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[Red Giant] Red Giant PluralEyes 4.1.12

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发表于 2016-9-22 21:19:00 | 显示全部楼层 |阅读模式

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Release Name: Red Giant PluralEyes 4.1.8
' t' [; a+ q% _/ \& u% kProgram Type: Video plug-ins$ C5 M, M; @+ v* a$ N
Release Date: 2016-07-26$ u) C6 q+ x+ N/ p1 S
Homepage: http://www.redgiant.com/products/pluraleyes/3 I6 f2 k% {* z1 b# n) K
Interface Language: English
+ z+ R$ @% L0 H  |$ w% v: e/ bPlatform: Win64/Mac
# k0 ?+ i# g' V5 M+ k" HFile Size: 138/139Mb- @7 A; K7 @4 j0 p/ D6 ]- Y
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Red Giant PluralEyes enables you to sync video footage with externally recorded sound at the press of a button in just seconds, as long as you simultaneously also recorded the sound in-camera. It does this by matching up the waveforms of the external recording to the in-camera recording.
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4 u0 ?" o% _  i8 r4 L+ ?* oPluralEyes 4 is standalone software, not a plug-in, and therefore imports video and audio data directly from your computer and can export the synced up file to virtually any editing system. Version 4 is, however, also capable of importing timeline sequences directly from Final Cut X, Premiere Pro, and Sony Vegas and then exporting them back out to these editors after you've made your syncs. Moreover, Version 4 has a feature called the Premiere Pro Panel, which allows you to export to PluralEyes, sync, and the import back into Premiere right from Premiere. The Premiere Pro Panel opens up PluralEyes for you and lets you work from inside Premiere. PluralEyes 4 also introduces a variety of new features that will allow for more power, flexibility, and efficiency.
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8 V9 S- e4 r' m; Z0 QThe syncing process happens live in front of you. You can watch as your footage is being synced, and color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE's timeline.
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What's New in Version 4?
+ M4 c* G9 K2 \$ W0 {Syncing Is Even Easier: q) m/ E- R5 F% p4 u
In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order, etc.), which meant you might have to run the sync several times before getting it right. In version 4, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest. ; m9 n& q9 A* W; w1 m% a/ P+ T

( i$ {$ t* [4 H; h- v: k0 [/ qPremiere Pro Panel% d! G$ [, X7 D0 l
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. The Premiere Pro Panel allows you to export timeline sequences to PluralEyes, perform your syncs, and then import back into Premiere - all right from Premiere. Additionally, PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention. 7 s+ h4 v+ i+ f( C/ ~$ C

9 a# `+ k, Z" w1 Z7 ]1 y# GSmart Start
! D0 {  l3 d3 i) \& H; K/ L) CImporting media is now easier than ever. Drag-and-drop an entire folder of media into PluralEyes, and during a sync PluralEyes will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track. ( a" l. }1 H' o0 j2 F' V% m  @7 k

) k0 V" J  l3 H. Y- N. M1 D! [Automatic Drift Correction) f& P( K* Z/ ?3 U8 p3 Y; c4 q8 ]
In long clips, the sound and video can get out of sync. PluralEyes has always been capable of accounting for this problem and exporting a perfect sync. But now, in version 4, if PluralEyes detects a drift, it will automatically fix it. And you get the option of toggling between the corrected sync and the original audio without correction applied. 9 U  b; v  Q  Y9 u3 s

6 r' m; M1 O6 Q; F! {Vertical Waveform Scaling+ J6 ^0 ^' K  N% K# x. q
PluralEyes 4 adds the ability to scale audio waveforms vertically so that you can see more detail in the waveform when inspecting your media.
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Track Comparisons
: M$ b1 ^5 H7 U8 oSelect which audio waveform is shown next to the video track, and you'll be able to more easily verify that the clips have synced properly. ; e3 c: h( T  c. R

3 \0 _: U" d8 |. V" M4 \Offload Integration
/ r! T/ n3 l$ l! pRed Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app. % m2 G+ S# h: c( K0 p8 E
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Keyboard Shortcuts! `, O0 m. S1 h3 Z1 r1 @
PluralEyes 4 has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience. * t- j6 A% G! H( N/ F
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Color Coding  Y1 k- W, u. h# f' e
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don't sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.  \! v  ~$ K' n' D6 T
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BUG FIXES PluralEyes 4.1 also includes the following bug fixes:
: z/ C8 H) W3 X) g: V+ FAddressed connectivity issues with the PluralEyes 4 panel for Premiere Pro that would generate “Unable to communicate with PluralEyes” or “Lost connection to PluralEyes” errors.
# o0 l& h9 J: r. n/ w- y7 j% rResolved hangs that would occur when using the PluralEyes panel for Premiere Pro during the “Sending media to PluralEyes” step.
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Systems        ResquirementL:1 Z0 }' J7 i8 }% w1 d! s* v
Mac OS X 10.9, 10.10, 10.11
* }: O  I( Q1 L1 K2 c: LWindows 7, 8, 10 (64-bit only for all three)2 }8 n7 Q, K/ {; w' M  x& \4 Z; C
Host Applications        PluralEyes is a standalone application so its results work with virtually every video editor. PluralEyes imports video and audio clips, syncs them, and then exports media files that can be used virtually anywhere. But in addition, PluralEyes is capable of importing and exporting timeline sequences for the following video editors: $ k* T5 z7 U1 N: c4 i3 R" g2 H$ c' R
Final Cut Pro X 4 @5 I9 `; Q( U0 b& ]" f
Premiere Pro CS6, CC 2014, CC 2015 ! Z7 n' D$ h/ t5 G- D# c; N
Sony Vegas Pro 11, 12, 133 i3 c; ]* ?/ o7 t2 n
Supported Media        On Mac: ' F( o/ A( O6 B8 |
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Video File Types: 2 r- V6 w# ~) w' x' C1 k6 L- m  ~1 o
WMV 2 T( \6 Q" F' c3 ]+ J" s
3GPP   W* h8 b6 H$ m
3GPP2 $ c: q" q/ k% \/ y) o1 `9 q
AVI
; p$ L5 s1 M% J( EMXF (Codec Dependent)** 2 Z. @# A  g) i+ z% D
MP4
3 o- L3 g1 \& @7 Q; x: O2 TMOV, QT
! w5 `4 Q0 I6 f" B% |M2T ( M( i5 H5 I$ p! T. }6 v% Z
MTS 4 q) T1 n9 h& r1 O5 V) |5 k
M2TS 6 }2 E% i5 x" b, T$ b: R
R3D % D, F9 G; t  B  d4 [

" }2 j* O1 l/ ^2 L, t% eVideo Codecs: 1 K- U$ U0 b4 C% q5 \! a5 f
AVCHD + ~; W6 D  y! P& V" w& o/ w+ e! [
DV   }. ]0 B% i+ [( ]* n. J
H.264 3 G' A* k& c, {( F6 u" ]/ y
HDV
1 c4 \# V, }4 j7 \MJPEG
. m8 R+ P" @, A) A4 f9 `$ `7 ]$ g! kProRes
4 b$ i) f. K2 Y/ T* [4 I: SWMV ( B$ V) w# C9 o; _0 H% c
XDCAM* ( H7 F/ I+ r7 B9 a4 C/ {
EX/HD/HD422* 1 I6 A+ @! y2 p! D" w

+ H$ A# D* }; [( m% i* p4 MAudio File Types: " X$ I  x. e" w1 h
AAC
) n4 n' J- B6 q# c- D  YAC-3 1 \5 F5 X" D1 [" D  @+ o% q/ P1 A
AIFF ' v/ i( s# ?1 D! A  u
M4A # a- p/ p$ \2 H/ ^! T' ~; H
MP3
; b+ l/ b7 J( lWAV & P4 ~9 G, s/ L* s
WMA
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; P5 b& w0 t- J4 d# V* PluralEyes will sync but video preview will not be available.
3 c# V1 I# A2 w" Z** PluralEyes will sync Avid DNxHD MXF files but video preview will not be available.
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( \# k, b9 f3 r+ m/ P9 D( u* S) z5 ~: _History
' `% |! l$ J6 [! |- g- s4.1.1        2016-09-28
' h# R) s0 N6 |9 t1 G! F2 |& L4.1.0        2016-07-265 e8 ^% b/ |9 M% d6 r
4.0.4        2016-06-21
4 X1 k5 O+ b* N4.0.3        2016-04-25$ g# r4 ~7 x4 G; O" t
4.0.2        2016-04-14$ ?8 i" ?. T2 p& _& K' X) V
4.0.1        2016-03-02
' C3 h- q1 ^6 G0 g" N* n3.5.11        2016-03-027 q2 B% t# ]0 x/ ]
4.0.0        2016-02-10  [- K5 V6 r# D
3.5.1        2015-05-27
# M8 S: ]5 I) X0 E* }  _0 h8 D3.5.8        2015-03-25- f' d  }+ O' {2 ?& I: P5 i
3.5.5        2014-12-040 p: J5 K5 Q5 x, y2 }9 q# P, Z! O
3.5.4        2014-10-067 d, X9 N: c% @1 A6 h: g- x: N6 Y
3.5.3        2014-08-147 m3 k7 V4 t5 f; w1 _
3.5.0        2014-07-29
: _0 D- V3 y# T3.3.7        2014-07-23
4 \/ l$ r2 Z  I2 n5 C5 V& T- C1 b1 b3.3.4        2014-06-20
& B% ^3 I- T7 n! m, V0 N2 Z3 [. m; ~8 s3.3.2        2014-03-270 |/ S( [' y6 h; K9 ?8 J  c
3.3.3        2014-03-27
5 ]* O, P0 r9 p* `" q" q8 [2 o3.3.1        2014-01-144 Y8 ^  L1 V* n9 Y
3.3.0        2013-11-26
5 D, R% ~2 u: y: Z+ V/ T) a3.2.3        2013-09-25* V8 [8 H" ^" E
3.2.1        2013-07-30
3 j4 D+ ]6 \' A2 e4 s3.2.2        2013-07-30
- [, P9 P' S% A: d0 g3 a3.2.0        2013-07-15* J; j& T' I2 P0 Q
3.2.1        2013-06-13
; Y$ x: ]! S5 i7 u3.2.0        2013-06-06$ t" K4 ?9 j4 Y2 x8 P% {
3.1.1        2012-12-20
; N8 V+ ?+ H. P3.1.0        2012-11-275 P7 G4 W+ G6 g8 ~: ]
3.0.4        2012-09-27
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# a2 Z$ D9 f2 r" b$ P0 mhttp://downloads.redgiant.com/redgiant/products/singlesuites/shooter/archive/SSuite_Mac_Full_13.1.1.zip7 ]% x$ T% G' j  f# L; {9 R# E
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