BlackMagic Design Davinci Resolve v11.3.1 Win / Mac / Linux

Program Name: BlackMagic Design Davinci Resolve v11.3.1 Serail Collection
( J: q5 m% ^* |9 w( qProgram Type: Color correction
Version：11.0b1-11.3.1
Developer: Blackmagic Design Pty. Ltd.
Homepage: www.blackmagic-design.com/products/davinciresolve
# [* `& X* Q& ?3 u) eRelease Date: 28.03.2015
Interface Language: English,Chinese,Japanese
( c, e- m$ p  z" K, t! h7 A9 IPlatform: Win / Mac / Linux
- Z1 \: `4 n; J! F) A2 pFile Size: 1.8 GB

DaVinci Resolve 11 combines the world’s most advanced color corrector with professional multi track editing, so now you can edit, color correct, finish and deliver all from one system! Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

7 z; j, F' |* p" VWhat's New in Design Davinci Resolve 11
1 a8 L# `2 z: t! _1 d! U" D4 GThe world’s most advanced grading tools.
. R! v3 u) o, [$ N$ MDaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!
# a4 J. c( m5 W4 B2 Q- Y
Collaborate with over 70 new editing features!
DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit!

  i" a' t0 D8 ]Scalable power and real time performance.
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. That’s important when you are working on high pressure projects with a room full of clients! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!

/ M8 L2 Z4 m/ V: o# T% EEnsure complex jobsare well organized.
Saving and managing media is a critical part of every project! DaVinci Resolve’s new clone tool will back up your valuable camera files on location so you can check your footage before striking the set! The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you don’t need to convert files to begin editing or grading!

Finish and deliver tovirtually any format!
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!

Unique YRGB 32 bitfloat processing.
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!
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" a: u# m1 P6 `/ c' N) c' b" HThe world’s most compatible post production solution!
' ~, s, R6 a  W  O- mMove projects between your favorite NLE and VFX software! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Adobe® Premiere Pro® CC and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects® CC and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the world’s most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.

  _- S, ?/ D$ }5 v9 eDaVinci Resolve 11.1 Key Features
# T, Q, |* m0 m$ k- l• Editable in and out points in the source viewer
• Graphical fade sliders for video opacity
2 U7 Z& z2 f0 _/ E  o• Action and title safe overlays in the edit page
• Improved asymmetric trimming
: i! T* F( k/ O• A new Swap Edit command
• The ability to trim gaps in the timeline
' j- G7 ?- d* j6 O• A full screen timeline option
$ v7 V; g+ U3 ?  D; |7 n• Improved Final Cut Pro X XML import and export
% z0 @4 q3 o# T  t  h$ j2 z4 E• Improved FCP X XML import and export
- g0 h# i7 i; `4 z( }5 M• Trim support for Quicktime and MXF clips
• Native mixed frame rate support for compound clips
• Allow transitions to be added to multiple selected clips via Cmd+T
• Find Source Viewer clip in Media Pool via Option+F
) I0 W( R  z  x4 q$ C$ V• Second layer input for OFX plugins
• OpenCL support for Linux to support AMD GPUs

2 S% y1 e  g' W2 i0 p3 rOn touve :   
$ n; I* G3 T2 m6 n: J9 S1 q' H% lMulti-user collaborative workflow with simultaneous editing, grading and metadata entry (Full Version  only)
9 t- p6 X6 A" S* p5 f/ {1 d3 h1 |User selectable enhanced and optimised foreground and background render caching
Completely New Multiple Level Render Caching includes selectable cache points for source, nodes, clip and  timeline, cache indicators on edit and color page showing selection and status of cache and user selectable cache formats; ProRes, DNxHD, Uncompressed 10-bit and 16-bit float
Project setting to enable/disable background render caching
4 O1 \9 ~( {6 L/ HDual monitor user interface support
" p6 ^+ ]& O, k  R7 SApple certified ProRes decode and encode support on Linux
0 v% {  t3 ?2 o$ GIncludes Mac and Linux decode and encode support of ProRes 4444 XQ
/ M# p4 T% _0 J6 BHigh performance OpenFX framework extension for multi GPU OpenCL and CUDA plugins
4 C  D" G4 f/ Q# J/ T" nGUI support for multiple languages; English, Japanese and Chinese
User customizable keyboard shortcuts and presets
$ v3 U/ z9 v# ^Multiple auto save versions

Media Page   
  }. t" N8 `# W+ w3 s# R3 |9 SClone tool for SD Cards, SSDs and disk drives includes multiple destination clone and checksumreport
& i! I1 _. V3 x6 NNew reveal or hide clip metadata window option
8 R0 c; Y( }! @# ^3 {% v; EMedia Pool thumbnail clip detail popup now displays clip frame rate
Split Clip operation automatically moves the focus to the newly created clip
4 |" Q1 ?& K3 s5 kCamera metadata support for RED and Sony Raw clips
; |7 H6 U2 l# p4 ?' P- K+ \) C
/ w: y- I# t; _9 qEdit Page, Editing and Assembly
" e7 u( s6 b. ]4 A  ^8 [" ZKeyboard absolute or relative timecode input for all viewers and timeline
" ~9 O# I& K% a# E; T' i# QCreate Timeline Using Bin and Create Timeline Using Selected Clips to quickly assemble a timeline from any mediain the media pool, with or without mark in/out preserved and using original clip order
Full JKL transport control now includes frame by frame
Source/Timeline viewer playhead ganging
Split video and audio in and out points on source and timeline viewers
+ A7 y4 Y  ]; TSlide source destination selector in the track control manager
3 r' `) W) _- ^Shift click and drag to constrain clips in time while moving them to higher or lower tracks
4 F! D4 e! a: @% ]9 G. d; wAbility to deselect a gap by clicking it
Through Edit Indicator on the timeline with join through edit command
  X: z# e6 J; q4-up display for slip and slide
2 o6 @2 [5 z$ H, n8 m3 YOption-dragging the top or bottom of a simple edit point turns it into a split edit point
  d& z1 n, T& J- I* `/ r& {Option arrow key to move clips vertically up and down tracks
! d2 @8 d& L, E7 LSub-clips are easily generated using the viewer
End of timeline is now indicated on the viewer
Editable names for video tracks
% k8 |4 [; V& G" ~# Q& g  j% Z' ETimeline tracks display number of clips on the track
3 d1 U( ]9 Z: B( @- JInspector selector for Video, Audio, OpenFX adjustment options
User defined favorite transitions, titles OpenFX plugins and generators
Editing of compound clips
Stereo Decision List import supported via ColorTrace
Added support for AAF import/export for Avid Superimpose effect as normal composite with opacity
) x  q" s! E* l4 |AAF support for 3D Warp effect
" p5 T3 N8 W- f5 }" y+ Q1 \7 JSupport for FCPX 10.1.2 XMLs with DTD 1.4
Added support for double-clicking the clip shown in the filmstrip to open the clip in sourceviewer
4 e) z1 v0 k9 {) z$ e; `- N3 @
Trim Edits
You can now always roll and edit in selection or Trim mode
Trim Start and Trim End let you resize the in or out point of a clip that intersects the playhead to the currentplayhead position
Symmetrical and Asymmetrical trimming with multiple selections at once
Extend edit command for single and multiple edit selections
JKL dynamic trimming to dynamically resize or trim the selected edit
6 K: F8 x2 J3 E3 o  ]* kJKL dynamic Slip or Slide to dynamically slip or slide the selected clip
+ |* W2 L8 z( |. {" }4 dOption U key will now toggle Edit Point Type
$ _+ r+ B* r! w: E% L; [$ lU shortcut selection will switch a selected clip among Video+Audio, Video Only, Audio Only
# w, `  j( j2 \) p9 |5 R; E& C/ shortcut selection to Play Around Clip
Move/Trim/Edit a selected edit or selection of clips based on timecode entry

8 J% {& U1 V7 ?  lAudio
% s8 f, V3 m( ]7 P4 Q0 f+ ]" zAudio crossfade with 0dB, +3dB and -3dB transition options
+ t( i& a5 A6 x# {Adaptive audio track option to map up to 16 audio channels
+ [: B, c, M) g7 e4 x& f- fClip audio mixer
! S$ L7 y% a3 [0 XNumeric editing of audio mixer fader value
( c' O" @9 W  HOption to use system audio even when Desktop Video is selected for use
Source viewer audio waveform display with each audio channel displayed
Multiple zoom selection for audio in source viewer
9 ?# [2 s2 |8 a5 s5 M7 QTrack audio mixer offers mono channel routing
, T7 `4 \% l* ?% _$ nDisplay of multiple channel audio waveforms in user selected timeline audio clip
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Transitions   
Add default transition to selected edit points
Default transition contextual menu includes duration selections
Inspector now includes a transitions duration parameter
Inspector includes transition start on edit, center on edit and end on edit options
Also includes ease in, ease out and ease in/out transition options
Concurrently add transitions to multiple selected edit points
Extend edit command to extend clips to the playhead
Oval Transition now includes aspect ratio support
Default transition support
Favorite transitions indicators
Command drag and bump a clip in a track generates a dissolve
# V* U5 |4 V# ]" s5 u( G, s" JImage dissolve modes, Video, Film, Additive, Subtractive, Highlights and Shadows
New transitions - Box, Heart, 5 Star, Triangle
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$ W0 G. a! v/ o6 D/ I) g6 }% W  x9 pEffects
& S4 z% S/ y0 n( aEdit keyframe timeline with curve editor including spline based (bezier) ease-in/ease-out and linearselections
Graphics files have default duration for editing
Copy and paste all attributes to multiple clips
3 Q( G2 X% {9 S: {OpenFX plug-ins can now be used for transitions and generators
% b/ p1 y8 ^. n+ W2 U% D2 kRetime Clip menu now also appears on the right click contextual menu
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Titles   
Extension of rich title generation tools including stroke size and color, over/underline and strikeout, tracking,line spacing and capitalization
* w& x4 Z% a( K9 t. Q) D( T7 VUnderline and behind graphic bars for text
+ P* l0 x4 Y2 X, O- R( l
Timeline list
Timeline Folders to manage timelines in the timeline list
- y: y  K% o+ _& z' v9 s7 R. ~Addition of Creation and Modified Date data in timeline list
- Y: C' a. l4 C) w9 i# D, {Name, creation and modified date filters for timeline list
Pop-up menu to filter out all but .xml or .aaf for .edl files in the xml, aaf and edl importer
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3 X2 j4 ]/ B/ ~Markers and Edit Index
8 |' A& L* p4 k0 o3 AAdd markers to Source Clips, in the Source Viewer of Media or Edit pages, for reference
' h) K+ o+ [7 u' pAdd notes to flags and markers with color selection
Keyboard shortcuts to jump to previous/next markers
Option to ripple timeline markers when any track is rippled
Snapping on timeline markers
2 C7 S* E6 \& ~7 d3 e0 J* IFlags and markers now shown in Edit Index
Additional Edit Index fields - start and end source timecodes, slate timecode, audio TC, resolution codec andsource frame rate
5 G" q" ?2 T( BSort Edit Index with display selectors
- M0 {) P: m/ QThe edit index list includes 'Show Through Edits' and Offline clips options
Added support for Import/Export timeline markers from EDL
% W) L* ]. B' rFlags are stored and loaded from timeline clips instead of media clips for pre- conformedtimeline

0 ~3 p" u) u4 B4 P& x8 a& JAdditional Keyboard Shortcuts
Additional play commands - Play In to Out, Play Around In, Play Around Out, Play to Out.
* o( y5 E: o9 J9 g2 uPrevious/Next Gap shortcuts - governed by auto selection
New shortcut key to focus on Media Pool Folder view
Command # keys to focus on Media Clips, Effects, and Edit Index

Color Page
8 L  B7 X% ]" \, Z+ LCamera Raw palette now includes Highlight and Shadows recovery, Saturation, Contrast, Midtone Detail, Color BoostLift and Gain controls
( c. l/ p' W0 F. m0 X# D3 jAll Camera Raw controls now available on the BMD control panel
( G6 r5 f; }0 I' ZHighlight and shadow recovery, Color Boost and Midtone Detail now available in all correctornodes
Color Chart based auto color balance
: c4 ^5 z1 z( o3 f3 u: w6 h8 QEnhanced grading Group management with Pre-Clip and Post-Clip node graphs
Additional keyer finesse controls for cleaner keys
) g+ o( t0 s) r- S: P& c' HAdditional Split Screen group to show all highlight views
Split Screen has a new Show Outline option in View menu
Gallery stills and memories now selectable in one Split Screen group
+ ^/ \9 K* r7 n$ y* dGrab stills is also available from group node graphs
$ U& {; [+ Y$ F6 NNew saturation vs saturation curve
1 N. C) A% B8 ^4 b+ L9 D, sNew LAB colorspace selection in corrector nodes
Dense color matching for Stereoscopic 3D
! a" a# l  X# X; oKey lock option for node sizing to allow objects to be moved into selected area
% g9 r7 M+ {4 G7 D  nBroadcast Safe out of limit display and soft clip level selection
0 E' }  U( k+ ~7 sWindows now include Opacity for greater control of isolations
Multiple layer OpenEXR support in the node graph
( I6 ?1 B0 n) ]2 z+ B& ~1 T) p0 |Gallery page now directly accessible from the Color page
$ V2 l; D0 K' LSingle frame track forward and backward mode using for complicated tracks
Updated Softlight composite mode
Timecode type display selection now uses a context menu
. g/ P1 w0 q! z6 w5 x$ A% FTimeline markers and flags with notes now shown on Color page
1 W- ^  P! N7 N# D" H% ^Multiple user named PowerGradeTM Albums
8 q" ~# a0 ?2 q7 q# C$ pNode icons to display tools used on each node
Node editor mute icon to display when bypassed
Option click Enhance Viewer mode to display full screen viewer
Option to hide the mini timeline
* U5 R: s1 a6 U& d4 w. bTint control for Arri Raw files
! }3 ^- N1 s" p+ C0 V) h, E" C- pPhantom Raw debayer improvements
Automatic dead pixel concealment for PhantomCine
Color page viewer toolbar for selection of viewer and modes
Video scopes now refresh in real time
CinemaDNG RAW settings includes new 4K Production Camera specific log curve
# p2 i9 h) R/ ^6 s( S, I( E6 DImprovements for DNG decode for some still RAW images
' m$ a! _3 H' ~( ?7 ?' l+ _Shift Down + Ref On/Off can be used to Invert Wipe on the Resolve Control Surface
4 o, Z6 K3 D0 U/ M6 }! N9 HAdded support for H/V ratio when using extreme blurs beyond 1.0
Added ability to use alpha output of OFX plugins from a node

1 i9 _% \* P' fDeliver Page   
' U6 i( }' `  G" uImproved H264 encoding including bitrate control (Mac and Windows only)
7 j; R: G; [+ f0 n" M% SH.264 rendering color compatibility improvements
Support for AAC audio encoding (Mac only)
Additional easy setup render preset for Video Sharing Export
Expanded render queue for clearer display of render jobs
  d3 J$ T* y: [5 ?Render source clips at source resolution option
easyDCP generation now support inclusion of subtitles
Folder path retention now selectable from top or bottom of folder path
Render settings refined into standard, intermediate and advanced lists to speed selection
Option to use cache for rendering when cache resolution matches render resolution
* X! R/ G# y" q5 F$ EOption to use timeline name as filename for rendering
2 j# J0 D# z/ n9 e- }; H" V
7 i0 z3 B, w: L4 W. y% |) ZGeneral Enhancements
Updated BMDFilm and BMDFilm4K to Rec709 LUTs
/ p! N4 G$ ]3 ?7 m, k( IVFX I/O LUTs for BMDFilm and BMDFilm4K
) M# ?7 k2 K' M0 _: y% S  mBMDFilm and BMD4KFilm IDTs for ACES workflows with ProRes source material
Capture and Playback now supports Quicktime files with Uncompressed, ProRes and DNxHD codecs
. R- [" r  i9 h1 W% m- `4 ~0 FNative ACES support for RED r3d files
$ X8 z- m( ?. ^* V. ~; uSupport for Red SDK 5.0
Users can now use drag and drop to move projects in the Project Manager
! J$ Q# u2 e! s/ fSupport for new ACES 0.7.1 standard
Selectable ACES version in Master Project Settings
% e  M  ^2 \3 r* T1 ?Supports easyDCP IMF encoding and decoding
: r/ H( Z, b, p, J* neasyDCP plugin is now supported on Linux
Shared media path mapping support for sharing/moving projects between Mac, Linux and Windowssystems
  s, F6 T4 p* L0 f: P5 s! zGrass Valley HQX and HQ Quicktime encoding and decoding on Mac and Windows
. f& F/ }  G5 s1 [$ `; KMXF OP1a encoding support to allow video and audio in the same file
Improvements for rendering XDCAM 50 Mbps streams
12 bit RGB DPX decoding and encoding support
2 g5 \" Z  z$ J' q& i: [Option to select 6G-SDI in UHD monitoring mode
Decoding of Panasonic MTS video
6 Y4 X! b( h! ^! E6 H' Q" d/ Z6 qDecoding support for Sony RAW Metadata
% S/ [& [! R# G, }0 VLZW compression option for TIFF rendering
: Y  ~: F! V; [) @; Y8 u' L: w6 a12-bit 4:4:4 video monitoring support with Decklink 4K Extreme and Ultrastudio 4K (up to Stereo 2KDCI)
12-bit 4:4:4 video monitoring support with DVS Atomix (up to 4K DCI) - Linux only
4:2:2 4K 60P video monitoring support with DVS Atomix - Linux only
4 R3 J; ~; N* L6 o/ dAdded support for 44.1 KHz audio
Support for OpenEXR 2.1
3 W& |: N0 u- |5 v8 Y/ GOn the DaVinci Control Surface. Shift Down + Ref On/Off will now Invert Wipe
, J: K: Y/ z2 i. i2 k* bAbility to use the file browser to choose gallery, cache and proxy folders

+ W* j4 |+ ^, Y4 m8 h' O  D- |) JWhat's new in DaVinci Resolve 11.3.1
Support for DNxHR in Quicktime wrapper
. n/ U( ^/ b& ^( EUpdated color science for Alexa 65 RAW processing
* }7 C  ]$ m2 f3 s; K9 p! ]ALEXA Open Gate and Canon RMF clip resolution improvements
/ T* y5 v1 Y; ]% d% j; l: s9 eSupport for CUDA 7 and NVIDIA Maxwell GPUs
Anti-aliasing improvements for title rendering with shadows
General performance and stability improvements

What's new in DaVinci Resolve 11.3
ARRI Alexa 65 support
) T1 `. L1 S. ]+ f$ T8 e7 b6 pSony XAVC Intra encoding (Full version only)
Panasonic V35 IDT included for ACES workflows
1 ?9 c) O: T6 l5 Y2 ~Support for ACES v1.0
Support for Avid Media Composer 8.3.1 DNxHR MXF files
General performance and stability improvements
4 V7 s3 m$ Q7 ]  z: }* Y3 h! I
1 I* b/ X/ L, C, l; J( hWhat's new in DaVinci Resolve 11.2.1
# ]+ J% m- c, x% {* t5 H9 F. a: VCinemaDNG tone curve improvements
& A5 L! j# Q/ ^. B. FCinemaDNG soft clip option
DNxHR encode and decode support
Media Composer 8.3 round-trip support
AAF import now sets the timeline resolution
Invalidate clip cache option in Edit and Color page
Option to select RGB pixel order for DPX version 2.0
/ p/ j2 B3 ]" r9 {Flags and markers now supported in ColorTrace
' ?4 ]& v( f: v' x; ySupport for Red SDK 5.3
General performance and stability improvements
  i3 O% r2 G0 M1 j% E
% I; z6 Y9 ~( A+ d8 ?- o7 K/ [: MWhat's new in DaVinci Resolve 11.2
CinemaDNG tone curve improvements
CinemaDNG soft clip option
3 S' E1 v# C9 I) `DNxHR encode and decode support
: P( c+ v7 B2 PMedia Composer 8.3 round-trip support
AAF import now sets the timeline resolution
Invalidate clip cache option in Edit and Color page
8 u; b6 K+ K- c* cOption to select RGB pixel order for DPX version 2.0
Flags and markers now supported in ColorTrace
- Q1 V* q7 M$ E$ k, \1 J; NSupport for Red SDK 5.3
General performance and stability improvements
; y( a% _. C4 h
What's new in DaVinci Resolve 11.1.3
: @8 e( {0 {" z) n1 yImproved Media and Edit page playback performance
Improved tracker stability
Improved render stability for long renders
3 m, Z; s  o  d9 F. _* kImproved trace intensity for scopes
Added Rocket-X support for Monochrome clips
1 V$ `, S! B: Y# a" FGeneral performance and stability improvements
3 ]3 O9 |4 u2 P" Z6 ]
What's new in DaVinci Resolve 11.1.2
Improved Media and Edit page playback performance
Improved tracker stability
Improved render stability for long renders
Improved trace intensity for scopes
Added Rocket-X support for Monochrome clips
General performance and stability improvements
) ~% N6 x' f5 o' |; Q) j* y
* P8 |- s2 S) o& S" fhat's new in DaVinci Resolve 11.1.1
! u2 M! V8 l( Q% H; T# V, QSupport for Panasonic VLUT 3D LUT format
Trim Clips feature is now called Consolidate clips
+ S- t) C$ x3 I) {) ~6 o% `Improved RED clips consolidation
  Z) {6 ?- @% \. u' J0 ~Source caching improvements with concurrent temporal processing
  x% h" q; Q7 c" w- H! x* QFCPX XML importing improvements for color information
Phantom CINE file decode improvements
ColorTrace support for Dolby Vision EDR grading
. ?/ \* A& U) }5 c5 Y% \# AScopes settings are now restored correctly in dual screen mode
' }3 `" e' ]% b7 X7 p& zImprovements in stability when reading a corrupt DNG frame
Object tracking points now display during stabilisation
( f  q' f2 c4 t- YColor picker improvements in ACES mode
  I9 k1 [; H7 g( e4 q% T, ~: \General performance and stability improvements
1 [, |9 W- }& S
$ n" x2 u" N/ l4 bMinimum system requirements for Mac
Mac OS X 10.8.5 Mountain Lion
3 M! C# F" e3 C8 D5 u! W12 GB of system memory is recommended and 8 GB is the minimum supported
: j+ o+ J2 c3 z8 q: Y6 f- cBlackmagic Design Desktop Video version 10.1.1 or later
CUDA Driver version 6.5.45
NVIDIA Driver version – As required by your GPU
RED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
9 ~, q5 `" `' o' N8 l" Z! LRED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later

Minimum system requirements for Windows
Windows 7 Pro 64 bit with SP1
12 GB of system memory is recommended and 8 GB is the minimum supported
, M2 Z: e& {3 E4 ^" P9 vBlackmagic Design Desktop Video version 10.1.1 or later
& Q. N. R& b( U, o, _  [* ^NVIDIA/AMD Driver version – As required by your GPU
RED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
" {- U. A+ J# W3 X
Minimum system requirements for Linux
CentOS 5.4
- L2 O: r' \- @) l  |32 GB of system memory is recommended and 16 GB is the minimum supported
% r  Y3 i, e* [$ a8 UBlackmagic Design Desktop Video version 10.1.1 or later
NVIDIA Driver version 331.67
4 f+ S) P! p# {" FRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
) p. j4 k+ |: Z# l* e

3 z7 C/ b* z% {, U2 gDownload:
' w2 I" F1 F+ XDaVinci_Resolve_11.0b2_Linux.zip
DaVinci_Resolve_11.0b2_Mac.zip
9 }2 i; B/ P/ f1 ?DaVinci_Resolve_11.0b2_Windows.zip
DaVinci_Resolve_11.0_Linux.zip
DaVinci_Resolve_11.0_Mac.zip
DaVinci_Resolve_11.0_Windows.zip
DaVinci_Resolve_11.1.1_Linux.zip
DaVinci_Resolve_11.1.1_Mac.zip
DaVinci_Resolve_11.1.1_Windows.zip
DaVinci_Resolve_11.1.2_Linux.zip
6 D: E- Z9 O9 e+ aDaVinci_Resolve_11.1.2_Mac.zip
# v- \0 x+ n$ p* o4 wDaVinci_Resolve_11.1.2_Windows.zip
DaVinci_Resolve_11.1.3_Linux.zip
. C: [! x) D9 o) \/ f8 C3 h% ^DaVinci_Resolve_11.1.3_Mac.zip
, N% k. j7 [" _# KDaVinci_Resolve_11.1.3_Windows.zip
DaVinci_Resolve_11.2_Linux.zip
DaVinci_Resolve_11.2_Mac.zip
DaVinci_Resolve_11.2_Windows.zip
7 N# R4 d9 R* o, h: EDaVinci_Resolve_11.1b1_Linux.zip
DaVinci_Resolve_11.1b1_Mac.zip
DaVinci_Resolve_11.1b1_Windows.zip
DaVinci_Resolve_11.1_Linux.zip
5 \8 o7 i, `. CDaVinci_Resolve_11.1_Mac.zip
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6 j  b- U- z: p3 ~# CDaVinci_Resolve_11.3_Linux.zip
DaVinci_Resolve_11.3_Mac.zip
) p8 ^3 g' w) w1 \: x5 g1 uDaVinci_Resolve_11.3_Windows.zip
DaVinci_Resolve_11.3.1_Linux.zip
DaVinci_Resolve_11.3.1_Mac.zip
DaVinci_Resolve_11.3.1_Windows.zip
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DaVinci_Resolve_Lite_11.0b2_Mac.zip
0 Z$ L/ g1 ]# W- A' mDaVinci_Resolve_Lite_11.0b2_Windows.zip
DaVinci_Resolve_Lite_11.0_Mac.zip
DaVinci_Resolve_Lite_11.0_Windows.zip
: y' x. ?; m+ e% K2 E9 G( Z; `DaVinci_Resolve_Lite_11.1.1_Mac.zip
! ~2 m. ?  H, s; E1 CDaVinci_Resolve_Lite_11.1.1_Windows.zip
- H0 h3 W/ }* z! c0 i( H, h6 rDaVinci_Resolve_Lite_11.1.2_Mac.zip
  `' {: q8 V3 |  s: g# \! h1 n6 vDaVinci_Resolve_Lite_11.1.2_Windows.zip
DaVinci_Resolve_Lite_11.1.3_Mac.zip
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# y+ ?# i# e9 p% aDaVinci_Resolve_Lite_11.2_Mac.zip
8 S. A8 I4 T, j- b+ i- ]; d/ jDaVinci_Resolve_Lite_11.2_Windows.zip
DaVinci_Resolve_Lite_11.1b1_Mac.zip
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DaVinci_Resolve_Lite_11.1_Mac.zip
DaVinci_Resolve_Lite_11.1_Windows.zip
) G3 A6 D9 R6 P' |4 _DaVinci_Resolve_11.2.1_Linux.zip
DaVinci_Resolve_11.2.1_Mac.zip
: i# \$ ]4 [- R* b( ODaVinci_Resolve_11.2.1_Windows.zip
DaVinci_Resolve_Lite_11.2.1_Mac.zip
9 S% s1 F9 @$ ^* l7 F% zDaVinci_Resolve_Lite_11.2.1_Windows.zip
DaVinci_Resolve_Lite_11.3_Mac.zip
0 p1 R4 y2 \0 N! c8 M! o6 ^2 {9 hDaVinci_Resolve_Lite_11.3_Windows.zip
DaVinci_Resolve_Lite_11.3.1_Mac.zip
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1 }0 f2 j, U1 v# Z+ K/ l2 ZAboard Line
, p( n" }: _+ @4 K' @  b- ?+ p) Z) GDaVinci_Resolve_11.2_Linux.zip
DaVinci_Resolve_11.2_Mac.zip
DaVinci_Resolve_11.2_Windows.zip
+ e$ x: `) f0 h' P" r$ ]DaVinci_Resolve_Lite_11.2_Mac.zip
DaVinci_Resolve_Lite_11.2_Windows.zip
% b5 p5 T: H7 ?* Y3 eDaVinci_Resolve_Lite_11.3_Windows.zip
' M7 @. g' y/ d) Y5 x* |DaVinci_Resolve_Lite_11.3_Mac.zip
DaVinci_Resolve_Lite_11.2.1_Windows.zip
7 w$ i; N; q0 m; ]DaVinci_Resolve_Lite_11.2.1_Mac.zip
! o! j/ i  o$ F; n+ I. v& W2 uDaVinci_Resolve_11.3_Windows.zip
/ Z  k8 X# v$ k5 t1 [: u) lDaVinci_Resolve_11.3_Mac.zip
% \1 o& U# d4 y* P8 J0 \8 F( Z3 G1 dDaVinci_Resolve_11.3_Linux.zip
0 C2 M5 y0 T1 E* X. S, VDaVinci_Resolve_11.2.1_Windows.zip
DaVinci_Resolve_11.2.1_Mac.zip
DaVinci_Resolve_11.2.1_Linux.zip
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