 ~7 u P( m/ r' s' L- K
Retime Clip menu now also appears on the right click contextual menu
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Titles " {$ w- j Z9 T' x( N% T
Extension of rich title generation tools including stroke size and color, over/underline and strikeout, tracking,line spacing and capitalization
: f* z( T- C) m6 HUnderline and behind graphic bars for text
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$ U4 k) \: Y/ N, STimeline list* a2 Z9 O4 o$ z7 u, H' F2 N6 p( z
Timeline Folders to manage timelines in the timeline list
) P1 Y. s6 h: G0 DAddition of Creation and Modified Date data in timeline list! V# w0 b: }# D5 Z0 }$ i
Name, creation and modified date filters for timeline list
4 e3 [* C6 Z1 M9 E1 E1 kPop-up menu to filter out all but .xml or .aaf for .edl files in the xml, aaf and edl importer& i$ [7 @$ U! \, N( R, A
" l* R- X f! E. D D
Markers and Edit Index
' X. b0 f- T& X3 s3 T' I) [& O6 xAdd markers to Source Clips, in the Source Viewer of Media or Edit pages, for reference" U; |' Z* Q6 h# E6 w8 Q f* l3 A$ A. f
Add notes to flags and markers with color selection
3 s- K* i+ v- pKeyboard shortcuts to jump to previous/next markers. A) [, l* K& K8 b
Option to ripple timeline markers when any track is rippled
( W2 {- \3 l& h5 u l+ XSnapping on timeline markers4 H ^0 Z: O; H9 W" z# r
Flags and markers now shown in Edit Index/ Y( D* a$ N: b+ `! D; b- i
Additional Edit Index fields - start and end source timecodes, slate timecode, audio TC, resolution codec andsource frame rate. D4 ^0 x4 [" W+ I5 W* m: R2 B
Sort Edit Index with display selectors
! D* s% ?' m' P( u( NThe edit index list includes 'Show Through Edits' and Offline clips options
" {$ v! w$ P( M( ?1 eAdded support for Import/Export timeline markers from EDL
0 H$ Z% F+ v, J9 v" XFlags are stored and loaded from timeline clips instead of media clips for pre- conformedtimeline
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# {, d2 F% d. D; X2 I/ _6 ~ R: OAdditional Keyboard Shortcuts
* U, C9 m3 n% |0 n5 p4 t _Additional play commands - Play In to Out, Play Around In, Play Around Out, Play to Out.
. U* k; g2 A7 z APrevious/Next Gap shortcuts - governed by auto selection, L: n0 }" u1 S5 Z6 k& d4 x
New shortcut key to focus on Media Pool Folder view
5 d* [' D6 I1 n( F: t3 v$ eCommand # keys to focus on Media Clips, Effects, and Edit Index1 J" S: Z; M1 b
3 v+ y. G7 J d( b8 |/ i
Color Page2 h" A+ I" d/ A0 t
Camera Raw palette now includes Highlight and Shadows recovery, Saturation, Contrast, Midtone Detail, Color BoostLift and Gain controls0 w n* H7 E5 W! P7 h
All Camera Raw controls now available on the BMD control panel( J4 s- c. W# H
Highlight and shadow recovery, Color Boost and Midtone Detail now available in all correctornodes5 v' L0 i7 r. r- L
Color Chart based auto color balance: `! U2 {$ D8 q5 }% w8 m, Q* M
Enhanced grading Group management with Pre-Clip and Post-Clip node graphs
' z) a8 }! m) M6 s' \8 l- GAdditional keyer finesse controls for cleaner keys1 ^2 b& { t4 f) K# }
Additional Split Screen group to show all highlight views, T4 i& B, i. @5 s' s% k
Split Screen has a new Show Outline option in View menu
- N$ d7 K2 J8 R1 A5 H, dGallery stills and memories now selectable in one Split Screen group; K3 e6 a9 o& d
Grab stills is also available from group node graphs8 B* X5 M4 J7 O/ d1 X- X
New saturation vs saturation curve
, ]8 O0 s p) E" t p9 B0 dNew LAB colorspace selection in corrector nodes
5 E* X* j6 [1 U' YDense color matching for Stereoscopic 3D7 c7 w; A& M F5 [" }2 i
Key lock option for node sizing to allow objects to be moved into selected area4 W, r Q1 C( _2 P1 U5 a* c
Broadcast Safe out of limit display and soft clip level selection
8 D; l$ ^3 K, m$ x! `- G# ]8 BWindows now include Opacity for greater control of isolations
+ p( f6 X4 [5 t" B5 ?+ xMultiple layer OpenEXR support in the node graph
8 I' w5 A. \' x5 D0 GGallery page now directly accessible from the Color page% E( ~- U! }+ A7 d* ]5 q
Single frame track forward and backward mode using for complicated tracks& J' J, J; f6 p. M1 N; m
Updated Softlight composite mode
$ B2 A- o3 `. t( f+ xTimecode type display selection now uses a context menu" p( T+ ]% V: e1 K: D) E' H
Timeline markers and flags with notes now shown on Color page
' X Y3 n' b e V/ ~! x8 ]4 O3 YMultiple user named PowerGradeTM Albums
( d- `6 ?" C1 d0 R7 tNode icons to display tools used on each node
3 O0 G$ r2 h7 z+ l, bNode editor mute icon to display when bypassed
- J) F, c" a/ Q6 {' x0 t7 QOption click Enhance Viewer mode to display full screen viewer
0 b* y7 D3 a, l. e! a1 @Option to hide the mini timeline
+ \8 \5 Y. \4 E- h8 P1 M% STint control for Arri Raw files8 v: d2 G H! T) A( m1 k1 [8 |) P4 c4 s8 \
Phantom Raw debayer improvements
, [* i* \' m8 H# g5 R4 M9 L# GAutomatic dead pixel concealment for PhantomCine
3 s! e S0 T7 |, c* ~ X) t H9 C8 EColor page viewer toolbar for selection of viewer and modes* h6 ^/ L4 h4 ~: K
Video scopes now refresh in real time8 f* Y+ C4 _7 d
CinemaDNG RAW settings includes new 4K Production Camera specific log curve: H$ {, p+ |- g+ r/ L$ I* T
Improvements for DNG decode for some still RAW images# D7 Q9 |/ Z: S- N
Shift Down + Ref On/Off can be used to Invert Wipe on the Resolve Control Surface: C V+ r; w. p5 U& p
Added support for H/V ratio when using extreme blurs beyond 1.0$ k4 ^; ]/ r. v
Added ability to use alpha output of OFX plugins from a node3 j0 j0 X/ e4 `2 ?
1 I; {- s4 [- a6 W% ^
Deliver Page
0 ^) M$ h: F* p8 u: G* V3 L- D2 DImproved H264 encoding including bitrate control (Mac and Windows only)
f8 ]# ?1 Q7 j" W. J9 M4 t% ]+ _H.264 rendering color compatibility improvements. w; y0 B4 w- C. I
Support for AAC audio encoding (Mac only)
5 {3 ]- n; u, X* R; B6 c8 PAdditional easy setup render preset for Video Sharing Export+ q) ` Z. i N
Expanded render queue for clearer display of render jobs; c5 V0 R! Z2 j* I C; q, ~
Render source clips at source resolution option
: C+ [, r* X# z: TeasyDCP generation now support inclusion of subtitles
/ @) C% ^* ?" O5 g* QFolder path retention now selectable from top or bottom of folder path2 Y# i, F5 l" s/ i/ o9 s$ P! w
Render settings refined into standard, intermediate and advanced lists to speed selection
* {% \2 Z. _+ v$ E& [1 qOption to use cache for rendering when cache resolution matches render resolution+ d; [% ]) n4 ^% @, Q
Option to use timeline name as filename for rendering
4 l7 c# |3 o9 x) k
4 ^- U6 w" G8 F) ~( Q- EGeneral Enhancements5 i l4 ^6 g' T% z
Updated BMDFilm and BMDFilm4K to Rec709 LUTs% ^: s' l, g9 d! o5 _# P4 S
VFX I/O LUTs for BMDFilm and BMDFilm4K
5 S- K. c* s$ N9 YBMDFilm and BMD4KFilm IDTs for ACES workflows with ProRes source material
: Q7 I6 b. f: X3 [9 oCapture and Playback now supports Quicktime files with Uncompressed, ProRes and DNxHD codecs
: q+ A& ]' R/ j9 nNative ACES support for RED r3d files
6 h0 F: Z' E/ l5 s! [% ?7 v! zSupport for Red SDK 5.08 D- N, m4 H3 c1 o
Users can now use drag and drop to move projects in the Project Manager6 @1 Z( D' M1 n' N! n1 y& [
Support for new ACES 0.7.1 standard; k0 W8 p4 A# X; F2 \; K+ m7 u
Selectable ACES version in Master Project Settings
& ?/ m1 Q7 Z8 q7 r5 D$ c. g; WSupports easyDCP IMF encoding and decoding
6 C/ ~2 F, N/ a! S/ }' F; WeasyDCP plugin is now supported on Linux$ N' z# a6 t- G3 r. n; g" L
Shared media path mapping support for sharing/moving projects between Mac, Linux and Windowssystems
# Y3 ], _0 S& z- Y; z! I) @5 X2 m& hGrass Valley HQX and HQ Quicktime encoding and decoding on Mac and Windows
- u1 W" j9 F. m) aMXF OP1a encoding support to allow video and audio in the same file
2 u! ~' o# y$ c5 yImprovements for rendering XDCAM 50 Mbps streams
2 z" m& m: _0 }1 b5 ^4 A3 r j12 bit RGB DPX decoding and encoding support
& K% q4 e- x4 s4 o- A0 A; ROption to select 6G-SDI in UHD monitoring mode4 v A# E7 P; k, f
Decoding of Panasonic MTS video
" H/ m/ a, m' ~4 z8 V; h. L# g% ]7 PDecoding support for Sony RAW Metadata
# [ y$ m2 y. v, m7 n0 R# @' B2 ^LZW compression option for TIFF rendering
) e; y& q [: k, @( T2 h+ Y# g12-bit 4:4:4 video monitoring support with Decklink 4K Extreme and Ultrastudio 4K (up to Stereo 2KDCI)3 K, T. K9 @7 U# I9 U# {
12-bit 4:4:4 video monitoring support with DVS Atomix (up to 4K DCI) - Linux only
+ m: L, e3 j& E ?6 A4:2:2 4K 60P video monitoring support with DVS Atomix - Linux only/ A* e) {4 z! R$ Q6 |
Added support for 44.1 KHz audio
" a) e, \. n" jSupport for OpenEXR 2.1+ Z8 N# O2 g8 v3 F, L9 b9 ~5 w$ T
On the DaVinci Control Surface. Shift Down + Ref On/Off will now Invert Wipe
! \7 m, [, l" `; F# xAbility to use the file browser to choose gallery, cache and proxy folders6 Y- ?8 M; g* p( c4 R7 J& a
2 ]+ K4 \9 k5 R4 d! p8 b' s
What's new in DaVinci Resolve 11.3.1 O! {+ Q- B! a! Z5 T' v
Support for DNxHR in Quicktime wrapper M% q2 q* N) y6 k- Y
Updated color science for Alexa 65 RAW processing- F, X9 f8 Z) N& x1 ?% p e. p
ALEXA Open Gate and Canon RMF clip resolution improvements+ U0 L1 t5 |4 P; Y; w% s/ N6 u
Support for CUDA 7 and NVIDIA Maxwell GPUs
3 q3 Z% d/ P9 Q% L5 YAnti-aliasing improvements for title rendering with shadows
0 d" ]. K9 w, I( K/ U+ l. PGeneral performance and stability improvements
; N/ W; @3 r" ~' \3 \5 ?8 p
0 \+ {& S5 | L; x' a7 ZWhat's new in DaVinci Resolve 11.3
& K& v# ?7 e; AARRI Alexa 65 support
2 c1 B3 D* ?# PSony XAVC Intra encoding (Full version only)
" S2 ^2 v" c9 |# OPanasonic V35 IDT included for ACES workflows
* B. `; w7 Q1 lSupport for ACES v1.0
5 _1 `2 r& w& s0 _. m; bSupport for Avid Media Composer 8.3.1 DNxHR MXF files$ ?& U/ }1 M5 ]3 b, t1 D+ ]
General performance and stability improvements+ S# Q9 @8 o p8 X( B( f* x
6 G0 q6 W: H7 q( J! o& j
What's new in DaVinci Resolve 11.2.1
, k2 Y% D9 `$ e. z) K$ K3 W9 A6 H: tCinemaDNG tone curve improvements* j* s, }3 R( T U9 _
CinemaDNG soft clip option
1 n- Z( o( W- {/ {DNxHR encode and decode support
+ E7 w- n7 O* i2 IMedia Composer 8.3 round-trip support
% @/ y- b7 j) P; u6 v* W8 {AAF import now sets the timeline resolution" v. _7 ~+ C4 [
Invalidate clip cache option in Edit and Color page: a0 y/ T# ^' a; g( g
Option to select RGB pixel order for DPX version 2.0 m7 B% Z) f% A: q
Flags and markers now supported in ColorTrace
5 D! w+ v: h; V: e" S8 N ^( [Support for Red SDK 5.3' Y9 c; ?# G- f( C8 S
General performance and stability improvements9 m4 z1 s2 M; D+ t3 ]% y
# o# ~, }) k( P
What's new in DaVinci Resolve 11.2
* S$ O! s4 d bCinemaDNG tone curve improvements- b# d1 t- q3 r) [
CinemaDNG soft clip option0 |9 N; Z% L+ H
DNxHR encode and decode support
3 V8 |: G" X/ w: QMedia Composer 8.3 round-trip support
7 w, L+ l. f; uAAF import now sets the timeline resolution
$ |& ?- ~. ~% w6 b# n, B" eInvalidate clip cache option in Edit and Color page
/ h$ M$ O. H( d5 S" h- sOption to select RGB pixel order for DPX version 2.0
$ V$ d; ? i# c) n- dFlags and markers now supported in ColorTrace2 f' ^% Q7 j5 `$ t' Z+ [% g
Support for Red SDK 5.3" z4 |9 W; o) b+ K# E8 }5 \: K
General performance and stability improvements
- W; \8 l% m& V6 {; i" ]! d% ?; O! m1 |
What's new in DaVinci Resolve 11.1.3
; T8 M6 q* n8 _4 H4 h3 RImproved Media and Edit page playback performance
1 o" V% d0 U1 x8 `+ @/ r7 T" g2 gImproved tracker stability
% {; R1 _2 C5 n* NImproved render stability for long renders" Q- D. Z6 X4 n' T$ Q! j
Improved trace intensity for scopes
) Z% M% K! L5 w2 n8 eAdded Rocket-X support for Monochrome clips6 r8 m* @: X2 {/ b+ C1 |8 X2 Y+ h
General performance and stability improvements+ u* q3 |( ~: T0 K
% m/ Y$ M9 X% y& I2 Q& lWhat's new in DaVinci Resolve 11.1.2
: J5 F0 q+ S+ c$ P' m$ bImproved Media and Edit page playback performance6 I" f2 j: A1 k! M5 E( J' b
Improved tracker stability
5 R0 u. T% T6 v+ f9 X; c8 Y1 eImproved render stability for long renders
. _5 ?, g4 s4 p( {Improved trace intensity for scopes
# ]" r8 [# M/ l! zAdded Rocket-X support for Monochrome clips
# q$ B( D/ ~7 Z& }% a& OGeneral performance and stability improvements
+ y9 P f8 G! Z! s# Y: P/ x! Q( |" [: Q6 p6 ^
hat's new in DaVinci Resolve 11.1.11 {, p: L0 [9 V/ S: c1 W5 C
Support for Panasonic VLUT 3D LUT format" {( T7 Y9 Y! J7 }+ j
Trim Clips feature is now called Consolidate clips. k6 p2 ~( |2 J, j* ~6 I7 G
Improved RED clips consolidation
* q& B$ ?0 l1 j5 |2 e; iSource caching improvements with concurrent temporal processing
, _# p9 r# }( lFCPX XML importing improvements for color information
% s4 Y) _# Z |+ b" R" O: f, fPhantom CINE file decode improvements6 T0 w. U6 j) p
ColorTrace support for Dolby Vision EDR grading
' }! m; X, F3 H. U( H8 C6 AScopes settings are now restored correctly in dual screen mode. d( z6 }% f: M5 x& s3 P- [
Improvements in stability when reading a corrupt DNG frame
# g" a& H/ {2 x! m8 P$ hObject tracking points now display during stabilisation$ j8 N: x5 ~9 ] _
Color picker improvements in ACES mode9 A) S" l5 t p1 M$ _1 v7 o
General performance and stability improvements" k0 \7 f' u3 n; W1 z7 l1 P% d4 v% A
5 T }+ h) e/ j& K9 c) y1 s% _/ HMinimum system requirements for Mac8 y2 t5 r: `, X/ a& M4 `
Mac OS X 10.8.5 Mountain Lion
* ^& h, r5 Z8 d9 t/ L1 E12 GB of system memory is recommended and 8 GB is the minimum supported
. `' |7 V: V6 X: j. ~& ]! _Blackmagic Design Desktop Video version 10.1.1 or later' c" ~3 C5 d% D( W/ d0 \
CUDA Driver version 6.5.45% O; u$ P( V$ b- k6 V
NVIDIA Driver version – As required by your GPU
4 {" Z' x- Y9 H6 KRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later+ S- E) ]+ F! |; C
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
) l4 Y4 T5 L& s% B4 C
) |' {0 n- y# x/ ^% nMinimum system requirements for Windows9 p2 R, }1 B4 l4 Y
Windows 7 Pro 64 bit with SP1, u; Z$ d1 _; p3 O: J2 w
12 GB of system memory is recommended and 8 GB is the minimum supported
& G$ N0 W3 @4 F: m/ l: c5 r$ YBlackmagic Design Desktop Video version 10.1.1 or later+ y$ c( m' u# o2 N! C+ E4 ]
NVIDIA/AMD Driver version – As required by your GPU
0 y( H) _* @' b4 F% T, @ W2 tRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later, G0 m) [" y( o! T1 r8 d" M% p/ R
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later) J$ n3 z+ f& C" X% W% L4 Z* ]
: q/ C7 z8 ?. q- C# L3 V( uMinimum system requirements for Linux
# ]8 M7 y# ^' _CentOS 5.4
3 {3 J1 _, t; y. b32 GB of system memory is recommended and 16 GB is the minimum supported
' O y: q1 f, h+ t0 ?0 a8 zBlackmagic Design Desktop Video version 10.1.1 or later' z! }/ {/ Q7 ~
NVIDIA Driver version 331.67
/ o6 j" I# _4 [6 j a# _( g6 kRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later3 S' t1 E3 u# h y! w3 L8 V9 p7 l
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
* U* O0 |" j- V# ~5 V% A; m
- `5 p4 C9 t$ q1 X1 d# a& G* x2 E" F% v6 `; _/ y* \' @2 t
Download:
: w/ M( [6 b$ m( mDaVinci_Resolve_11.0b2_Linux.zip$ K0 `/ r1 V6 k
DaVinci_Resolve_11.0b2_Mac.zip
F& e6 F7 x& H! l0 Z- kDaVinci_Resolve_11.0b2_Windows.zip
3 s5 p* W& y0 s" g3 B9 r6 ZDaVinci_Resolve_11.0_Linux.zip
$ s; D. ^& \5 x( q! k6 L- a/ TDaVinci_Resolve_11.0_Mac.zip
m7 z2 Y& e) N4 e% e# ~* LDaVinci_Resolve_11.0_Windows.zip
9 c( N s$ R" D' }- gDaVinci_Resolve_11.1.1_Linux.zip$ }: c8 B4 }. i& L9 l4 G
DaVinci_Resolve_11.1.1_Mac.zip- Y4 H6 i+ W* i
DaVinci_Resolve_11.1.1_Windows.zip3 `* Q: W. j# R) b6 E( v
DaVinci_Resolve_11.1.2_Linux.zip
: ?6 U/ ?* H) z0 Q. WDaVinci_Resolve_11.1.2_Mac.zip
) @ W/ d4 Q5 z5 O$ z( NDaVinci_Resolve_11.1.2_Windows.zip
. J7 M j+ \% ^6 }0 i4 gDaVinci_Resolve_11.1.3_Linux.zip
$ G2 v) }+ m- ^: Y" r0 PDaVinci_Resolve_11.1.3_Mac.zip
) Y/ ?! i+ J& E" x* `# vDaVinci_Resolve_11.1.3_Windows.zip
5 x3 P( Y' c/ j- `+ h. IDaVinci_Resolve_11.2_Linux.zip9 c, P1 U# F5 \2 {8 j; h
DaVinci_Resolve_11.2_Mac.zip' R9 X; l ]) m
DaVinci_Resolve_11.2_Windows.zip
* C7 U! U' o, o0 pDaVinci_Resolve_11.1b1_Linux.zip
- F! H+ \* ~- A" |* `5 f6 i6 QDaVinci_Resolve_11.1b1_Mac.zip' ~ `9 }7 j: y; ~4 {- T8 m- D' l
DaVinci_Resolve_11.1b1_Windows.zip
4 Z0 V- g" D7 d& JDaVinci_Resolve_11.1_Linux.zip
% ?# s$ s) b w) SDaVinci_Resolve_11.1_Mac.zip
* g ~2 b e- e9 ]* \! CDaVinci_Resolve_11.1_Windows.zip
2 _, H. v5 Y( Q' U _DaVinci_Resolve_11.3_Linux.zip
$ w% q7 o3 I1 I4 ODaVinci_Resolve_11.3_Mac.zip i+ Y- R. z$ v \/ E$ @
DaVinci_Resolve_11.3_Windows.zip
+ f1 r6 j Q! t: D/ m/ ?" X- E. hDaVinci_Resolve_11.3.1_Linux.zip9 b: D/ I5 U. z) t
DaVinci_Resolve_11.3.1_Mac.zip- S6 y* Z5 O2 {" ?) f0 F$ b" W
DaVinci_Resolve_11.3.1_Windows.zip
, o/ R( p6 v% C. @5 ` v2 p, C( s+ v0 O9 I
DaVinci_Resolve_Lite_11.0b2_Mac.zip
1 a% f* n/ {! W# {DaVinci_Resolve_Lite_11.0b2_Windows.zip$ E% J3 [$ ?1 I# M
DaVinci_Resolve_Lite_11.0_Mac.zip' S7 v9 [- R$ N1 {6 t& |
DaVinci_Resolve_Lite_11.0_Windows.zip/ I8 o: R4 w& t
DaVinci_Resolve_Lite_11.1.1_Mac.zip
( [; [* E; D1 d. X/ sDaVinci_Resolve_Lite_11.1.1_Windows.zip
7 `5 b1 t/ u8 oDaVinci_Resolve_Lite_11.1.2_Mac.zip; b( g6 Y0 u0 k! u: G l. y1 J
DaVinci_Resolve_Lite_11.1.2_Windows.zip
; h0 k: e" C0 u7 r/ C" w3 ]DaVinci_Resolve_Lite_11.1.3_Mac.zip& U, J9 S# e* d+ e
DaVinci_Resolve_Lite_11.1.3_Windows.zip" A5 ~" D3 l4 O6 B! r
DaVinci_Resolve_Lite_11.2_Mac.zip
8 G/ D) b. E( H! E6 e& iDaVinci_Resolve_Lite_11.2_Windows.zip3 a1 c* h; G( R" `" f- c; D
DaVinci_Resolve_Lite_11.1b1_Mac.zip3 ?# S( P, J% ~! Z0 Y
DaVinci_Resolve_Lite_11.1b1_Windows.zip3 ]0 s. i+ b8 }% \; e/ R
DaVinci_Resolve_Lite_11.1_Mac.zip
& [4 t. g; b) A& ~6 uDaVinci_Resolve_Lite_11.1_Windows.zip1 l) p' a x7 y' N; Y2 E$ I$ `
DaVinci_Resolve_11.2.1_Linux.zip; p2 W6 n/ r! x" @# H8 T
DaVinci_Resolve_11.2.1_Mac.zip/ ~1 T0 Y2 B. _" H9 X
DaVinci_Resolve_11.2.1_Windows.zip, H" N. D3 ]* y: F
DaVinci_Resolve_Lite_11.2.1_Mac.zip2 j8 T& w" I" U2 \5 f$ f) w
DaVinci_Resolve_Lite_11.2.1_Windows.zip$ H2 q L0 {% }9 X) ^
DaVinci_Resolve_Lite_11.3_Mac.zip. y, Y( ~- A4 ?& Y4 N
DaVinci_Resolve_Lite_11.3_Windows.zip" g" X1 E" G0 p, ]
DaVinci_Resolve_Lite_11.3.1_Mac.zip% b( T' c8 t- @, V G6 e6 k4 l
DaVinci_Resolve_Lite_11.3.1_Windows.zip
1 T" z. g8 g! H5 e: s6 V
4 l" O$ Y' a$ Z7 m$ QAboard Line
2 p1 K# w" r9 BDaVinci_Resolve_11.2_Linux.zip
1 K& ]% y. l E8 f9 j4 I. YDaVinci_Resolve_11.2_Mac.zip
# a0 U+ v$ T- C5 zDaVinci_Resolve_11.2_Windows.zip
S& x: Z; V/ y2 m `DaVinci_Resolve_Lite_11.2_Mac.zip6 d( D8 f1 Q& P
DaVinci_Resolve_Lite_11.2_Windows.zip
/ t% N& ^0 W1 W# Z+ ]; @DaVinci_Resolve_Lite_11.3_Windows.zip
; h0 E. g! F D1 ~9 q9 r6 gDaVinci_Resolve_Lite_11.3_Mac.zip" u3 i. Z5 N3 f: P2 s# w# i* ^
DaVinci_Resolve_Lite_11.2.1_Windows.zip
9 D# v' c* D6 {: x1 @# ?DaVinci_Resolve_Lite_11.2.1_Mac.zip
% @4 E) l+ q* B0 F' IDaVinci_Resolve_11.3_Windows.zip/ k" A9 A7 q" _. F9 W l
DaVinci_Resolve_11.3_Mac.zip
4 }! j; D7 M x7 o1 h+ o3 n4 r4 k% TDaVinci_Resolve_11.3_Linux.zip6 h0 A$ ?" G0 P/ E' k* \ _& w+ w
DaVinci_Resolve_11.2.1_Windows.zip R3 K. ^. B' l! A0 x$ X
DaVinci_Resolve_11.2.1_Mac.zip0 a/ e* ^: V+ M2 `
DaVinci_Resolve_11.2.1_Linux.zip* z7 h2 Z) [$ y9 W; U
4 U" f# F0 e5 S* ]
+ ~6 }5 c0 ~, c
正式会员高速下载地址1 p& O6 \9 G# X, g- F$ J
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发表于 2014-11-18 20:06:22