Design your own look and style with highly customizable tools including color wheels and curves, providing precise control over color channels, highlights, midtones and shadows.
4 \% j8 F$ t) X) _. S$ L5 i
( `; x$ a. m2 s N& R: e
, K% U( H+ m8 [4 PPrecise beauty7 \/ Q1 L- s" J' g/ G2 e/ {
, h3 |; g' D( c! Q2 I; B; r' n% E. M8 N I* K
$ p0 j; z7 i7 b( h" H. k9 z+ B! N, NProfessional particle simulation
: T7 l. X+ \: J9 l- c; G
Particles are everywhere. You'll find them in air and in water. They fall as snow and rain and rise as smoke and dust. They blast out from explosions and combine to form galaxies.
$ w& G( ~8 v6 p0 t: L0 h/ S0 Q
( M% d$ H9 r) M8 s3 A! f4 C
3 T: |" ]8 b: \0 u- w) lBeautiful models
& t9 m, U, `( d- n0 m/ V) J
HitFilm 3 Pro imports OBJ, LWO and 3DS formats, with more to come. Create your own models or download and start animating your scenes, complete with ambient occlusion, environment maps and up to 32x MSAA for fine edge fidelity.
4 ~$ |: A; J2 k
$ J. U. v a1 w; I% v$ s
Real enough to touch
" m8 u( W- k0 S1 ]- s1 t0 e5 }3D objects work with HitFilm 3 Pro's cameras, featuring depth of field, motion blur, multiple light types, full self-shadowing and shadow casting onto other layers.
+ B4 y! F7 c0 N( P2 ^) Q! B; \% R$ z$ X
Unified 3D space
& y; c# ~" U' `! b: I" z* SHitFilm 3 Pro operates in true 3D. True 3D means that your layers exist in a unified physical space. Push a 3D object through a genuinely 3D particle cloud. Sit your greenscreen actor inside the cockpit of a 3D helicopter.
9 |; \2 X F) ?9 u! p
( [8 U: @; w6 ]1 Y% b. gAtomize your 3D models
" H" T: O* F2 }: Q! l2 g6 s9 dAtomic particles are used to create incredible motion graphics animation. In HitFilm 3 Pro the effect can be applied directly to 3D models, creating an array of particles arranged according to the model's 3D geometry.
+ z: X' ?* ?$ y& R0 ^( w
4 v5 m# H) D7 \+ @1 J3 f/ K; O* A: q# TYou can still use all of atomic's features, such as audio-driven animation, fractal dispersion and layer maps, progressively exploding your models from one end to the other.
9 Y& ^4 M! R4 j3 L
* @3 ]9 c- Q- s s& EProfessional greenscreen removal
( s$ _( J5 V0 G: ?, b6 j# d, g; W4 wAdvanced chroma key, matte cleaning, spill suppression and auto light wrap combine with sophisticated 2D and 3D layering to create greenscreen composites so realistic your audience will never even know.
. M- r2 ]# U% a* L* B
9 U% T+ j! l( V9 J1 l3 O1 p0 q! g% `8 P5 _* n
Create and destroy
& T/ |5 s3 z/ P& ]. DThere's nothing predefined in HitFilm 3 Pro. Everything can be adapted to suit your project. It's a toolkit which demands experimentation, whether you're shattering layers into thousands of pieces or fine tuning the raindrops on a pane of glass.
* J/ Q# X0 h0 d: |3 G, A8 A* h" E* ~
0 _" x1 D: `$ {5 L4 X6 ?# C- h6 W" G) w. ^; \7 B" J/ Y
Fire and lightning
6 D2 V' N% T1 t: N% k4 WProcedurally generated fire and lightning with accurate behavior and appearance can be further enhanced with heat distortion and post-processed lighting effects.
5 h) L8 ^3 X# T+ ^4 \7 d* G
, Y Q9 |8 o% B" u$ R4 e; K7 hAn infinity of weapons
2 V0 }. {% ^1 v" j; B4 ?4 Z0 a) F" u, V, G
Your movie has guns. Lots of guns. But your weapons aren't real. That's when you turn to HitFilm 3 Pro for an endless variety of muzzle flashes, from pistols to miniguns. Unlike pre-rendered stock gunfire, these can be rotated in full 3D to work from any angle.
' {0 [# J' x! c: ^
1 f" c7 F7 o3 @ o1 S% HMore than just a lens flare
9 E. H3 o/ h/ A% S
HitFilm 3 Pro includes a kit for designing striking lighting and lens effects which are unique to your projects. Mix and adjust flares, anamorphic streaks, light leaks, sparkling highlights, volumetric 3D light rays and high quality glows to enhance your cinematography.
( I; X; z3 P) I! M/ n. r1 v
/ V! B1 O3 V: D6 H/ _# M
* Z L+ ^9 a- s8 \. a7 yRetro glitch
/ S# h% O: Z. p: Q0 o
Sometimes you need to destroy something beautiful. HitFilm 3 Pro's grunge effects make your video look like old film stock, or a bad television signal. Break up your playback with jitters and stutters, introduce flicker and grain or even add procedural dirt to your camera lens. Not everything has to be perfect.
! U2 W. n- {1 N' a* O. R8 C
) \! P$ M1 ~, W# kMotion design & titling
4 K0 V; l% \7 u8 b! E) F; MCreating your opening titles in HitFilm 3 Pro ensures that you'll hook your audience right from the start. From titling to animated idents and promos, HitFilm 3 Pro's motion graphics tools will get the job done.
) _5 G, {- ?& w- s \
7 e8 E: i3 n4 M3 L. `6 n3D camera projection
* x }4 s% ~8 i# D; x P, q
Take an ordinary 2D photo and convert it to a projected, photoreal 3D scene complete with camera movement.
% Z# ] c2 B, t8 ?, Q0 m" ^8 }2 B$ [2 b
Procedural textures
. z( [" x" e9 G* C) `1 S: I
Blend gradients, fractal patterns and particle effects to generate dynamic textures for your animations. Create 3D extruded shapes and deform them with surface parallax.
/ t9 K1 Q( _1 a8 a+ \1 P/ s K# d
- a+ a+ M, B9 UTemplates
! V6 Y( b& X# B: R8 o8 w T; X6 t
Once you've designed your titles and animations you can store them as templates which you can re-use or share. Swapping key assets is as simple as dragging the new clip onto the old clip.
4 Y# b7 T% K! U
0 L& a& W. `* v. A9 {( Y
Photoreal virtual shots
' _$ r6 v3 i; a6 }! `3 a% ATake a photo of your set or location, convert it to a projected 3D scene and create an entirely new, photorealistic shot, complete with 3D camera movement.
# f. I r% I% I" I3 ?4 B
" }6 N8 v8 i% O( OAuto-tracked masks
# [; ?/ B6 U: B: I
Nobody likes masking, especially if you have to rotoscope every frame. In HitFilm 3 Pro the entire masking system has been reworked to be faster, with mask tracking courtesy of the expanded mocha HitFilm.
1 A" c M0 V. Z$ g( \2 G8 v9 [+ Y/ V* B% ~
3 u4 u4 [8 G% j3 {' T% l J
Easy object removal
4 ]2 b9 C1 ?% U4 b' l
Create a clean reference frame, project it onto simple 3D geometry and use a 3D camera track to remove objects from moving camera shots. Perfect for switching from real to digital actors or objects mid-shot.
t) C0 u! e% i
* W& S" \) g- I0 K2 A% r% P) h rTotal effect enhancement
8 |0 |, @" V8 \6 `' QThanks to camera projection, effects such as pond ripples and the new rain on glass can now be applied realistically to any surface with accurate displacement.
0 v& j9 C% @# R( z9 I
' b0 |$ ~0 c# }2 G6 [The best of mocha
9 ?6 ?- H) d0 N: ]0 z3 q @/ dNeed to track a moving object through your shot? Do it without any keyframing by exporting planar tracking data from mocha HitFilm and applying it directly to a HitFilm mask, saving hours of work.
& q* F' X; x5 }1 E
) J6 q" P" J! F4 m3 R9 _ o. \& H% y: e% [* d5 q* Z) j
Professional noise reduction
! L7 E$ Y% t5 E; F% P
Developed from the latest academic research, the new denoise effect cleans up your footage to a professional standard. Providing the same quality results as premium plugins for other software, HitFilm 3 Pro continues our tradition of building essential tools directly into the core toolset.
+ y, }1 i; y! h% C4 Q: N5 l. K8 I4 z
' q( P$ Y8 I8 m7 o3 q
Trimmer panel
- n( k( |: K* C; tThe previewer from early versions has expanded into the fully featured Trimmer, which can be moved and resized to suit your workflow. Effortlessly browse through your media, identify the section of a video clip you want to use and add it to your edit.
& \4 Y( A( O+ r+ M+ X
$ v2 b R; ?* VAudio meters
; I* T; O2 X7 e) O! Z$ k4 W( ?You can now check your audio levels at a glance in the audio meters panel, making it far simpler to mix multiple audio sources together on your timelines without peaking.
- Q4 ?2 h) D5 ?( `. z, w
4 S3 t7 ~/ u6 W
Bigger audio and video previews
7 s, f& Z# a8 H0 {7 QEditor timeline previews now have separate view options for video thumbnails and audio waveforms. You can also make them even larger for easy viewing.
, [: f- Z: @, f ]; G
2 `& m4 r4 I% M/ Y
Slice with keyboard shortcut
9 N/ K- X7 E+ S. X/ }
Sometimes you cut with your mouse, sometimes you cut with your keyboard. You asked for it, so we've added a keyboard shortcut for slicing a clip at the current playhead position.
& _- a# w- @$ }# C9 _0 @- l6 y! {. E0 O, C. g* @. x( t4 ?3 Q: {
Looped playback
* C) d, u) m- u. S e% X6 v( c3 XSometimes it's the small changes that make a big impact. Specify a playback region, hit the loop button and HitFilm will play it on repeat. Ideal for examining a cut in detail or showing a shot to a client or colleague.
H; g# M; X# W7 `3 W* ?; _& k% C, x) t% u- ^) `; ^3 w7 B. A: h
New waveform types
( M/ a6 i$ }- b$ u' k# F; d
Choose between channel list, channel composite and RMS amplitude audio waveforms.
/ h' @7 Q3 u9 H5 U, H. I
9 I. \- [) Y6 ` P/ \+ ?Boosting 3D model fidelity
8 `* Y" E. E% g; TThere's been an explosion of 3D content from HitFilm users and HitFilm 3 Pro provides even higher fidelity.
9 u. y# q R: H5 W; `4 S3 D, d, tWireframe
1 |; W$ H3 l( ]8 V
The next time you need a cool schematic or sci-fi holographic display, use the new grid and mesh wireframe rendering options.
( S* B3 a8 u8 w1 I% w. O, x
8 n3 R3 Y7 c4 P* i' G5 rShadow bias
; {& x' X. R Y. T( c
The new shadow bias property controls the threshold of 3D shadow generation on a model's surface, providing a simple way to maximize the rendering realism.
# O+ w* ` v" P
7 x/ ~$ {/ z2 CAmbient occlusion improvements
: X% y A% d& G: ^4 K4 p; k
HitFilm 3 Pro uses 32-bit ambient occlusion, crafting smoother and more realistic surface shading.
- B6 `$ T, z9 y' u+ l) v& U0 |
8 R7 B; S/ `7 N, C, ]$ N' U; DAA improvements
; s6 N- H/ O) \; k
If you have the hardware you can now enjoy up to 32x MSAA for maximum edge quality.
9 j$ H* B8 z b$ b
9 Y& w+ T0 b! t3 XPlatform & workflow
' I' A- J: ]* W" s
GPU accelerated rendering
" J, U0 K* o: z1 S, R( W, j
64-bit architecture
6 S! T/ m& T& Q- i2 i7 Q) k2 q
16-bit in-to-out pipeline
" ]5 l* D2 ]& [5 ^
Project customization up to 4K resolution
5 f* E$ K4 z- k c# _9 k( VCustomizable keyboard shortcuts
. E7 O, B4 z! G2 YOpenEXR lossless import and export
: V# E s! a! g5 m" ]) |
Broad format support
1 H, O' _1 x8 H; z. p" p$ {1 U* Z
OpenFX plugin compliant
4 f: G+ S' A) k- E0 h5 r
Background proxying
9 i( e2 F( _+ Q7 x
RAM preview rendering
& M5 p1 _: ]+ y2 Z2 v' G
Over 130 plugins for Premiere Pro & After Effects CS5, CS6 & CC, Final Cut Pro X, Vegas Pro 12 & 13 & Motion and DaVinci Resolve 11
5 y$ @6 H9 H, I/ G* c& t9 m1 L4 hIncludes mocha HitFilm from Imagineer Software
' ^2 g: R' t- H7 D( V+ P7 ^+ R
Render HitFilm projects on Sony Vegas timeline
+ G0 s# c: }0 n# M. U+ c+ eUndo/redo with multi-step history
" m4 I6 h* r! s8 N8 E
Easy YouTube upload
. V; a; ^2 s' _Up to 32x MSAA on supported hardware
Z: n/ T! }. ^. ^' s
Multiple timelines with easy tab switching
I4 e0 G; J+ F) c+ \. Z2 J# \Multiple workspace layouts
2 ^ \6 t# c( B" j: d2 l/ r6 ^
Complete workspace customization
- [. G$ z; }3 a
Create presets and save timelines as templates
/ T- Y9 ~4 B2 V+ E' G( D& hActivate on 3 separate computers
2 \; K0 ^- }0 q; F) c3 T5 ^2 J: C& [/ A. N+ h: W
Editing
' ]2 f/ B1 Q: {0 ]
Unlimited video and audio tracks
! a& D+ w! }. d! L8 l+ ]Easily organize media by category or folder
4 S( i: ~5 y! Z& w' o" pTrim, ripple, roll, slip, slice and slide editing tools
% |% U" r- v5 ~. P# v0 ~, {' N! g- }Ripple delete
* D! Z5 N9 r' ?" |- S( EClip trimmer
6 o: e% Q* T! ^3 p$ Q
Insert and overlay from trimmer
0 u7 i0 M7 Q/ z/ d3 I0 z8 yAdd effects directly to your clips
3 {: i( V4 o4 _; Z4 Y8 }Convert any clip into an advanced effects shot
7 j2 @7 z, ~# AQuick transitions: wipes, dissolves, motion, zooms
" i; A' f; j3 V$ |
Snap to clips and playhead
7 p) h4 ^6 h! x% Y6 b
Multiple framerate support
, y! x2 g$ C, N( aEnable and disable tracks
+ s8 t9 S8 d+ V9 VAudio and opacity keyframing
/ B" y, l$ V) ^0 O" L! \8 a/ r
Change compositing blend modes per clip
0 Y: Q) Q- g$ x& B" G gSend clip to mocha HitFilm for tracking
$ K+ d' j) g$ j& }$ m M
List, composite and RMS amplitude audio waveforms
# F: g' q# b, ^) }Audio meters with peaking
/ Y r( y0 Z, @# ]6 r, N; k4 cCustomizable video frame thumbnails
3 U4 n/ w3 f$ o0 \& [6 C' b# DLoop play a defined region
) \$ @1 H1 b1 s4 Q. V, e1 ~" gColor correction tools
7 f d! ?9 T I4 K$ Q' o8 ]
% g# z8 A4 a" \4 f G( `8 UCompositing
$ |) ?: M# j/ M* c' h9 CLayer-based 2D & 3D compositing
, q4 o! c7 s6 }. W: Q8 O
Unified 3D workspace
( X1 a+ y9 j" P. T/ u2 g
Combine multiple 3D cameras
! R+ y& L. D# E. h: m
Adjust camera lens aperture, zoom, focal distance and depth of field
) d4 c: S- [" {. j1 M) L; fAdd depth fog to 3D scenes with density and falloff controls
. r) n: D% W. J6 Z
Adjust shutter angle and phase for motion blur
% d$ f( F) e0 p6 c% J4 r3D point, direction, ambient and spot lights
8 ?2 t6 ^- k6 U- z
Linear and curve light falloff
; q& p% `4 P& T$ S9 f ]Adjust ambient, diffuse, specular and shininess on a per-layer basis
& ]9 b. n, M% \: E' }
Import 3D objects in OBJ, LWO and 3DS formats
' l: s: y0 ~5 L+ n- a
Diffuse and specular textures for 3D objects
. G7 W/ n2 s3 ~& n1 L" jAdjust individual materials for 3D objects
$ m0 [- N F1 V
Ambient occlusion for 3D object rendering
! A' z) H" D& c; YAnimate individual 3D model groups
: b6 b7 {8 w) X% m5 s$ ^2 z8 a
Professional chroma key for greenscreen and bluescreen
3 T4 R6 d2 N l$ M15 keying and matte tools
) G# p5 s# [0 u8 h0 L `2 Y4 l( y
Matte clean-up
, `$ Y5 K& Y6 ^9 qAdvanced spill suppression
/ Y9 T, b, i- |2 C
Automated light wrap
" c- j, B! N: X% k( y1 n
3D camera projection
, {' P* p, l: _+ P9 A$ U2D feature tracking with optical flow technology
4 f( Q; v9 J7 B$ T) `# }Track and stabilize moving video
4 j1 M3 }8 A% E: H) W$ G3D camera solving with mocha HitFilm from Imagineer Systems
3 g8 L- p3 Z1 h& C& A
Import 3D camera tracking data from Boujou, SynthEyes, PFtrack etc
2 j4 c* h i- F# W4 d; o
Dedicated layer view for tracking and masking
( Y5 k/ {3 t. r
Freehand, ellipse and rectangle masks
6 g8 g. ]; o8 @' Y: r+ iAutomated mask tracking with mocha HitFilm from Imagineer Systems
! f" }& F f1 n. T* F) M2 i0 n
Create multiple composite shot timelines
$ f# e9 K, [: x3 h( R% z9 n$ h
Embed timelines inside other timelines
; ^ i3 h% u$ N+ N; w n2 X" t1 cLayer parent-child linking
5 C' _, k; u0 I) k5 VTransform and animate layers
3 X4 }# U; X3 y( E2 L, o) S3 a) q8 X, n
Multiple blend modes
' V6 `3 d) ^- ~2D and 3D text
4 }4 O4 B& ^. K( b9 u8 ?, W
Trim and move layers
: i h C# Z1 Z5 U! m9 x; y( [
View multiple orthographic and 3D perspectives
7 p. \! [* ]: K
Multiple color channel view options
" j# h( E& \4 S$ mGrade layers for applying effects to multiple layers simultaneously
. j4 Z7 |8 ?2 G8 X7 t
; T6 c" _2 @9 C+ J+ y4 G, j5 WVisual effects
8 y3 `" a& X# {* x: p. e+ j
Over 180 effects
- V0 A. C; S5 ?% e$ P ~
Advanced 3D particle simulator
7 v( B' D/ d9 T1 A4 P0 _3 }6 c
Physics-powered particle behaviour with forces and deflectors
7 _6 k* y# O8 g' T3 G: o& D& wUse 3D models as particle textures
" e. r l) N4 W6 w% R
Create multiple particle emitters and particle systems
# {2 W+ x+ e4 q, \4 RMobile emitters with force and deflector activation
! u' q) E: A& {3 s6 I
Organic fractal particle shapes
# Y) o2 S3 A1 Q' K, M
Layer shattering
9 i- `! ~' X0 ?" ?" M' h
Fire and lightning generators
( a2 m% M0 u: L$ N, w: R' z. l3D muzzle flash generator
" b0 D. d( t* ]
Over 30 color correction and grading tools
' d+ G r/ |) U17 distortion and warp effects
% a2 \3 L1 J- @. t3 T
3D extrude any 2D layer
9 p5 H* \; v2 U9 @
Film & TV damage
: d2 E; {/ R/ R# f. }& F! L
Procedural lens dirt
) Q6 G! M8 r* I. B) c. O: HLight flare design kit including anamorphic lens flares, auto flares, gleam, glow, light flares, light rays, light streaks, neon glow
" W) Y' M( A/ G9 U) `0 nTurn panoramic images into wraparound environments
3 B4 j/ M! H, L0 T! _# G
Apply bump maps to layers
5 y; @5 R5 k( G. p1 J5 JCorrect rolling shutter distortion
8 M2 K* W1 t2 h- n; ]5 `/ N
Remove unwanted noise and grain
2 |* ^% R8 L" {4 JClone specific areas of the frame
3 }" N$ ^& O" W, p
Remove unwanted objects from your shots
6 y' S3 Y B: ?; _Apply LUTs
) g/ ?7 Y- Q% s6 E5 ~! s+ CEasy end credits crawls
" z" O% s- g) G: E0 Q- |7 I; B4 i: t1 UPulp sci-fi animated titles
: y% _8 U8 N' _# ~1 R
) \- _! m- u& h8 b+ V) z6 A
Version 3.0.3716 released on January 20, 2014
8 w. m4 i- E( m- ^
What's new in this update?
, Q2 Q; ?: |. ^/ xFeatures
4 P$ F$ G5 P1 b5 L$ N: X5 O; pNew Deinterlace effect
2 B. H* z& k2 z& C( P4 [1 }# ^! cNew LUT effect
. o- h% L% o) o
New Vignette Exposure effect
7 o) ?/ \3 B; e$ I2 d. g
9 B: `! y0 c7 H2 n
Enhancements
; l2 e4 j! _7 u
The diffuse and specular textures for 3D model materials can be saved as absolute or relative paths according to user preference
, N/ Q- A, o# I' F' f9 lThe diffuse and specular textures for 3D model materials are now shown in the relink dialog if they were not found at their previous location
6 N9 l$ z+ I8 ^
Updated styling of the File and Workspaces menus on Windows
# B. b) {* ^0 ]) `( j9 Q
Improved the loading performance of the plugins in Final Cut and Motion
& [' @ _1 c+ L/ T$ x
1 A4 z$ g/ O% T, D8 f
Fixes
; e" f$ T0 `( S1 h9 ?1 v# WFixed crash when importing lots of QuickTime movies in Windows version
; j. t: J) B4 W( |3 Q+ S1 ~Fixed some TGA images being displayed upside down
/ Z, o9 Y( j; J- V0 ECan now import indexedcolor PNG image sequences
- t7 h' G7 q8 j7 W) L4 C! P/ i
Pressing escape now always cancels dialogs
6 z" c6 F* K8 o6 Z
Fixed various issues where keyboard shortcuts would not trigger when floating panels
3 B% ?1 p# j. K
Fixed issue where it wasn’t possible to type in a text layer
, H/ V4 \/ I/ w# C" V# _7 |Fixed issue where the Viewer’s current time did not update
! O8 a$ d2 k, U* eFixed issue where the Viewer’s duration was not correct after resizing a layer
- x: [, y0 W9 A' g5 U8 C% z
Fixed various cases where the software could quit unexpectedly
5 y1 v: o# t) G# f* V. k1 Z( b) A5 A$ c
Fixed issue where control panel angle properties did not snap to 45 degrees
- k+ O& y5 Y4 r0 W8 ?
Fixed issue where layer pickers were not refreshed after an undo
8 H0 j6 _/ [3 d6 Y8 PFixed issue where the control panel could not be scrolled in come cases
I5 J8 Q: _' \1 t6 K+ V- v
Fixed issue where zooming in and out was not working in the trimmer panel. It now works with trackpad and magic mouse
2 c5 t: y- U/ p2 v# ]Fixed possible crash when returning to the HitFilm application and interacting with an effect
$ I& h8 j+ p4 u$ ?* Q$ J1 cAudio waveforms are generated on the Editor timeline for all proxied composite shots
5 O/ P" p Q/ Q
Fixed issue where particles disappeared from view unexpectedly
g1 K& J* W+ d$ K. d: t$ e- Y, |Fixed issue with rendering masks on 3D effect and 3D model layers with 2D dimensions when adjusting the camera
$ k1 J1 c3 `: Q0 K, IFixed effects so that they don’t incorrectly invalidate the proxy
: i0 t; Z8 P8 w6 o$ ~: Q2 fFixed Denoise effect to preserve masked regions of the image
4 z1 j! |- r) o) H; q* U, Z* wFixed a 16bit rendering issue with 3D models and particles in a unified space
4 _' V' e1 f+ K+ b
Various OFX plugin fixes inside of HitFilm
7 U, O- n# y. o- y0 y
Fixed crash that could occur when using the properties dialog of audio only media
/ ~& E- a% N# z
Enabled 3D masking using deflectors and forces on a particle simulator 3D effect layer with 2D or 3D dimensions
Q U' J) X6 C& eFrame thumbnails for clips on video tracks now refresh after relinking assets
; p4 D: M9 B/ ^, u' _' v
Fixed rendering issue with billboarded layers in nonactive camera views
& O' C, l0 S l2 c! nFixed depth sorting of the Atomic Particles effect
: n5 h' }+ `0 v P" J
Various UI fixes
& H* h- K- E% Z. F( X( T1 L: c5 g
Various styling fixes
5 _, n0 V2 d# A: W! L8 Y9 Y0 A3 X
: h! B1 t* Q( Y+ Q! q2 ~
Supported formats
3 O: N' q) s/ S; B0 { DVideo: Quicktime, AVCHD, AVI, M2T, M2TS, MOV, MP4 (AVC/H264 & AAC), MPEG-1 & MPEG-2 (TS, PS, MPE, MPG, MPEG, M2V), MTS, MXF (DVCPro HD), DV, HDV, WMV
{) [7 c# O& p! V
Audio: AAC, MP3, M4A, MPA, WAV, WMA
}. S' w, G/ D; P4 ? z5 @! Q
Image & sequences: BMP, GIF, JPG, PNG, TIFF, TGA
0 o1 X, {: Y4 z. d
3D: LWO, 3DS, OBJ
% v$ |5 T( l& D" O* i& q( @ a; XProject: HFP (HitFilm Project), HFCS (HitFilm Composite Shot)
) H3 H1 h( [/ o# DCamera data: MA (Maya formatted)
C- i) R C, ]7 C1 x$ xExport: Quicktime, OpenEXR, MP4 (AVC/H264 & AAC), Image sequence (PNG, JPG, BMP), AVI (uncompressed, PAL DV, NTSC DV), YouTube direct upload
}; ^9 n, i% |8 @# U
: q( p; k I' P0 w
Minimum system requirements
- [. i% o6 S! t1 w, ~. S+ E( \9 hWindows 7, Windows 8, OS X 10.8 Mountain Lion, OS X 10.9 Mavericks or OS X 10.10 Yosemite
4 D- z5 C, ~% s# U4 ?; w& h% i* Y6 m
64-bit operating system
% }8 c, x2 U2 j, @; b" r- Y' H- U650MB free hard disk space for installation
0 E! x; ?) Q1 l2 r/ @7 s
Internet connection required for activation and web services
% N9 W2 z0 z( `
Intel Core i3, Core i5, Core i7 or Intel Xeon (Nehalem) processor or AMD equivalent
% A. n# z4 T; q q; \# M1 {4GB RAM
0 X. V2 K5 @2 ]5 N
OpenGL 2.0 graphics card with at least 512MB video memory (NVIDIA GeForce 9 series, AMD Radeon HD 5000 series, Intel HD 4000). 1GB of video memory is required for 4K projects
0 \ P& ]% m5 `' T, l) b
: J. V. {5 j U* M( s ]2 P" }* x4 a5 y' d7 O# F' ^1 O
* ]' ?. L8 d9 T4 u% z M
9 y& s% y5 G$ {' a/ N' R
+ a9 @. W# M9 L( g# {- L$ A
Download：
; L- }+ x3 c. d* H- I1 ^8 c& E4 qFree Disk
( [' O g! Z$ b/ x0 D/ aHitFilm3Pro_558_mac.zip
. Q+ j/ s) t: sHitFilm3Pro_576_mac.zip
, A8 ^2 G. M% m4 HHitFilm3Pro_633_mac.zip
( X: g f0 q# ]: f1 ~( u( L5 l PHitFilm3Pro_670_mac.zip$ W2 B6 G6 Y0 ]. _
HitFilm3Pro_x64_3.0.3521.53492_win.zip* a8 ]0 Z' C$ ~8 m
HitFilm3Pro_x64_3.0.3608.03607_win.zip' T2 y& ~8 w" j3 @4 r# G% h
HitFilm3Pro_x64_3.0.3716.39084_win.zip: L$ R! ~7 \0 ]: _1 l
HitFilm3Pro_x64_3.0.3813.00006_win.zip
$ E# ? ~9 @- }- C( e0 N. a: u( o! bHitFilm3Pro_x64_3.0.3912.64744_win.zip3 u% {, |, y+ ]0 z: m0 P
HitFilm3Pro_3_1_0026_mac.zip2 D0 n0 P+ L" `) {
HitFilm3Pro_3_1_4016_38036_win.zip
/ ?2 _9 |2 ~8 @5 @3 [9 jHitFilm3Pro_3_1_0031_mac.zip
* L4 r @4 ]3 E* oHitFilm3Pro_3_1_4023_05404_win.zip
& _9 K2 Q& x/ [& WHitFilm3Pro_3_1_0085_mac.zip
; q4 `/ E' D! [, n2 R5 y6 M0 KHitFilm3Pro_3_1_4224_05402_win.zip
* M6 z v5 |9 d6 l) ^HitFilm3Express_x64_3.1.4321.38300.msi
) E4 R* R8 z- F' X( @2 ^8 `9 u8 @; o" @/ Y1 y; U+ W
Official website
9 z4 K# f, m, M: S+ ?% U7 Z
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3912.64744_win.zip' W7 u8 l: T& b3 O1 A
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3813.00006_win.zip5 @9 y. U4 ^1 E+ M
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_670_mac.zip, |9 c! W w" G/ D
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3716.39084_win.zip
8 I& C1 x; } F+ h2 J, mhttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_633_mac.zip
* }8 ?* J5 d' g, i5 y ^http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3608.03607_win.zip6 M w3 f5 w7 v+ _
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_576_mac.zip( B6 i% \! \& D+ a, ]) ]
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3521.53492_win.zip3 F7 {. g3 y! A$ j9 t
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_558_mac.zip 
发表于 2014-11-25 20:26:49