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Program Name: BlackMagic Design Davinci Resolve v11.3.1 Serail Collection
" C( N- C' @) Y F0 o0 L( F& hProgram Type: Color correction& B3 T. e# I8 e
Version：11.0b1-11.3.1
" w0 l+ A! I% mDeveloper: Blackmagic Design Pty. Ltd.
2 ?* ^& j& u3 a' C2 pHomepage: www.blackmagic-design.com/products/davinciresolve
( R. S7 W. d. A" l* e! jRelease Date: 28.03.2015, N' f, u# ?1 E4 T( R
Interface Language: English,Chinese,Japanese
' o+ T0 H, g+ l' JPlatform: Win / Mac / Linux
. x0 A3 I( ^$ l; r. K T5 W: bFile Size: 1.8 GB8 X! I* H+ A1 h5 g/ [3 R; g
! d, O& h" f0 c, w, }% i) q* ]* ODaVinci Resolve 11 combines the world’s most advanced color corrector with professional multi track editing, so now you can edit, color correct, finish and deliver all from one system! Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.: R! j {# h1 s7 @' t4 k
! E. }0 p$ Z; b
What's New in Design Davinci Resolve 11
& X6 W) |1 V2 e8 w# ]# f5 eThe world’s most advanced grading tools.
- e" d% B% @6 s$ f# bDaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!
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- V1 \* X3 j5 P6 S. Q1 t) |6 cCollaborate with over 70 new editing features!: j6 I& [* W: T8 [+ a3 R" h
DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit!, F# J) @! P/ H& i* u- F! e
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Scalable power and real time performance.$ x0 O& K0 {% l$ N6 G
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. That’s important when you are working on high pressure projects with a room full of clients! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!
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Ensure complex jobsare well organized.9 Y6 J# L: Z( m6 e8 f( [
Saving and managing media is a critical part of every project! DaVinci Resolve’s new clone tool will back up your valuable camera files on location so you can check your footage before striking the set! The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you don’t need to convert files to begin editing or grading!+ \. B* I6 ^8 K1 A
& D% x$ Z4 l# P) H6 l- r! MFinish and deliver tovirtually any format!) d+ e+ G$ X6 n9 }7 G( ?
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!
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Unique YRGB 32 bitfloat processing.
3 ~4 r6 d$ O, k& }1 u, sDaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!
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The world’s most compatible post production solution!2 Q. W: ^0 H) @& ?0 D
Move projects between your favorite NLE and VFX software! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Adobe® Premiere Pro® CC and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects® CC and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the world’s most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.
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* x$ D/ t; J! x7 ~5 y5 {DaVinci Resolve 11.1 Key Features+ C9 _8 o) p, t. r1 U) U. H
• Editable in and out points in the source viewer
7 O0 C% v: z6 Y: @7 u5 O• Graphical fade sliders for video opacity
) {: Q% [0 k6 p4 ?/ t3 P• Action and title safe overlays in the edit page |. \. z' x0 w1 V
• Improved asymmetric trimming
$ @3 n E' K5 d- s• A new Swap Edit command
4 z6 D' e: L5 Q8 q, j5 `( s) W# ?8 G• The ability to trim gaps in the timeline
' _: t$ C, D* \. `3 C$ f• A full screen timeline option
8 u5 k5 B Y+ J6 n* s1 }• Improved Final Cut Pro X XML import and export
9 O, T" A( u" I4 q+ G• Improved FCP X XML import and export T7 S* A2 D& Y% a* w: c
• Trim support for Quicktime and MXF clips
0 `+ f* B- q& E( m( H: P• Native mixed frame rate support for compound clips( z( F. `4 t6 z8 ~
• Allow transitions to be added to multiple selected clips via Cmd+T
' Z9 ^: ?+ b: e$ L" C• Find Source Viewer clip in Media Pool via Option+F
8 K2 _* F: i2 ~+ s$ ]• Second layer input for OFX plugins
+ R5 j4 O- ]) J) \• OpenCL support for Linux to support AMD GPUs
; T3 F# z; e) _" ^8 L8 y( M
( P9 p4 K1 Z1 }" HOn touve : & l5 s; U' ?1 q8 q/ x2 M
Multi-user collaborative workflow with simultaneous editing, grading and metadata entry (Full Version only)) x) [! M; q# a- N# Z
User selectable enhanced and optimised foreground and background render caching7 K2 m" d- n; V: `' ]( G. Z
Completely New Multiple Level Render Caching includes selectable cache points for source, nodes, clip and timeline, cache indicators on edit and color page showing selection and status of cache and user selectable cache formats; ProRes, DNxHD, Uncompressed 10-bit and 16-bit float
' w$ s: Y# C" u7 }5 |Project setting to enable/disable background render caching' M* ^. f( U, Z% L# }6 H5 A) ~
Dual monitor user interface support
% `' |4 d! |' i4 y, x/ `, AApple certified ProRes decode and encode support on Linux, w2 c9 c4 r# n, w' Z& r
Includes Mac and Linux decode and encode support of ProRes 4444 XQ7 m8 m8 a, F( }. Z$ U
High performance OpenFX framework extension for multi GPU OpenCL and CUDA plugins
& ~1 `, D+ |" d( H+ j3 DGUI support for multiple languages; English, Japanese and Chinese
. v7 F7 I0 ^; Z) {User customizable keyboard shortcuts and presets- G d$ [7 D y, J/ X$ U
Multiple auto save versions* C( L' F( i8 _% d( L8 r+ O
/ S2 W: Q+ y9 F" p- [; k$ B
Media Page
7 @+ ?' b! `' Y. N3 Z5 f+ DClone tool for SD Cards, SSDs and disk drives includes multiple destination clone and checksumreport7 h! c1 C* f0 }( a4 Z* i: j4 a
New reveal or hide clip metadata window option5 N4 E, y) T) H* P- v
Media Pool thumbnail clip detail popup now displays clip frame rate9 U, V, t, u4 V1 E$ B# X" M' G# p/ q
Split Clip operation automatically moves the focus to the newly created clip
$ E, G) }* O3 oCamera metadata support for RED and Sony Raw clips
( s: n$ @4 h% d5 `% K7 f
6 L* o% B3 C! mEdit Page, Editing and Assembly
6 a$ E5 j& U( Z- x% U1 |8 Z* CKeyboard absolute or relative timecode input for all viewers and timeline" N6 h% T r8 L* m* @
Create Timeline Using Bin and Create Timeline Using Selected Clips to quickly assemble a timeline from any mediain the media pool, with or without mark in/out preserved and using original clip order
: [9 @* g$ Y; L) ?4 g% } v' m7 _Full JKL transport control now includes frame by frame
( q% Z* I; X& }Source/Timeline viewer playhead ganging% L" y; \& \$ _( g
Split video and audio in and out points on source and timeline viewers+ d% ?; v* e; u( X9 K% h6 g
Slide source destination selector in the track control manager
5 \# ?) k. U5 cShift click and drag to constrain clips in time while moving them to higher or lower tracks) L: C& N/ M# x8 D" z
Ability to deselect a gap by clicking it5 j9 z7 b4 z& _5 a/ t
Through Edit Indicator on the timeline with join through edit command
3 B% _! ~: p' `0 W+ H7 n4 J7 e4-up display for slip and slide
" e2 o3 _* ~2 C* HOption-dragging the top or bottom of a simple edit point turns it into a split edit point3 F8 ~) P2 G# A( b; l" `, N) o; g- M
Option arrow key to move clips vertically up and down tracks
. r$ l2 p. o/ ^" WSub-clips are easily generated using the viewer7 Q2 P3 V# L3 `3 c
End of timeline is now indicated on the viewer3 z8 o* S/ ?8 T9 b4 \) M8 s( ~9 M
Editable names for video tracks
1 y/ s v6 z" a$ ^- f6 [Timeline tracks display number of clips on the track
: ~7 ?: e# N/ yInspector selector for Video, Audio, OpenFX adjustment options
, E R$ p7 i. u) v1 P- lUser defined favorite transitions, titles OpenFX plugins and generators2 _" q8 ]$ X6 A/ ]. I ?$ U
Editing of compound clips+ F) g" }8 W- b$ _
Stereo Decision List import supported via ColorTrace
8 b4 y8 {& j1 ~, ~Added support for AAF import/export for Avid Superimpose effect as normal composite with opacity5 W; F+ t, g7 m; T
AAF support for 3D Warp effect T/ U( Y8 a0 m$ j6 p' A* W
Support for FCPX 10.1.2 XMLs with DTD 1.4
( { s7 a1 R0 Q6 \8 ]Added support for double-clicking the clip shown in the filmstrip to open the clip in sourceviewer
2 u/ u1 w6 |6 V5 O$ n7 S% P* [3 Y0 U2 r$ C
Trim Edits
0 _) X6 k( e) I* G fYou can now always roll and edit in selection or Trim mode
3 \0 X+ _8 J# k. c, y9 a: mTrim Start and Trim End let you resize the in or out point of a clip that intersects the playhead to the currentplayhead position
2 W+ t9 \9 U, k9 J6 xSymmetrical and Asymmetrical trimming with multiple selections at once
; \' y7 b: y6 M' ?" BExtend edit command for single and multiple edit selections$ k8 ]+ j, ^0 ?. h0 S9 {6 G
JKL dynamic trimming to dynamically resize or trim the selected edit" ?- C0 W1 Q9 ? o
JKL dynamic Slip or Slide to dynamically slip or slide the selected clip# i2 f7 U% X0 f
Option U key will now toggle Edit Point Type
% Y7 }4 S6 O8 T: K0 A7 SU shortcut selection will switch a selected clip among Video+Audio, Video Only, Audio Only3 g+ t# r% [- I& y6 X9 t
/ shortcut selection to Play Around Clip
' t; m5 C2 t; d- A" O* r0 P& EMove/Trim/Edit a selected edit or selection of clips based on timecode entry3 }% q5 K- L! a- P: ]' l
^2 U$ S7 N, M& D- K
Audio 2 Y9 U& N( _; N( a% p1 f
Audio crossfade with 0dB, +3dB and -3dB transition options
/ @: d E- u7 U$ \; A( eAdaptive audio track option to map up to 16 audio channels
2 g$ J5 o6 f, p2 D; a/ wClip audio mixer' Z) w4 B% e7 |+ z
Numeric editing of audio mixer fader value$ j0 @9 {6 l. E. T( J! o' {6 i
Option to use system audio even when Desktop Video is selected for use( C+ l8 h& w) c2 h' x4 b: T
Source viewer audio waveform display with each audio channel displayed
6 {. F7 C( |' s" k, P2 eMultiple zoom selection for audio in source viewer+ G) J* `. Y: J: P/ |$ I
Track audio mixer offers mono channel routing
7 L, d( L6 {! W3 R# G% s* RDisplay of multiple channel audio waveforms in user selected timeline audio clip
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3 V* M/ j+ P" i- ]6 p* YTransitions . s$ L- g, I8 f9 r, _: J
Add default transition to selected edit points
1 _1 |. n" n4 oDefault transition contextual menu includes duration selections
( K9 ]2 J& n+ d- Y6 l1 B* EInspector now includes a transitions duration parameter; z8 P0 t8 c9 [
Inspector includes transition start on edit, center on edit and end on edit options
/ V+ i" s6 U: q% V" [* D7 {( KAlso includes ease in, ease out and ease in/out transition options
. X6 y# z3 n- _; k7 m, _Concurrently add transitions to multiple selected edit points
3 G, H% E* ]0 ~. E; ~. \! T# ~Extend edit command to extend clips to the playhead
9 L' f' v+ u! K! o5 F* T3 h. VOval Transition now includes aspect ratio support e( Y% b' \* [( \2 g# s, v
Default transition support
/ k0 ]2 t& i5 Q: E7 B0 rFavorite transitions indicators
: {% y% q8 i. ?$ HCommand drag and bump a clip in a track generates a dissolve
; p. c" a, o5 l+ k o; k% SImage dissolve modes, Video, Film, Additive, Subtractive, Highlights and Shadows2 z! N }7 P ?: H& A
New transitions - Box, Heart, 5 Star, Triangle% X; ~: j4 w& z1 T1 M
; V" J3 I+ h. \ @" X C6 n
Effects
; U. ?! o0 H% d9 ]- f( ?, _5 T, SEdit keyframe timeline with curve editor including spline based (bezier) ease-in/ease-out and linearselections
( G+ P+ a6 N1 f; y% PGraphics files have default duration for editing9 i# `3 E# q$ b
Copy and paste all attributes to multiple clips
9 d3 u: F( u: q SOpenFX plug-ins can now be used for transitions and generators6 t3 o4 Y9 e8 F' `) f% S1 Q
Retime Clip menu now also appears on the right click contextual menu$ ]1 ^% B# O0 Q5 x6 }0 u
* {, j. p) M* `' @Titles " o0 J# b! `, r, l2 V Z1 S
Extension of rich title generation tools including stroke size and color, over/underline and strikeout, tracking,line spacing and capitalization
& n# X0 [& O) p( q* a* vUnderline and behind graphic bars for text) t! x/ |: ?2 F @7 o% G
9 s2 [( ~: ]- L$ _Timeline list
- C* x4 B' R2 mTimeline Folders to manage timelines in the timeline list" y! I* O% l& q
Addition of Creation and Modified Date data in timeline list
, z% w. H( o+ u" O# s0 XName, creation and modified date filters for timeline list
: t) ^+ R: D% |4 X/ X/ jPop-up menu to filter out all but .xml or .aaf for .edl files in the xml, aaf and edl importer
. |# X) B% R8 s2 f o- d% D: g9 {* M, Q% o: j0 U6 I1 {8 a
Markers and Edit Index k2 Q. J$ I* m+ S9 Y" W& X
Add markers to Source Clips, in the Source Viewer of Media or Edit pages, for reference
3 g2 t: v$ Z4 m4 EAdd notes to flags and markers with color selection
8 R; _9 {: }, {* M9 OKeyboard shortcuts to jump to previous/next markers4 V$ b% @5 r, w, |0 X2 Y
Option to ripple timeline markers when any track is rippled5 G, V* \: J6 W P& X
Snapping on timeline markers+ i( p5 ]0 \/ }8 @
Flags and markers now shown in Edit Index# U) h' R" ~5 \1 ~
Additional Edit Index fields - start and end source timecodes, slate timecode, audio TC, resolution codec andsource frame rate
+ p" Q# t9 i1 |9 PSort Edit Index with display selectors5 t, m. j; Q9 S- `) E1 r
The edit index list includes 'Show Through Edits' and Offline clips options7 T! I( e2 ^2 k6 B% L
Added support for Import/Export timeline markers from EDL
) l, }5 p+ ^8 c8 A; UFlags are stored and loaded from timeline clips instead of media clips for pre- conformedtimeline
: c9 @) @" M! r" [' i! L9 O, A7 K5 ]2 S, t% ]: g9 B& v$ p( G: |% m; z, A: X1 i
Additional Keyboard Shortcuts
/ Z$ C8 h: I7 n% i* DAdditional play commands - Play In to Out, Play Around In, Play Around Out, Play to Out.
# j% A: U& ^3 d9 ?Previous/Next Gap shortcuts - governed by auto selection
# |$ F0 C; x) J- J! tNew shortcut key to focus on Media Pool Folder view
5 ^* [6 o' k; J. z* [) fCommand # keys to focus on Media Clips, Effects, and Edit Index
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Color Page6 s4 Z; I; G% {8 k* ?0 G
Camera Raw palette now includes Highlight and Shadows recovery, Saturation, Contrast, Midtone Detail, Color BoostLift and Gain controls
# A$ ~3 E$ m/ E. DAll Camera Raw controls now available on the BMD control panel( T5 K% t" s* c$ n
Highlight and shadow recovery, Color Boost and Midtone Detail now available in all correctornodes% B0 E0 ~/ @) g. c8 z" w7 [
Color Chart based auto color balance# D# _/ F: T, B3 s% Q/ R9 C
Enhanced grading Group management with Pre-Clip and Post-Clip node graphs
" {- R, p% k8 m& {- G& ~Additional keyer finesse controls for cleaner keys
- `# V# J5 G( w" G, F: qAdditional Split Screen group to show all highlight views" R$ z/ g& ^. J$ n
Split Screen has a new Show Outline option in View menu6 A& j! T$ x+ Y8 J
Gallery stills and memories now selectable in one Split Screen group
* L- i6 X. [2 r8 m3 B& q/ g$ {" D# h& XGrab stills is also available from group node graphs
) j2 }1 y, B; k1 y. q3 vNew saturation vs saturation curve' M. c* c6 f( H) A/ G' ^
New LAB colorspace selection in corrector nodes% j0 Y9 r; T) V/ ]6 _
Dense color matching for Stereoscopic 3D. y) k% A7 B" k2 O1 D3 @" r4 L
Key lock option for node sizing to allow objects to be moved into selected area
$ d+ c$ k3 J7 ]9 A( [* |7 wBroadcast Safe out of limit display and soft clip level selection
1 C F" w, _7 F6 K2 U$ XWindows now include Opacity for greater control of isolations
0 d1 ?9 P9 \- B) N oMultiple layer OpenEXR support in the node graph
5 |7 v: Z4 F2 v( g( AGallery page now directly accessible from the Color page
6 n: K k/ ]4 }* eSingle frame track forward and backward mode using for complicated tracks
2 f6 ^! L0 Y7 e6 |8 v* \Updated Softlight composite mode9 o! C8 V7 @( n+ ^$ u- Q
Timecode type display selection now uses a context menu
0 y* Z8 P: R: E* jTimeline markers and flags with notes now shown on Color page3 x& S: ~* j# Z6 S' r" [3 r
Multiple user named PowerGradeTM Albums
+ g* H1 ~* X7 w4 i1 U' iNode icons to display tools used on each node, V7 ~) o1 C$ j- \
Node editor mute icon to display when bypassed3 W/ X' Y ]- D Q
Option click Enhance Viewer mode to display full screen viewer) O/ h4 J' {6 O7 o* v
Option to hide the mini timeline0 r, W7 F" z5 o0 I" ]0 d/ u T
Tint control for Arri Raw files# b6 z7 j/ o- h2 s6 Y$ o
Phantom Raw debayer improvements
% @& e3 o* x3 h3 kAutomatic dead pixel concealment for PhantomCine' j5 K( E7 b% ]! k
Color page viewer toolbar for selection of viewer and modes2 C$ g+ ^) |/ Z; ~
Video scopes now refresh in real time0 ]6 R7 ~% q6 m: R9 f+ _
CinemaDNG RAW settings includes new 4K Production Camera specific log curve
7 g/ `2 z" A3 r5 \Improvements for DNG decode for some still RAW images
. ^# I: i0 m, N- N$ e! \7 iShift Down + Ref On/Off can be used to Invert Wipe on the Resolve Control Surface
* g* z; \0 s: J! o: ?8 \( ^" uAdded support for H/V ratio when using extreme blurs beyond 1.0- l( Y! B9 Y# n1 o
Added ability to use alpha output of OFX plugins from a node7 E/ A t3 k, q; |8 p/ X
- |. f& h G2 c5 U: M# EDeliver Page
3 t/ K9 z1 E% P) n) zImproved H264 encoding including bitrate control (Mac and Windows only): y5 `( H$ B2 l) R: U- }1 _# v v
H.264 rendering color compatibility improvements: \4 l8 z7 z% C
Support for AAC audio encoding (Mac only)8 k( b7 B# Y7 \2 y, I' Q
Additional easy setup render preset for Video Sharing Export
7 s# z4 w' H6 F: z# }' _0 qExpanded render queue for clearer display of render jobs7 @9 a& `: @& y6 s/ `. F; D
Render source clips at source resolution option; H: E |% j" j, P* W
easyDCP generation now support inclusion of subtitles% V6 y" E8 y6 _) O1 K; \
Folder path retention now selectable from top or bottom of folder path
. O4 Q2 {+ z) ?% m$ g. |% t2 _: IRender settings refined into standard, intermediate and advanced lists to speed selection7 j8 q" S9 k: ^, U( J4 A
Option to use cache for rendering when cache resolution matches render resolution2 ?0 @% C/ ]0 y
Option to use timeline name as filename for rendering. e' N3 b& B) c% P' d+ F! j) c* [
7 o/ P4 ]8 t, g* Y+ k
General Enhancements
8 \2 f' E4 Z( `Updated BMDFilm and BMDFilm4K to Rec709 LUTs( t/ v1 J! g3 q" x M
VFX I/O LUTs for BMDFilm and BMDFilm4K) k! W u8 k) Z
BMDFilm and BMD4KFilm IDTs for ACES workflows with ProRes source material
$ k! m# {* ?- L3 k5 B/ t; DCapture and Playback now supports Quicktime files with Uncompressed, ProRes and DNxHD codecs) h% Y1 q* y1 k) K( T
Native ACES support for RED r3d files( ]1 h& \9 o# p* X9 ^* Q: R' |
Support for Red SDK 5.0
2 Z+ p3 K( a. m, \Users can now use drag and drop to move projects in the Project Manager: E2 E* {% H' I
Support for new ACES 0.7.1 standard
J; ?; D5 P/ M- u* x7 L2 tSelectable ACES version in Master Project Settings! |6 ?7 ?2 X" U4 O7 z) [9 l
Supports easyDCP IMF encoding and decoding
* s, _2 r1 x3 s( i) k3 C: G% {; XeasyDCP plugin is now supported on Linux
3 F5 x# k1 Z! ]. @- i! t3 IShared media path mapping support for sharing/moving projects between Mac, Linux and Windowssystems
n$ T* X% n7 z0 jGrass Valley HQX and HQ Quicktime encoding and decoding on Mac and Windows* J7 y. i x+ `% d1 v& B9 x
MXF OP1a encoding support to allow video and audio in the same file& ?3 o; Q+ T1 ]; T
Improvements for rendering XDCAM 50 Mbps streams
/ a! A+ ^0 Z" E: F12 bit RGB DPX decoding and encoding support
6 ]0 Z! X( W! OOption to select 6G-SDI in UHD monitoring mode, b" M9 z6 |7 E2 F0 B6 W5 R/ K3 ~
Decoding of Panasonic MTS video! P$ Q4 \$ l( _
Decoding support for Sony RAW Metadata
5 U. k0 S" `- Q- b5 I4 hLZW compression option for TIFF rendering5 a F! [& w- u1 @1 J
12-bit 4:4:4 video monitoring support with Decklink 4K Extreme and Ultrastudio 4K (up to Stereo 2KDCI): S s6 j Z/ l" b' G6 v3 Z3 E- s* O
12-bit 4:4:4 video monitoring support with DVS Atomix (up to 4K DCI) - Linux only
( N+ q% \! ?# i4:2:2 4K 60P video monitoring support with DVS Atomix - Linux only
+ ^" F7 P" b, C( w5 dAdded support for 44.1 KHz audio
- f) g3 k9 [( F# P5 k6 MSupport for OpenEXR 2.11 |4 `, R2 j: p
On the DaVinci Control Surface. Shift Down + Ref On/Off will now Invert Wipe
. F5 l3 H+ ~% s# F0 H: O) d! IAbility to use the file browser to choose gallery, cache and proxy folders
9 G/ h0 I& f0 r. n% `
2 S3 r5 _& ?* vWhat's new in DaVinci Resolve 11.3.1, V0 T% ]$ C$ N5 _( q7 O
Support for DNxHR in Quicktime wrapper0 k% g0 H0 f6 Z( M7 _9 ^5 p
Updated color science for Alexa 65 RAW processing
1 [2 w7 v E# c7 h+ ZALEXA Open Gate and Canon RMF clip resolution improvements
& Z2 K |" Q; _- W6 p) h) @Support for CUDA 7 and NVIDIA Maxwell GPUs
0 w# ~4 y4 ^$ s9 Y) \; J T9 fAnti-aliasing improvements for title rendering with shadows. S- Y5 B& k1 \7 g
General performance and stability improvements
7 q0 v4 n( |: c4 Q4 _0 x5 X" c0 b( A; {1 T7 `8 w
What's new in DaVinci Resolve 11.3; C- O" Y& I7 k4 a
ARRI Alexa 65 support/ i& b0 M" k$ w/ |, A* q! f
Sony XAVC Intra encoding (Full version only)
" ]" Z) z* M8 }# U" y) SPanasonic V35 IDT included for ACES workflows
, X; k' s3 @! E1 f! ?! d) ?Support for ACES v1.0: o! K- P$ ] r# b
Support for Avid Media Composer 8.3.1 DNxHR MXF files+ L$ I3 a5 ?, K# L
General performance and stability improvements
* N+ h5 S4 j! O# \% ]; v% l+ Q, K
What's new in DaVinci Resolve 11.2.1
# |' `4 s2 ~! U; V& @1 Z" xCinemaDNG tone curve improvements4 M8 v. a7 G3 H# Q; {' u
CinemaDNG soft clip option( J$ S: A. a, q
DNxHR encode and decode support1 \5 a4 H: z7 Z3 T5 z0 W: G1 }
Media Composer 8.3 round-trip support
4 X6 w' R7 \0 N9 ?/ rAAF import now sets the timeline resolution
. A( Z; l9 X% q4 _; M$ M' O, d8 LInvalidate clip cache option in Edit and Color page/ J8 ?8 C. H8 H3 ^, |- y* s; ]
Option to select RGB pixel order for DPX version 2.0
. V* ?. O: c1 a% dFlags and markers now supported in ColorTrace, ^0 Y1 n8 t+ ]9 t2 i6 E2 V
Support for Red SDK 5.3- Z* Y6 K/ ~- s8 h/ e* B7 u8 H& ~
General performance and stability improvements
* o( g F' J5 e9 ~
. g/ r# B) u3 ` k" z. B8 TWhat's new in DaVinci Resolve 11.28 `/ F$ r- I' v4 W" p& ^8 X# o( ?, h
CinemaDNG tone curve improvements- r8 v" ~" ]( G0 K
CinemaDNG soft clip option
; s$ f% q" F, Q$ N- y6 j2 O: nDNxHR encode and decode support0 M' l/ A- _: X1 L
Media Composer 8.3 round-trip support3 G: d" Z8 Y5 l. g
AAF import now sets the timeline resolution
. j, t z) A# u* QInvalidate clip cache option in Edit and Color page
4 c+ H, Q/ l* @1 a; \- u# T% COption to select RGB pixel order for DPX version 2.0
) B" J: i8 _" m, F. HFlags and markers now supported in ColorTrace. | h' ~$ G/ T9 a1 n) [) D
Support for Red SDK 5.3
- M$ L) q3 b" D8 ~General performance and stability improvements
9 B6 z# J" p! s1 B$ V( ?: S- H
8 y, f7 ]$ U0 R- e1 M3 [2 ZWhat's new in DaVinci Resolve 11.1.3
# J& {- J8 h S) R8 EImproved Media and Edit page playback performance$ Z* f4 b, ]/ F3 Q% ]5 i0 [& |
Improved tracker stability
) n8 @8 Q' r+ q3 {Improved render stability for long renders" h& H- w+ U( q3 h& Q
Improved trace intensity for scopes
& z- b# A- f# OAdded Rocket-X support for Monochrome clips0 T" _7 ~- M5 H2 l0 `' Y6 ]+ [
General performance and stability improvements
' m4 i( t$ C- C+ ~& z* i% ^ i* d* u% M0 [3 {
What's new in DaVinci Resolve 11.1.20 b7 j- I8 _* h+ [/ x' X, f$ y9 b
Improved Media and Edit page playback performance
+ w% _* }3 ~) E7 Q9 v1 AImproved tracker stability
/ C4 e8 c; \; J$ XImproved render stability for long renders# Q: N9 R. s) ?
Improved trace intensity for scopes" t. r/ }7 e, q4 B5 f6 {0 j5 U2 d
Added Rocket-X support for Monochrome clips+ D/ N E- y- q
General performance and stability improvements
' B: B8 a+ n9 L; w4 k/ I3 D# Y! j5 B0 s2 g: s3 W2 c! `
hat's new in DaVinci Resolve 11.1.11 y# b) C2 i: o
Support for Panasonic VLUT 3D LUT format2 Q- s! H- v/ r9 S
Trim Clips feature is now called Consolidate clips
D9 @( V5 P3 y3 u; P4 P2 ~1 p9 pImproved RED clips consolidation1 q! `$ \4 a3 n+ I8 v6 X
Source caching improvements with concurrent temporal processing2 j0 G/ ]5 j. l% B: l
FCPX XML importing improvements for color information, l' F! J& |/ K+ \# v q6 _! ]7 G
Phantom CINE file decode improvements( t7 ^% @; a6 P0 F
ColorTrace support for Dolby Vision EDR grading" X s( W1 B- V
Scopes settings are now restored correctly in dual screen mode) t7 z) W- s. r$ X' Q. |
Improvements in stability when reading a corrupt DNG frame
( m( \9 f* J r1 ^. _, t3 QObject tracking points now display during stabilisation
/ M9 Z2 @, T6 U) b9 a9 G0 o5 QColor picker improvements in ACES mode
" H/ g# y; t6 T# t( k/ y+ b# u* ^$ ^General performance and stability improvements! U- C; p* B7 ^% o1 Z( b8 e4 ?. v
8 a8 v6 a3 b/ i( H8 A# P/ }Minimum system requirements for Mac0 o# C( }9 o* ^- @: k% x
Mac OS X 10.8.5 Mountain Lion
) a) L1 m8 u) {( \8 l- t/ _12 GB of system memory is recommended and 8 GB is the minimum supported
3 F* g0 @% P6 }& FBlackmagic Design Desktop Video version 10.1.1 or later f( |- r2 n, p/ B
CUDA Driver version 6.5.45: | }; [; b% @; |* m; w
NVIDIA Driver version – As required by your GPU
3 L# [% o7 X2 c0 R! N! @& f' s6 ? tRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
, `" M! c* n. S: |RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later: `* L3 h. S) m3 ? }9 M
, i' m% f7 c V2 c B% `
Minimum system requirements for Windows
6 Z: R8 D9 {% r6 t( ^3 B' ~" D) AWindows 7 Pro 64 bit with SP1
0 F2 p# V- J) [0 B. M( r% `+ `12 GB of system memory is recommended and 8 GB is the minimum supported
7 Z# V, y# h% e' K6 q7 C. l1 D9 FBlackmagic Design Desktop Video version 10.1.1 or later# b2 _# B3 |: i8 F9 t0 B9 M2 k7 B
NVIDIA/AMD Driver version – As required by your GPU0 D; Q& G+ |) W8 N3 o9 w
RED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later7 f4 c' y) D) q' B7 K4 K) n
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later. ~& V% t' ]8 c0 M; z9 ~
n4 x5 o0 L+ Q# M! PMinimum system requirements for Linux5 Y0 A) m! Y% u' _
CentOS 5.4
" _+ e) ?, ^. u: W32 GB of system memory is recommended and 16 GB is the minimum supported
$ c" }, Q& Z: v5 Y, d; i+ cBlackmagic Design Desktop Video version 10.1.1 or later+ v+ H3 s9 k5 ^# i0 a
NVIDIA Driver version 331.67
/ K3 G& s( g! P fRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
* I. K) E2 ?9 r. cRED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
1 b0 {7 O. F# Z, C- o& M: D) X# o' f0 I2 ]& `! A
/ F) i0 D' E' z# r6 |0 E7 a
Download:8 C5 S' ]* M. f
DaVinci_Resolve_11.0b2_Linux.zip9 ~" B1 I$ l p, O+ I) Z* }! r
DaVinci_Resolve_11.0b2_Mac.zip; N. T0 \/ {: e
DaVinci_Resolve_11.0b2_Windows.zip
" \" j6 p3 \8 ~) g# K( hDaVinci_Resolve_11.0_Linux.zip
0 Q5 s& N2 j& ]2 z5 W' e% U! N% XDaVinci_Resolve_11.0_Mac.zip
, o2 _2 ^& z8 x- K( j. ?; PDaVinci_Resolve_11.0_Windows.zip
" M# K2 z! z# q' w/ O' l5 ~" ?" W, rDaVinci_Resolve_11.1.1_Linux.zip; R- E. l: S7 r o: K2 y
DaVinci_Resolve_11.1.1_Mac.zip1 s# k a$ |/ f# Y& y" u
DaVinci_Resolve_11.1.1_Windows.zip
$ e9 U4 @) ^! m2 xDaVinci_Resolve_11.1.2_Linux.zip
9 F+ r+ Z& }( x! D+ w0 A- SDaVinci_Resolve_11.1.2_Mac.zip4 [1 ^9 V% K0 P B8 s2 c0 B+ w. X
DaVinci_Resolve_11.1.2_Windows.zip# s4 }& V1 b3 m3 y$ ^$ k
DaVinci_Resolve_11.1.3_Linux.zip
7 l6 k* ?# i! n+ hDaVinci_Resolve_11.1.3_Mac.zip; y+ `+ y& R' v8 H5 J
DaVinci_Resolve_11.1.3_Windows.zip
& L, ~4 p r# U3 s$ E4 nDaVinci_Resolve_11.2_Linux.zip
3 z% q H' b% k; ?5 O: U8 r# TDaVinci_Resolve_11.2_Mac.zip
9 @8 J5 u# z) e" k. eDaVinci_Resolve_11.2_Windows.zip
, C. }/ y, F: J t6 c* t3 [DaVinci_Resolve_11.1b1_Linux.zip+ i3 b+ |7 C* V
DaVinci_Resolve_11.1b1_Mac.zip
`4 H3 t0 \/ d9 Y4 m2 f! ADaVinci_Resolve_11.1b1_Windows.zip# ~. p: K3 I( j" \
DaVinci_Resolve_11.1_Linux.zip% Y. N- K$ z$ H/ P o
DaVinci_Resolve_11.1_Mac.zip$ d6 u. V; k! k$ y
DaVinci_Resolve_11.1_Windows.zip; g4 k3 Y4 @! K+ b
DaVinci_Resolve_11.3_Linux.zip
8 J K# y8 w* @) ?# PDaVinci_Resolve_11.3_Mac.zip" Y f8 B# w; ` D) C) L
DaVinci_Resolve_11.3_Windows.zip7 g; n! P1 I/ }8 s2 S
DaVinci_Resolve_11.3.1_Linux.zip
* x& M! v" f1 aDaVinci_Resolve_11.3.1_Mac.zip
% Q8 d6 B9 n. k; A% G6 d2 `DaVinci_Resolve_11.3.1_Windows.zip
9 u8 P" E- i) c6 n+ p0 T% F0 \5 y
, r! D- x v: ` kDaVinci_Resolve_Lite_11.0b2_Mac.zip8 Z# M1 k3 t' W7 n/ Q
DaVinci_Resolve_Lite_11.0b2_Windows.zip
{7 T' O2 g7 \* iDaVinci_Resolve_Lite_11.0_Mac.zip
$ H% T* _ Z* l" lDaVinci_Resolve_Lite_11.0_Windows.zip' q+ C3 }4 R2 \
DaVinci_Resolve_Lite_11.1.1_Mac.zip/ v" R6 J) E5 P3 G0 k( u# s
DaVinci_Resolve_Lite_11.1.1_Windows.zip
* j; X) P7 \2 I! }6 Z# WDaVinci_Resolve_Lite_11.1.2_Mac.zip) ]; ?5 l* ?0 y# n& |) x
DaVinci_Resolve_Lite_11.1.2_Windows.zip$ v7 ^3 t7 s9 l I) x
DaVinci_Resolve_Lite_11.1.3_Mac.zip
1 [ ~2 u& p& d6 |DaVinci_Resolve_Lite_11.1.3_Windows.zip+ x; k' x% p" O% [4 C
DaVinci_Resolve_Lite_11.2_Mac.zip, N$ }( \) F. b- V C! R" t
DaVinci_Resolve_Lite_11.2_Windows.zip/ T* R0 `4 J& o/ Q8 O a H
DaVinci_Resolve_Lite_11.1b1_Mac.zip
5 @( i. u& `5 w( s/ b: ZDaVinci_Resolve_Lite_11.1b1_Windows.zip0 E& c# w3 O# Q
DaVinci_Resolve_Lite_11.1_Mac.zip' R! T+ b3 W, Z( w1 A; [
DaVinci_Resolve_Lite_11.1_Windows.zip" E+ c' m" R/ D7 D
DaVinci_Resolve_11.2.1_Linux.zip1 L2 Q; ~) `$ P
DaVinci_Resolve_11.2.1_Mac.zip+ e/ n/ _' c: H( J6 u
DaVinci_Resolve_11.2.1_Windows.zip
' i' I$ s/ f+ E" P UDaVinci_Resolve_Lite_11.2.1_Mac.zip
9 p! o0 _! U& Y7 yDaVinci_Resolve_Lite_11.2.1_Windows.zip5 X! R0 `4 q2 Z+ H" k' [+ @7 F
DaVinci_Resolve_Lite_11.3_Mac.zip
% E: C) O- V/ c) xDaVinci_Resolve_Lite_11.3_Windows.zip6 c2 B( x* i3 g+ _, d. O; {
DaVinci_Resolve_Lite_11.3.1_Mac.zip7 \& V1 W* p4 S# H q
DaVinci_Resolve_Lite_11.3.1_Windows.zip; e4 i4 \! s5 z" q8 L
- y' J" p2 k; y( J9 f
Aboard Line# T5 b$ y6 F: W. M$ M
DaVinci_Resolve_11.2_Linux.zip
0 V9 A; ?/ R! P% j, B& `DaVinci_Resolve_11.2_Mac.zip
$ a& R" N8 X, Z$ gDaVinci_Resolve_11.2_Windows.zip
) h) }2 g4 M8 e$ T% b. i2 mDaVinci_Resolve_Lite_11.2_Mac.zip
I3 e* `; B0 B/ Z2 P3 zDaVinci_Resolve_Lite_11.2_Windows.zip
R, w; d2 d3 @' C5 h7 f* U2 EDaVinci_Resolve_Lite_11.3_Windows.zip/ I$ d; Z) o. n* q6 E
DaVinci_Resolve_Lite_11.3_Mac.zip
5 @ I( Z& u( a' y+ Z- HDaVinci_Resolve_Lite_11.2.1_Windows.zip3 ?) M0 f0 _% q
DaVinci_Resolve_Lite_11.2.1_Mac.zip
$ |9 g# O5 k6 |! Y8 t. {DaVinci_Resolve_11.3_Windows.zip% W# M; p' R8 [
DaVinci_Resolve_11.3_Mac.zip4 Y" x, d, }1 a% v9 J! w3 D
DaVinci_Resolve_11.3_Linux.zip
; Z2 c2 i8 X) [ i7 fDaVinci_Resolve_11.2.1_Windows.zip% n, {& f, ~, c' |- H: m
DaVinci_Resolve_11.2.1_Mac.zip( L' ]4 f# Q4 _( i; P
DaVinci_Resolve_11.2.1_Linux.zip& |. }4 y+ I) f+ Y3 h( Q9 D
# `, {) v% n; |6 g8 t
5 r' X R2 ]1 u6 a
正式会员高速下载地址9 c( x. W1 N' H- K! y4 k
3 Q! U( J$ ]( ]! n! z
$ I1 ^; c- L, C3 D( o8 ]: W+ J
官方下载地址：* A9 Z8 b' C w
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发表于 2014-11-18 20:06:22