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Program Name: Blackmagic Design DaVinci Resolve Studio2 z5 \/ e- O$ c0 F( \
Program Type: Color correction
8 Q: Y# L& j/ h5 ^Version: v14.3.1
' y0 F! V* j" s! N: nRelease Date: 4 July, 2018
. T/ _; n; ^; Q% j* RHomepage: www.blackmagic-design.com/products/davinciresolve/software/! T0 ?$ U! {) Y- K( R+ j
Interface Language: English' Y+ ^! T1 A* L2 g( I2 N
Platform: Win / Mac / Linux
2 H& g/ E0 }" X3 @/ T8 pFile Size: 1.62 GB / 1.2 GB / 983 MB
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Originally designed for Hollywood’s elite colorists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world’s fastest growing and most advanced editing software! Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It’s like getting 3 high end applications in one! All it takes is a single click to switch between editing, color correcting, audio mastering and delivery! Best of all, if you’re collaborating on a team, you can all work on the same project at the same time! DaVinci Resolve 14 is a revolution in post production! Download it for free and try it today!
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What's New!
8 ^% ]4 U9 v; |/ R& [9 B3 L9 qIncredible speed, professional Fairlight audio, revolutionary collaboration and more!
; u! Z" @* i* d% R1 d' M4 ~ R4 uDaVinci Resolve 14 has hundreds of new features for editors, colorists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colorists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip color and more! Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colorists, and sound editors to all work on the same project at the same time! All these new features make DaVinci Resolve 14 is the world’s most advanced post production software!$ G, A- t6 g' o P% x* K
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Professional Editing, q/ E' R5 S- K& n
DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing! The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.
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Creative Editing6 {$ O8 }1 b3 b( ]4 ], L- e5 C
Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more.6 o" ~( Z H+ }" [ R
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Advanced Trimming0 M' |: S$ U1 F! p1 W8 D7 j/ I
Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don’t have to switch tools.
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Multicam Editing3 T6 p7 E5 m9 e7 _( }1 b" R
Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly.
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2 d0 u( `0 Z$ v% ]2 x0 TSpeed Effects
" j4 ~8 S$ k6 w/ h% _3 FQuickly create constant or variable speed changes, complete with ramps and editable curves., i3 t$ k0 C6 D; M0 H. `6 k
+ `$ a& h- G0 A/ cTimeline Curve Editor
. @8 f- N: _. a& Z) d; i7 @7 S. TAnimate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor.
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Transitions and Effects
6 w4 _% k8 F7 D( M" @Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects.
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$ r+ `& D' B) B: f% A9 nFinishing
" ^8 k" {2 I9 pPowerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before.* j& t$ X9 q% x y. ?
" W% u: f, o% t7 x8 |& `+ P6 WColor Correction- ~8 r0 F; d; ]
DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.
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% S; [; Q8 Z! k. |7 d% G/ FLegendary Quality
/ X. Y) L+ s" oPatented YRGB color science and 32-bit float image processing lets you achieve looks that are simply impossible with other software.7 C* D( C6 b. N2 y$ T7 m
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Primary Correction! a0 Y! x4 j! y/ ]9 E/ |+ \6 [
Traditional primary color wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more.9 f) L, k. Q, o% }% u X
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Curve Editors
' ^: E1 t1 q! t4 bQuickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel.$ |: J# N9 y4 G7 n' f
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Secondaries; O r5 }% Z) b- i7 Z1 t8 R
Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections.( Q) l* X4 k. x) h3 I2 ?' @8 ^* D
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High Dynamic Range (HDR)- i6 R) x) H) G8 V9 ]
Work in wide latitude and wide color formats such as Dolby Vision, Hybrid Log Gamma, and more!
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9 B3 x+ g- L- S+ JBroad Format Support- q9 A8 i6 Y v. w6 F& }* L
Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible.+ @. ^+ t/ J$ G9 K( c
4 D) W8 i. Y8 e ]3 B" ~5 aFairlight Audio
7 R4 @( R. q4 ^) h+ q) FNew professional tools for audio post production! DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and color correction! You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It’s a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2!) B% ?# d, X2 y: c1 F
2 j- C+ y, Z6 ^Up to 1,000 Tracks
5 a9 z3 T8 d7 h/ }* ~$ FCreate up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance!( D) C2 w8 M) ~1 u+ W7 E( g5 Y
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Equalization and Dynamics
8 i, `6 l9 ]8 u* f5 MGet real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track.
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Editing and Automation6 h- d, Z3 }, o
Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples!% g- X8 |: x& p* p" W
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Mixing
: L( S5 ]1 ]' q8 }Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more!5 @3 t, U* n: b# e* G0 |: Z
9 G2 O: n0 v1 U' W( _! QPlug In Effects2 p+ Q$ ]9 K8 N4 S' w6 U
Add 3rd party VST plug ins for even more creative options! You can get real time processing performance for up to 6 plug ins per track!0 e! Z% O8 Z Q; Y- w! Q
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Mastering* J& d* `, \6 D! m. I
All the tools you need for mastering! Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning!/ q6 l* i" }' i9 L* S
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Media and Delivery* {; C1 A3 M" s
DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you’re going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You’ll be able to get to work quickly and output files fast, so you’ll never miss a deadline!) r" A& {4 d; ], t& c: c' d4 I
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Import Footage8 E- z5 u1 `: u+ k0 s: Y
Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline!
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Organize Clips
+ h$ C6 _3 ]' I! q, \7 gCreate free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more!
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Metadata
" _. e9 }* Q& `3 F" GUse embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more!
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7 G4 j0 l) ~+ U7 v4 wDelivery Options- C( b( ?# w3 s0 V
Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution!
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Render Queue+ {) w2 ]8 |+ x" n' `) B+ I
Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation!" w6 Q; h; m. A$ {. I6 Q- m( s# a
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Easy Round Tripping8 `; M" }9 o8 u/ _
DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications!
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Multi User Collaboration
! \1 y E( d! K+ s6 u2 HRevolutionary new tools allow simultaneous editing, color correction and audio post!+ |# _! }! Z( L* r- ^3 X0 N. H
DaVinci Resolve 14 completely redefines post production workflows! Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time! You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting color and audio work! That means picture editors, colorists, and sound editors can now work in parallel, leaving more time for everyone to be creative!
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) L$ E6 w2 W0 l, x6 i% y+ P" eClip, Timeline and Bin Locking
- X$ Y6 _3 F, {% ]% H" S6 r/ ELocking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it.
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9 H" Q0 ?& |. SBuilt in Chat$ Y7 P" D6 w/ l, s9 m% H) `) m. P0 r2 ^
The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page!3 \; c" W! s" H! h5 b) q* V
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Timeline Comparison
6 W1 y8 v) G- s6 \4 }, zThe visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes!
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. G: X0 l- N% r( n9 AOpen Storage7 u$ {" S$ R$ s
You don’t need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage!) h$ R) q6 A K' r* E2 a) u
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What's new in DaVinci Resolve 14
8 k0 L" m( ? Y' Q, ]Collaboration+ F D5 N# @6 L# x, _% R% ^, I- c5 m
All new collaboration workflow which allows multiple users to work on the same project at the same time* i9 s1 B* e% h% A0 C3 Z& a4 t
Added ability for collaborating video/audio editors and colorists to work on the same timeline at the same time
2 _& w5 H3 Z+ @4 n! @Resolve Collaboration supports any shared storage technology and works with a PostgreSQL shared database server
+ E# | l Y9 v5 C" D& vSupport for live saving all collaborator actions in a collaborative project% B2 O9 g; H% L5 V5 n" |
Support for Project Manager indicators to show collaborative projects
% n, f5 j l, v/ _- q# R6 s$ c$ ]Ability for collaborators to pick a profile on their shared projects; s# k/ R5 v: _
First come first serve write access for Media Pool Bins with read access for everyone else
+ s) N5 I/ }9 E% G) M+ ^+ Y0 uLive Media Pool side bar bin updates including user locks and refresh available indicators- }7 M$ ]7 c4 I. N% G7 q
Timeline indicators to show user locks and refresh available5 b3 m9 D4 c# W
Live update of Color Page thumbnail icons to indicate user locks and refresh available' U9 j& @5 Z/ K% R
Live sharing of Color Page still galleries
4 h& b& k: w( W: \; o3 jNew compare timeline tool to simplify merging timelines from multiple collaborative users *
6 Y" a4 P% J4 A1 h' OLive group chat feature on collaborative projects. ^0 { p( j/ C1 S
Improved Performance, Fluidity And Usability+ _' s0 H0 W$ s6 f6 C. j9 ]+ B( i
All new image processing engine with numerous performance improvements and optimizations
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New image processing engine which maximizes single and multi-GPU utilization
' S: f; _. I; U4 oSupport for GPU processing using Metal on Mac% c6 a4 `2 H6 _9 V; y
New optimized performance mode for improved playback: m% l2 X7 h- j0 }* _8 ?) g2 D
New dynamic memory manager for optimized CPU memory usage. Q1 M5 }% p: J7 Y- \
Improved performance on single GPU laptops and workstations. P2 v. B/ q# e: k8 t+ c! y$ m; u
Improved editing and playhead fluidity on the Edit page timeline( j! A- n; I k, ~
Dramatically improved latency of JKL playback
" A/ e% L( B+ l* [2 |; rImproved Color Page playback start/stop latency
! q! P4 F# M v2 e1 k8 A0 YImproved Multicam playback performance
* z1 ?- @4 J5 o2 g3 l0 ~4 s% }' VImproved pan and zoom on viewers when using the trackpad with support for an Alt/Option modifier% E, O" Y6 E' I5 A- n( \
Improved performance when scrubbing H.264 and similar codecs
! G6 N( ~1 Z' ~* _( OSupport for improved CPU usage5 ?6 t9 v/ L7 [& n2 T: z! D9 C- V ^
# X: Q4 r/ v# b5 W2 w$ [/ ~All new database engine for improved management and performance on PostgreSQL and DiskDB1 q4 N& ]; F* s+ j
Support for a new live save option where changes are saved as you work" o& t/ Z r% J' ?7 p8 H$ @
Support for incremental fast saves in the new and improved DiskDB O7 S) d- [* D( \7 N/ @: \
Ability to save, load, update and delete user UI layout presets
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1 O! V- V9 K0 B6 `2 |Improved media access and performance
1 @* X" }+ `! r5 V R+ m x* }6 J* a) }Improved H.264 encode and decode performance9 k; R$ ^1 [* {- L* A1 ]: U4 m7 n/ D
Improved performance for file listing in Media Storage
9 h, e' L; ^, Z8 dImproved scrolling performance in Media Storage folders and Media Pool bins with many clips4 }4 ?' b& {0 V( ?8 c( R
Improved speed of importing AAF timelines; ?% W* \# H/ t$ H+ \3 W) r
Improve speed of Optimized media generation, transcoding and fusion rendering
& S/ O7 L$ `+ F$ O9 ^Support for Optimized Media in 3D stereoscopic clips6 \' p+ g' \, l7 t+ j
Support of high frame rate timelines up to 120 frames per second - DaVinci Resolve Studio only
5 T' K5 X' e, L5 ~2 r f4 l5 n; ESupport for up to 16Kx16K source images and timeline resolution
% c0 ]+ N/ C* r1 q7 vAbility to drag a file or folder from Finder/Explorer to Media Storage in order to navigate there
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Audio( A% w" [4 P4 I! O
New Fairlight audio processing engine for all audio in Resolve8 x2 y7 q: ? b' X! L8 s o
New Fairlight page with dedicated audio editing, mixing, finishing and mastering controls
/ Q, D& o6 d5 |' kSupport for unlimited audio tracks, 8 main, sub and aux outputs3 _5 S- z- i' a3 O2 U1 L
Support for Fairlight Audio Accelerator and I/O hardware
9 M" g3 X# s- t5 M* v4 NSupport for Fairlight free standing and desktop consoles/ L8 o+ F; x% y; { e5 Q) T( {5 U
Single and dual monitor UI configurations on the Fairlight page( R! p9 F5 w/ q; I- {
Fairlight page includes Media Pool, timeline, metering, mixer, effects, video preview, timeline index and inspector1 n L6 J* l. N- I; ]
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Key Features7 p+ T! x7 I/ m9 D0 n: V
Six band EQ for every track* F3 ^6 b" n, {9 t/ B, @4 o/ e# l; d
Expander/Gate, Compressor and Limiter Dynamics for every track
' g4 B% w. o; H6 S2 d2D and 3D Pan control for sound placement *+ x0 T7 ?# t/ A/ b
Timeline toolbar includes a pointer and a marquee tool, automation state, snapping, flags, markers and timeline options7 E) v, x0 M' b' V' U
Automation includes trim state, touch, latch or off mode, event selection
% n# G% A+ H e+ x& ]/ \Support for separate enables for fader, mute, pan, EQ, compressor, Gate, Aux, Limiter and Plugins
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Monitoring and metering features6 c, f2 H) l4 r& d
Level meters for all channels, Masters, Subs, Aux and groups z+ h H& \9 B( M1 z+ n% e
Monitoring of main outputs available in mono, stereo5.1, Atmos, Auro, DTS, IMAX and multichannel up to 22.2
& b6 L: o0 h4 JCompound metering includes speaker group selection, phase and loudness with integration control
6 b$ I/ k( c6 n1 LVideo preview available as docked or popup viewer with SDI video output6 A+ s- H: a6 w# g: g
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Timeline features a" J5 a- {8 S4 x
Track sidebar includes controls for gain, automation, lock, solo, mute and record3 c1 {; L# V2 d; s3 P8 |) n
Track sidebar includes indicators for track number, name, color, linked track and meters% ~6 y# U# B) r" p& ^/ ~
Timeline clips include user selectable indicators for clip name, gain, FX, group, EQ, Source, Speed, Linked status, stem/channel bit depth, sample rate and source channel+ ?5 A1 f7 F% R% X4 E4 W
Timeline clips include full or rectified audio waveform with waveform border, gain level, fade handles and automation keyframe control
' A% ? _4 d- T: @User selection of timecode display with subframes and samples, feet and frames or only samples+ l$ P# z: V3 }: ]) W* Z! u
Five preset and custom user selectable track height with locks
3 w. c1 ^2 f& A2 W# a$ H+ S/ FNew timeline index shows tracks and markers
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UI dialogs for setup and assignment- s6 X; |7 [. V8 r0 n. \
Each mixer track includes input selection, effects, insert, EQ and dynamics graphs, output selection, aux, pan, main and submix selections7 X' i" J; J/ U
Mixer also includes track name and color, grouping, record, mute and solo selection and gain fader with meters% R, z; a9 T7 _/ a4 W3 `; S
" _5 c$ B b7 Q% @; I8 K' zGeneral audio improvements* [; T9 H9 ], ]% ?0 i! f0 H
New audio processing engine includes support for 192 KHz 24bit audio3 h" `# B# [4 |# U5 b9 u7 V
Support for pitch correction when performing speed changes on all platforms2 ^4 n& u5 p! E) k" k
Support for pitch correction during FFW and FRW playback on the Edit page timeline' [' v/ A9 W8 B+ L
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Edit7 C- ~7 v3 x1 V" O* N3 e
Key new features4 Y; M2 F* y5 U& L4 x8 }
Support for track colors on the timeline
8 o; I2 s D1 w b: d1 [1 l7 DSupport for dragging just video or audio from the source viewer
+ T6 h+ w5 G4 @8 y$ C6 z8 ySupport for a toggle to switch between single viewer and dual viewer mode( c4 ]3 G2 h0 d. \8 H8 [" s# ]- T7 Z
Support of OFX plugins as filters in Timeline
) h. \" L3 a- I! n* u" j [5 A# \Ability to drag and drop a transition from one clip to another- K/ M( `$ ~) }. X m' k' [) @
Redesigned Effects Library for easier navigation and search
+ ?/ N8 x, _0 GSupport for improved "Play Around" functionality with contextual behavior depending on selection
( t- X( Y) t& v5 b, w7 _Support for Blur Dissolve transition' I; B7 U8 a: t& f5 w- I4 O
Support for audio waveforms on Multicam Clips, Compound Clips and Timeline Clips& N6 H7 R: f. I, j' _
Support for alpha rendering from source when using Fusion Connect' L% h, a1 T2 i% a; B( k* k1 a
( Z( h3 V R1 }, x) a7 Y! l9 }/ J( pClip adjustment improvements
& ?" m1 E# y! tAbility to "Remove Attributes" from one or multiple clips
! J' D* ?# l6 _: b0 JNew menu option to freeze frame the current frame under the playhead: x% Y' ?" y# \# T: ~
Ability to select all keyframes in Keyframe and Curve editor using Ctrl/Command+A
1 q( u# B Z9 L0 |: cAbility to linearize/smoothen curves for multiple selected keyframes in the Keyframe and Curve editor
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3 b' n5 {1 V" r5 e: K2 G4 |Clip trim improvements
, W! h# u( ?: z' ^' t" Q& m& mAbility to Alt/Option+Shift drag to resize a clip's In or Out point over an adjacent clip to automatically create a transition! m# y- x+ j2 M3 x s+ N& I
Ability to Alt/Option+Shift drag a clip from the Media Pool to overlap a clip in the timeline to add a transition
' U8 r5 ~2 q% q2 o0 bSupport for two new trim commands in the Trim menu
; e% A9 w! Y# P {3 C$ QSlip Playhead to In
% r( P7 z2 `2 jSlip Playhead to Out
( R) C/ I1 q( {! r- LSupport for slip functionality when performing an Extend Edit
2 s6 A4 J9 T3 ^; B8 [. b9 bAbility to duplicate and superimpose dragging selected clips from a track while holding down Alt/Option + Shift
; {7 U! |3 b! D+ t, CSupport for snapping when dragging and placing text elements in a Title in the Timeline viewer* O7 }/ W6 H- G+ V- m( X
Support for improved snapping when performing ripple edits1 ]; z, S5 Q" ^. j* t
Ability to perform playback using JKL in Dynamic Trim Mode when no clip or edit point is selected
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Conform improvements" b8 g8 w! r6 @6 Z
Support for user selectable conform criteria when performing "Reconform from Bins"
& r, J+ {& @% ~7 p* ]Ability to "Reconform from Media Storage folders" for a Timeline
" u& N, _# H7 xSupport for missing on disk indicators and missing in Media Pool indicators in the Timeline7 Q4 h+ h1 r+ F
Support for importing 3D Warp Pitch and Yaw parameters in AAF from Avid Media Composer
& Y: O3 K- x m2 b( G& rSupport for the following Index filtering options
( H. m/ ?. X, }7 H9 t" z: ~Show Clip Color
6 o' r& Q4 u! a6 @8 }7 gShow Clips with Composite Effects& m% W7 ]' J' `. }: s: D6 d7 w. G! F+ C
Show Clips with Transform Effects( |2 O& c8 R# u6 V
Show Clips with Filters
6 J" B& Z, K7 o/ BShow Clips with Speed Effects; A/ f1 H# `! Y
Show Fusion Connect Clips
' f1 O% a& A( c0 n) ZShow Compound Clips and Nested Timelines! T, y4 v/ J3 Z$ d2 F8 C: b+ P
Show Clip conflicts, S8 W: T F' |9 R: w9 Q1 q( h
Show Flags of a particular color
$ A/ X5 Q6 P8 m! k/ `4 _) r. o# M9 xShow Markers of a particular color4 h3 K$ c, Y, C& H0 S+ I8 Q
Show Stills and Freeze Frames- J5 h* c* \$ t. y; z
Ability to see conflicts in the Index Match column5 H* ^# @5 H$ H& p+ X' `, q
New Position Lock on toolbar to lock ripple on tracks and timelines for Online Editing
{ J, \% U5 `' U0 cProject setting to enable/disable automatically Conform when adding clips to Media Pool, v$ i/ h4 w9 C) H$ R2 ]) x
Ability to set default number tracks and types in Project Settings > Editing > New Timeline Settings6 Y: N3 R. D' b. i' X& m p
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Marker improvements
( J$ ^7 B. _3 Q; C+ x: _# lAbility to display Marker names and notes as viewer overlays
/ b8 i- ~5 z' q+ |4 iAbility to list clip markers in Media Pool list view. o4 h) t; \/ I; q# [7 R
Ability to convert an In and Out point selection into a duration marker% J/ ^+ F- W6 t1 B9 @* S" t+ ?
Ability to navigate between markers from the option menu in the viewers
! |5 V% t( o6 K, VAbility to search and filter in the Index using Marker Name and Marker Notes fields5 D! W, g h- z
Ability to multi select timeline markers using a marquee7 B$ g( A# l' T4 D
u/ }' H p7 M/ w$ DMedia Pool improvements. M, a6 L6 Q* G5 y( ^* Z
Support multiple Media Pool windows either as a 2-up/4-up docked view or as new pop-up windows
$ |" o O, P) y# ^/ ~5 R* ZAbility to hover over Media Pool thumbnails to mark in and out8 i9 C# e* K# z7 U+ F
Ability to "Rediscover Optimized Media" in the Media Pool
1 z$ m, ~% m2 w$ e8 pAbility to "Unlink Selected Clips" in the Media Pool
5 P2 J" J2 \" v/ |/ p } \Support for missing on disk indicators in the Media Pool for both the thumbnail and list view! }. ]/ Q- b U- w1 `
Support for Smart Bin and Smart Filtering based on Display Name
$ G& f, J3 M0 o# U8 HAbility to Create Bin With Selected Clips6 K- `* }9 t8 ~; E& Y3 u V
Ability to create Smart Bin filters using Marker Name and Marker Notes' @2 M! n- k, P7 j" p
Ability to search in the Media Pool using Marker Name and Marker Notes fields9 n. d9 k% e" J- ]
Ability to perform comma separated text matches in Media Pool search, Smart Bins and Smart Filters
4 e/ W) W. s' a. jAbility to add/remove items from current selection with keyboard modifiers (Ctrl/Command, Shift and Alt/Option)
0 k* }) B6 q. X( `3 i2 Y! C2 o+ gAbility to Alt/Option drag clips in the Media Pool to duplicate them and put them in another bin
0 d' {2 d3 n/ a. K4 @, @5 J9 ~9 Z8 J4 B8 k! A' ^
General improvements, U/ O0 N- A, m9 I
Previous/Next clip now ignores selection when the selected clip is not visible9 W1 b( e6 M3 n, ]
Support for a "Playback post-roll" option in the Timeline menu
! Z% ]: f4 a* p$ BAbility to drag video only or audio only from the timeline to the Media Pool5 I2 e: @. T: p- r# `3 W! |7 p' X/ m
Support for retaining playhead position and in and out positions when swapping timelines/ P: z" I. a# H7 p
Ability to drag a OpenFX/ResolveFX filter onto one or multiple selected clips2 t. b( Y+ V: C6 K
Support for selecting resize algorithm per clip in the Inspector
* b& `& E; O+ X# B7 lSupport for a progress bar when applying Lens Correction% I9 d# K! E( u& \8 ]2 X
Support for 100% levels in EBU Color Bar generator4 g( s1 z$ E- a! _
Ability to search "All Fields" when applying a search filter in the Index
f' L9 U J( }8 [Support for toggling "Show Reference Wipe" is now available on the Edit page
/ c! G% C8 N8 V: k" dAbility to Alt/Option click only the audio or video to override a linked clip selection; n- Q P0 t6 g( G8 W! r! P2 `
3 w8 B! x& O, I" ]) W1 V3 R0 xColor# o8 |) o/ p9 i4 I
ResolveFX plugins are now sorted into logical groups of effects' \# j/ M j, |$ g" w$ F
Support for starred favorites for OpenFX is not available on the Color page
6 o( @" S* Y! u7 o, w7 O cAbility to paste tracking data between the FX tracker and the Power Window tracker
S% ^1 j4 c7 n) v6 g3 bImproved ResolveFX Lens Flare
! |/ E. l* v7 H( YSupport for Gamut Mapping from Timeline to Output Color Space in Resolve Color Management
: X/ {& P( J- u8 |Support for Gamut Mapping in the ResolveFX Color Space Transform plugin
2 E- Y; l4 m- [New ResolveFX Plugins
5 p: R4 V e3 `& _; v9 E, `6 e4 A
ResolveFX Face Refinement - DaVinci Resolve Studio only
7 Y1 t; l) H4 j. ZResolveFX Warper - DaVinci Resolve Studio only
; }! ~' ]; v3 D3 WResolveFX Match Move - DaVinci Resolve Studio only; M% Z M) s! p# t4 T- C4 `
ResolveFX Color Stabilizer - DaVinci Resolve Studio only; Y+ M6 x% x( r8 Y* R" s5 e
ResolveFX Timelapse Deflicker - DaVinci Resolve Studio only6 Q6 \8 Y- ^, E( V
ResolveFX Contrast Pop - DaVinci Resolve Studio only% I7 `' n* k8 |2 V! f
ResolveFX Color Compressor! F4 ~2 f% H; j# |6 p S
ResolveFX Abstraction1 [1 {( [* {5 K$ F8 X. h/ E
ResolveFX Watercolor
+ D0 w* }) M# x- X7 O& c: tResolveFX Lens Distortion; _" Q5 r1 O$ i m: @6 @4 N$ A
ResolveFX Gamut Mapping! {& d5 n0 P6 y+ ]) E+ ^+ J
ResolveFX Dead Pixel Fixer
" q; J3 ?2 }! o3 d( \0 AResolveFX Alpha Matte Shrink and Grow
# C& G' J6 B h& m" CResolveFX Color Palette
" d; H0 a3 L5 [3 K5 ^. I8 fResolveFX Dehaze# `+ p2 a$ s5 \# S0 ^1 k
ResolveFX Sharpen
5 V1 z6 m% F( O6 lResolveFX Sharpen Edges
& u* b# g( d4 |$ P# e4 tResolveFX Soft Sharpen Skin9 O* p- R' L! Q7 H
ResolveFX Camera Shake
* i8 [5 ^! E- Y& ?: N* Q _2 ]ResolveFX Deband
5 D3 M# I0 r+ e0 O( P9 V# wResolveFX Grid; y/ c* M% }- ]7 D* }8 Q3 C
1 L5 _- f4 Q! _General improvements& A& h# C: F3 T
Support for a new advanced Stabilizer in the Tracker palette
" Y% P0 Y* {# w4 w( o- z9 DAbility to add and control favorite ResolveFX and OpenFX plugins under Modes from the DaVinci Resolve Advanced Panel *) {( l; p5 q0 z) B! r! S
Support for improved jog and shuttle control on DaVinci Resolve Advanced Panel( ~4 |( b7 i. F8 g' I
Ability to toggle LightBox SDI output from the DaVinci Resolve Advanced Panel using Shift Down + CONFORM8 s- C' P# t1 N( S% J# {# {
Ability to toggle full screen LightBox from the DaVinci Resolve Advanced Panel using Shift Up + CONFORM
5 ]$ p* c$ A% z3 {, r9 W6 e d# RAbility to press and hold Reset on the DaVinci Resolve Micro and Mini panels to reset the node graph. E. m- U4 [/ h1 `, X
Ability to press and hold Previous/Next Frame on the DaVinci Resolve Micro and Mini panels to jump to the beginning/end of the clip8 a& V. J: G2 T
Ability to press play/reverse repeatedly on the DaVinci Resolve Micro and Mini panels to increase playback speed+ Z5 p$ o% f7 m* ~3 j
Ability to set the LCD brightness of the DaVinci Resolve Mini panel using LCD brightness in Control Panel settings/ e g0 c# }. E/ B5 j9 Z- t9 l7 f
Ability to set the key backlighting of the DaVinci Resolve Micro and Mini panels in Control Panel settings
u2 I9 \: ?4 ~; w0 V2 y) mAbility to remember Bars vs. Wheels when switching to Primary from a Control Panel( k" D G+ d( O
2 M! V+ e6 b, X3 P0 H) L
Improved various knob and parameter sensitivities on the DaVinci Resolve Micro and Mini panels
# b; B$ k( x9 @( B( J5 hSupport for the Common LUT Format (CLF) with examples - DaVinci Resolve Studio only
/ S: J0 U' _7 N# g8 r/ v, LSupport for scopes as an overlay on the Cinema viewer( Y5 M8 |8 H3 d$ A
Support for new commands and shortcuts to move selected keyframes
& ?3 P: M* M- j1 R; `9 D( MSelection of multiple keyframes no longer needs a modifier key( i0 V) I1 f! L& \5 w1 F) J7 ]
Support for track color on Color page timeline- X, r1 e& ?/ a3 u$ x
Support for plugin name on FX nodes7 ]6 i9 ^) ]$ M3 P" G1 q
Support for full height OpenFX inspector in full screen mode
8 k( K& h8 n1 Q% D% l/ JAbility to set default number of neighboring clips for Split Screen in Project Settings > Color
, r5 {, j& M+ w4 p* _0 p( `' t3 ZSupport for Clip Color indicators in the Color page Timeline
* B" N& l7 q& k* [6 RSupport for adding any Media Pool clip as a matte to the current clip on the Color page# U# I' W, }; u0 [
( n$ d# N7 r' [2 M) SImproved support for ACES v1.0.3
* q5 _; a5 D: s3 G0 x( JSupport for ACEScc, ACEScct and ACEScg color spaces in Resolve Color Management
' s7 r3 e3 w9 W1 A7 qSupport for ACEScc, ACEScct and ACEScg color spaces in the ResolveFX Color Space Transform plugin
1 e$ K, m9 z: x( c, Y' @- _7 f+ OSupport for ACEScc, ACEScct and ACEScg IDTs and ODTs when using ACES4 r6 r- F, i* ^7 I
Support for clip output render caching from pre and post group node graph( ^9 K( N0 W8 ~- z) R& a4 U
Support for showing picker RGB values in 8 bit or 10 bit available in the View menu
. ?" C a. g5 g5 B1 E J7 \Ability to to toggle the viewer overlay mode on/off using Shift + `
' Q5 S( B2 s1 GSupport for Ctrl/Command and Ctrl/Command+Shift for half and quarter increments in Printer Lights Hotkeys, S" l9 ^/ T: F, {- o+ f2 M+ Y M6 d, I S
% u! ^% T I# c- y9 ]- o5 c+ M$ y
Media0 d- k4 q! _* i' E c# J+ ^1 K
Support for user selectable checksum methods in Clone Tool option menu( [& N4 t) \/ t5 M, y2 ` l& C
Ability to unmount drives from Media Storage on Mac and Windows' ^- V8 Q; ~( f" h
Ability to set custom whole number frame rates from 1 to 120 fps in Clip Attributes
! _8 l1 X' Y) WSupport for option to import ARRIRAW clips at the Open Gate resolution in Project Settings > CameraRAW > ARRI* e" j( ~; |5 u6 \5 _
Support for automatically cropping ARRI Quicktime clips to show only the active area of the sensor
/ |! d/ J* Y1 J7 MSupport for latest EasyDCP library4 x5 y; V/ E: f! W
Support for decoding Nikon RAW files: O% ]9 C- D- s* _% w; ^
Support for MultiPart OpenEXR
- l/ }: u6 _/ Y, {3 `) n7 u7 x6 @( k USupport for Constant and Variable bitrate in Quicktime ProRes and DNxHR codecs) M1 Q) ]" B: l% G: _5 f6 U: N8 b
Support for H.264 multi-pass encoding on Mac
8 L% E9 a( [. b! V8 g1 MSupport for decoding H.264 Intra 422 10bit - DaVinci Resolve Studio only
+ U, _" k) {6 F) C/ i- ~. wSupport for encoding to the MP4 format* A& O7 u" R" z0 d& C1 D4 b
Support for decoding High 10 Profile H.264 files on DaVinci Resolve Studio& @- Z% N, S6 T! V" y9 i
Support for encoding VP9 profiles with higher bit-depth7 A; o7 W' I& o( v# h
Support for Network Optimization option on Quicktime renders
- ~" M9 n- h7 J# kSupport for 10b and 12b encoding options for DNxHR HQX and DNxHR 444
! I& f2 U" ?# M. d# O
: Y0 q2 p: O! L: HGeneral% Q" u5 u% v7 R
Support for an improved Project Manager with an integrated Database manager
( r9 U, H# T5 f1 l) JAbility to copy and paste one or multiple projects between databases. m- C3 ]/ x' v% t( q8 j1 Y
Ability to sort list of databases in Database manager" W8 `( Q( [2 n o* m$ X- ?- T; u6 B
Support for a new Bicubic resizing filter option
3 _$ O5 t& `! Y6 DUser settings such as layout preferences are now saved locally on the machine
& A4 W4 ^: p6 D) lAbility to drag a bin into another bin in the Media Pool right hand side view
+ G% |3 Q. X) T& Y! L" `Support for a smaller page switcher on smaller screens/ f5 f7 P7 B) a, e
Ability to type in Project Manager and browse dialogs to automatically navigate to and highlight matches; F! }: ^2 Q0 D* |
Support for searching for shortcuts by command name or shortcut in Project Settings > Keyboard Mapping% c) M/ |) d! c3 K- ^ g4 p) @5 ?
Support for displaying conflicts when assigning shortcuts in Project Settings > Keyboard Mapping
# B b) h+ r) g$ i: HTags now support non-text parameters such as Timecode, Dates, Numbers and Resolutions
6 @+ f: I9 k) tSupport for undo/redo history available in the Edit menu
4 G% P3 w1 O: v% s/ \2 @! h) qSupport for an option to stop playback when frames are dropped on the SDI output7 S; m- S# y" J8 A6 b/ u# K' [, G
Support for remembering the last open page across multiple sessions4 [2 w1 _1 T( s. y+ T( {+ n
& x- O& m4 ?9 `, ]& n
Pre-installation Notes
3 B& q. z" `1 NCUDA is only supported on NVIDIA GPUs with compute capability 3.0 or higher (Kepler architecture or newer)
8 e9 Z U U5 }. |& T f+ c& JAutomation of clip audio effects is no longer supported
8 H! Q& G8 n8 \8 P. Z1 j4 ^1 lAudio clip mixer is no longer supported/ [& a! s& f; {$ R0 s3 w$ t6 R
Support for AU plugins is not currently available
% ~6 l- i! f& j2 n3 SSupport for audio playback and render of nested compound clips and timelines is not currently available" U' f" S( ]& R4 \# D6 p: e
Support for output audio channel assignment is not currently available2 R5 @# R# F! Q! X& @5 t
Support for DaVinci ACES has been removed
i6 P) l8 b- P0 r4 e& c( P3 OSupport for older versions of ACES has been removed
$ y* w3 G$ Q' V6 B/ Z g0 U& b) F9 tSupport for render cache is not currently available in Collaboration9 t5 H) V4 j7 n, |3 R" a* E
Support for the Login page and Resolve users has been deprecated! F( ?: q1 D2 R# h
Dual machine servers are no longer supported on Linux% w# @9 T9 r( A" h' C5 N2 K/ E) n6 ~
" {8 c" U p9 S0 _: D, K4 r, \
/ O( n2 }( [! l) n( \! {What's new in DaVinci Resolve 14.3( l2 y$ k$ q5 M* e
Added support for the Blackmagic Design URSA Broadcast camera0 N p6 O. v' L
Added support for RAW footage from the Sony Venice/CineAltaV camera5 s5 C/ }+ ?( K' l5 P& H& u
Improved the quality of thumbnails in the Media Pool and Edit page timeline on retina monitors+ K8 X1 `, l N6 J
Added support for reading Panasonic Varicam metadata when importing footage
, A1 B4 `; B" x# JAdded support for exporting Sony color space and gamma metadata when encoding to MXF$ O; _, [0 j! @0 h9 C6 N
Added support for RED SDK v7.0.6& Q4 ?0 H% |, D( \9 G
Addressed an issue where the audio section in the Deliver page would default to timeline track instead of the Main bus9 v" R% o4 j. N& ?: H( Z% k
Addressed an issue where editing a transition could sometimes cause a crash
9 _% ~" [3 [5 U+ |' GAddressed an issue where syncing video to audio with a different sample rate results in incorrect audio sync and pitch audio
4 ^3 T4 n' a) C [& O5 LAddressed an issue where changes to the Mixer UI layout would not get saved in a dual screen setup
! l9 |0 s5 A# AAddressed an issue where pressing arrow keys to move volume keyframes would not work after opening the keyframe curve editor
3 u/ T- u$ Z9 @3 b- L4 qAddressed an issue with the option to pick which node to select when switching clips0 V: h& P5 o# W- G0 s- a
Addressed an issue where a project would fail to save after deleting a group
6 X; h2 D: ^& vAddressed an issue where a project would fail to save after specific undo/redo operations
, x: b$ N' m6 l) L: i- C7 l( uAddressed an issue with UI artifacts in the DaVinci Resolve Studio activation window$ h9 v1 X& g1 L W4 |# y5 w
Addressed an issue where projects with LUTs would not get exported correctly on Windows( l3 q/ t( r. y8 k& V
Addressed an issue where the current project could not be copied between databases
0 v& @4 J! ?9 u- y- l0 CAddressed an issue where relinking to TIFF files with a higher bit depth would result in a crash1 v4 G9 [! m( ~& l& Q, J5 G
General performance and stability improvement
8 v* ]* H; A! M
3 E0 U4 X" `# A. W9 n8 QWhat's new in DaVinci Resolve 14.2.1
5 S4 X6 z4 e' R2 aAddressed an issue where playing frame-based clips in the Media page would not play the synced audio+ H! o- [9 _( v) c$ Q- ]
Addressed an issue where Resolve would sometimes not output audio on certain pages in macOS' z. o' H" D1 l( x. T5 S
Addressed an issue where audio formats for stereo, 5.1 and 7.1 were not set correctly when rendering WAV files
5 w6 R1 T% X# |& x. _7 A% E+ PAddressed an issue where rendered adaptive tracks were incorrectly tagged as stereo, 5.1 or 7.1 formats3 q+ I7 n! a9 x+ P
Addressed an issue where changing clip audio properties in the Inspector would not work correctly when multiple clips were selected$ K6 O- r p H7 @" Q Q) H, p
Addressed an issue where deleting a volume keyframe and performing an undo would not restore the smoothening applied# L$ }! G6 x1 l- z0 o( q& Q" \
Addressed an issue where the source meters would sometimes not reflect the correct number of channels for clips with audio: T/ W- s6 w; A, c8 n9 {( D$ W
Addressed an issue where the Fairlight viewers would show a still image during playback when monitoring with a Blackmagic Design capture and playback device" n% d2 ~4 M! k' A# W3 J
Addressed an issue where render jobs could not be added for audio only timelines
4 W; O( n) s! L) C- \0 iAddressed an issue where rendered media files would sometimes have blank audio on the first video frame3 ]5 N$ g# _/ `1 t* ?8 |" i) U
Addressed an issue with marking render ranges when rendering an audio-only timeline on the Delivery page
: X8 R: W; R: @/ m+ |Addressed a crash when adding a marker to a clip with cross-fades7 q0 n+ ^0 |, m* w( ~3 \/ a" M+ S
Addressed an issue where moving an audio clip on the Fairlight page would sometimes result in a crash
2 r2 e" N0 S4 U4 IAddressed an issue where the metadata widget would remain blank when clips were selected on the Fairlight page: Z0 R' n/ h& v: g: y" {" {
Addressed an issue where audio FX applied on clips inside a nested timeline would sometimes not get saved
# a2 P& K- m: S- ^Addressed an issue where deleting an audio clip in a layered track and performing an undo would restore it in an incorrect layer
3 P, h$ Y: ]6 F: m- T" j# p( `5 xAddressed an issue where resetting audio properties in the Inspector would not fully reset the clip equalizer, q2 g6 C1 W5 W- z4 x6 h& K* ^. X
Clips dragged on to the timeline no longer update the position of the playhead+ |$ p0 Y9 `$ h) D o
Addressed an issue where viewers would become blank when Video Scopes were enabled in Edit page4 A9 h9 P0 X: O! ?8 F8 s& Q
Addressed a crash when decomposing compound clips from certain timelines imported using XML or AAF3 n4 y" w7 y9 S! Y X& I
Addressed an issue where reimporting EDLs exported from Resolve would cause a crash- ~) M, ?: T) a* Q' e4 ]
Addressed an issue where performing an undo on a take selector action would sometimes result in a failure to save the project
. h# j- b. U/ C* Z) ~Clip names stored in EDL comments are also available as a render tag
. @% p6 L/ J( y& F6 O- p( J8 gPower Windows with tracking now also have an indicator on the viewer overlay to show when they are in frame mode
/ }+ N' M; t5 `/ R2 n9 c) ?+ z2 JAddressed an issue where reconforming to a clip at a different source resolution would result in misaligned power windows in some cases
0 l( {' {5 S% Z1 L2 Z/ R$ FAddressed support for DCDM ACES Output Transform with gamut clipped to P3 per SMPTE spec8 h, d; X2 p3 ?; o+ h3 d' i7 A8 L
Addressed an issue where stills grabbed on a project migrated from Resolve 12.5 project would not be saved
" G3 X$ z, l" Y+ m) YAddressed an issue where loading gallery stills would sometimes take a long time& I6 ?) |0 T/ E2 S& k
Addressed an issue where some stills would show a black frame when wiping
- d m: e# X4 T9 N2 l* S$ nAddressed an issue where node cache would sometimes incorrectly be invalidated when rippling color parameters
! m6 k$ b, c& d7 E R. z5 mAddressed an issue where the Dolby Vision CMU would be in pass-through mode until the trim metadata was modified
2 G4 D/ C# ^8 ~0 p& ~& p4 y5 MAddressed an issue where qualifier controls remained editable when disabled5 E h/ v! b) L+ e) s
Addressed an issue where Intel graphics hardware would not be recognized as OpenCL compatible with the latest drivers on Windows! U$ x+ {* |1 G! S6 T# {$ G3 z2 _
Addressed an issue where the Generate Optimized Media progress dialog would sometimes disappear before the operation completed
# J- _/ ]1 Y u% Q/ H2 w3 oAddressed an issue where performing a Save As after a failure to save a project would sometimes result in the original project disappearing
% r4 y* v; T" e# q. t; r3 qAddressed an issue where selecting multiple titles in certain timelines would result in a crash2 Q! r H" t; n) V7 r7 s
Addressed an issue where deleting timelines in some projects would result in a crash% B6 t9 z. e. U. r1 `5 e* C) J
Addressed an issue where Blackmagic Design Capture and Playback devices would not be detected on older drivers on Windows
( @- R# w4 K: D8 p0 T! }) A {% xAddressed a crash when enabling 4:4:4 SDI monitoring with certain Blackmagic Design capture and playback devices4 `: u4 ~: d2 S. v7 n0 x
Addressed an issue where viewers would become blank when enabling Data Burn Ins and monitoring with a Blackmagic Design capture and playback device2 Y; P; m6 F. Y b' I, Q+ |
Addressed an issue with network connectivity on the JLCooper Eclipse panel, E9 z! B1 |' u$ s0 c( l
Addressed an issue where changing the source folder or relinking clips in the Media Pool would not affect the associated matte clips unless they were explicitly selected" i2 u% Y/ p) U$ C. r) N7 t2 {
Addressed a crash when rendering to Cineform at certain resolutions such as 2K DCI Flat" p6 d4 V* r5 z, \0 \
Addressed a crash when decoding some H.264 clips
. [, [' P% ~5 h: ~: u' zAddressed an issue where colorspace metadata was exported incorrectly when rendering MXF clips
. l- ~. s; j5 C8 v# KAddressed an issue with default brightness levels when decoding RAW formats from some still cameras
6 \" l3 r2 j' a6 k: d EAddressed a crash with decoding some high resolution XAVC clips on certain system configurations
0 {3 ~4 G$ z( D2 UAddressed inability to render multiple mono audio tracks to the MXF OpAtom container
% T. M$ W u$ v7 E6 ^Improved encoding speeds when rendering to Apple QuickTime ProRes3 W) }6 g9 m [" V
Improved decoding speeds with XAVC-I media% z2 N2 I! n& L- R8 |- I7 b
Addressed performance degradation when using CUDA compatible OpenFX plugins( X# C. T5 c; U. Z% e. I1 {' _( j
Addressed an issue where Edit page playback response would be delayed during thumbnail generation
. y) H6 @+ } l ^5 X1 @( zAddressed an issue with viewer performance on multicam clips on certain system configurations
8 }1 ^3 V. d7 G" ?2 e( S( n5 KGeneral performance and stability improvements. }2 o0 g0 J% ]8 u
' w( o% _/ W: V
What's new in DaVinci Resolve 14.2
, S$ a6 d) ~9 V" J) xAdded support for the DeckLink 8K Pro monitoring modes; X+ K) p9 _$ R5 t" W( j) g$ H
Added support for importing audio-only AAF timelines
; t: k7 \$ Z: @7 E) i5 VAdded support for rendering audio handles in ProTools round trip mode
7 u# r' _6 L) l" O- `Added support for audio playback when performing dynamic trimming' N% m( @" f, u* ~
Added support for import and export of Final Cut Pro 10.4 XML
9 j" m$ Y+ C5 ^' }! sAdded support for automatically naming Gallery Stills using user-defined tags
4 W- q$ R& w- `' n+ LAdded support for 16 and 18 fps timeline frame rates
1 g: }$ c9 C. d+ H2 d0 uAdded support for 95.905 fps timeline frame rate
5 X0 `6 j7 \3 k- \Added support for more fine-grained preferences for Performance Mode6 a% P3 d; Z4 _- L
Improved support for keyframes in the Fairlight page
. G; v8 C" O5 |0 @0 [+ jAdded support for listing multiple DeckLink SDI devices with unique names0 `5 R2 P1 R, a
Added visual indicators for distinguishing between timeline clips without media in the Media Pool and without media on disk8 e- |1 g8 j1 N9 N' N5 T1 J3 X
Added the ability to change the playhead position without stopping playback on the Fairlight page- L/ G2 k8 O0 ^; o# I0 X$ q X
Added support for Enable 2D Timeline Scroll on the Fairlight page4 @) \8 `$ d9 L& o6 I
Added support for context menus for markers in the Fairlight page4 E4 K3 l$ i6 h
Added support for automatic creation of a timeline when dragging in an audio clip in the Fairlight page
! ]/ G( |8 P2 O2 t _, f1 LAddressed issues with acquiring and releasing the lock for a bin in a collaboration project
" k3 K4 n8 m2 g* R" TAddressed an issue where network connectivity issues could cause unexpected results in a collaboration project3 d: z! h {% f) o
Addressed an issue where a blank node graph would sometimes be displayed when switching between clips in collaboration mode
2 U- Y7 Y& T/ g9 w1 g: @0 ~) kAddressed an issue where two users could sometimes load a non-collaboration project in write mode without a warning. K0 Z! D+ N" }! \6 L. Q
Addressed an issue where "Update Timecode from Audio using LTC" would not work on clips starting with blank audio
+ L8 B! d: A+ o6 g9 m v- I( ~Addressed an issue where retiming an audio clip would sometimes result in audio glitches
, E [9 i4 \2 }$ l2 H( aAddressed an issue where unlinking linked audio groups with the Pan dialog open would cause a crash
/ ]% e/ A- F7 `& M) nAddressed an issue where starting or stopping playback would sometimes cause a momentary glitch in the audio on the Fairlight page" j% k; t4 [) j. w
Addressed multiple issues with fader behavior for direct track outputs in the Fairlight track mixer) i! a7 e$ b' u4 `' U U3 a$ G
Addressed an issue where the Fairlight timeline would sometimes show an incorrect number of audio tracks
* T- @5 Q" w; n+ hAddressed an issue where the Fairlight control room widget would sometimes become invisible when resetting a dual-screen UI layout5 l/ W0 p! @8 k9 ?" J
Addressed an issue where JKL playback would not honor the looped playback state on the Fairlight page* Y) E; n# n) N
Addressed an issue where moving an audio clip would not refresh the keyframe navigation buttons on the Fairlight inspector9 `6 T/ l/ F0 H# V* |0 y
Addressed an issue where some Fairlight dial widgets would not reset their values correctly on double-click
) n- R: W" s P3 B: ^* _Addressed an issue where audio EQ band adjustments might be incorrectly saved: ]% S; h9 H" }/ L. P
Addressed an issue where stopping playback would continue audio output for a few frames on the Edit page
. l" g4 \' F+ V0 m# l& SAddressed an issue where LTC timecode output over SDI would not work when playing back on the Edit page& t# D$ k& a+ _& S8 r& c
Addressed an issue where the Mute status would not be reflected correctly in the Edit page on a track with automation- Y, x$ [3 Q) }: V
Addressed an issue with titles where using certain fonts would result in cropped glyphs
: N9 H! r/ f5 g' q+ ~Addressed an issue where bypassing color grades would bypass OpenFX applied on the Edit page5 b; |1 j& s, t4 t
Addressed an issue where deleting a clip with an OpenFX transition would sometimes crash7 l% a" X: a% u' c+ p- G# y
Addressed a crash when switching multicam angles if the viewer was in source mode
8 C3 ^# }; L q2 n$ n# X8 g. \Addressed an issue where reconforming multicam clips from a bin would not retain the original angle information& b1 f M5 i/ H! @3 y t
Addressed an issue where performing a blade operation on asymmetric linked edits would result in incorrect linking
9 b- E7 k3 c: Q0 PAddressed an issue where previewing compound clips and timelines in the source viewer would activate the timeline audio meters& b/ _4 n7 }( w2 T" f: z
Addressed an issue where previewing video-only clips in the source viewer would sometimes be slow on the Edit page
8 Q6 M/ [9 V; y* ~) T wAddressed an issue where importing older projects using a Sony IDT in an ACES workflow would sometimes cause a crash6 R* y0 w7 q1 n. H5 d( v; {
Addressed an issue with audio playback when applying clip filters on the Color page7 \& p" b( t }; h0 r
Addressed an issue where Color Tracing Power Windows from proxy files would result in incorrect window positions7 {# `/ e% L2 Q0 a& K. y
Addressed an issue where copying grades between clips would unnecessarily invalidate the clip source cache+ L5 C" F& a# ~- H4 ~: x
Addressed an issue where bypassing color grades on speed changed clips would disable the optical flow or frame blending
$ T* l' C$ b2 k rAddressed an issue with incorrect results when stabilizing multiple edits from the same source; I' X' i, }! ?) J3 p1 a
Addressed an issue where switching databases would sometimes incorrectly hide the second screen in a dual screen monitor layout
; r+ j! l0 U; A, yAddressed an issue where GoPro CineForm clips would decode with a watermark applied on Linux
7 m/ X% J8 B4 ^Addressed an issue with decoding some Sony XAVC-I clips2 h( f3 `5 {; [8 i" n+ h
Addressed an issue with incorrect cropping for certain QuickTime ARRI clips
z, N u- m2 A( p4 Y+ T6 _4 X& VAddressed an issue with color shifts when decoding certain Panasonic AVC-Intra clips7 ~: b! q; _' j; n( o# t3 t! m
Addressed an issue where the stereo audio format of some MXF clips was not recognized correctly' J( h( } F5 r( l& @7 y/ j
Addressed an issue with reading drop-frame timecodes for DPX clips
2 D9 C9 y0 u. v0 q3 K9 C% m2 ?1 OAddressed an issue when decoding some QuickTime clips with large timecode values
4 u* I8 I5 e! J' aAddressed an issue with color shifts when rendering stereoscopic 3D clips in side-by-side mode using H.264: \9 m% T2 U4 h$ F( O' z1 U
General performance and stability improvements# P8 t- n% ]* x# i& L, b
. ~0 l' p8 t4 h7 H7 EWhat's new in DaVinci Resolve 14.1.1
5 l! m% h3 B `+ @0 NAddressed an issue with detecting Blackmagic Desktop Video hardware with older driver versions& K5 @' ]+ J' L6 p5 C) L
Addressed an issue when setting monitoring to PsF formats when using Desktop Video drivers newer than v10.9.3
0 M' N! A& m, P! uAddressed an issue with the detection of license dongles on MacBook Pro with Touch Bar on High Sierra
& B: M& |) R+ yAddressed a crash when changing audio plugins and reloading the project without saving
: w* K$ i4 \9 {% DAddressed a crash when opening a project with title presets in the Media Pool& h6 g8 F# F- x& m5 K
Addressed a crash during playback when Enable Video Field Processing was turned on. c6 p7 c j' ~' s4 \- a
Addressed a crash when connecting to an incompatible database and switching projects C; G: R: [- E. \. Y* H
Addressed a crash when toggling Show Current Clip With Handles and loading a memory if Live Save was on
( a' t9 @# l( a8 n1 j+ K3 |9 r: l9 \Addressed a crash when deleting favourite transition presets) p& w5 p' s- e* Z9 w, E
Addressed a crash when canceling a project save and navigating to another Resolve database/ L) B4 c$ y0 ?* K
Addressed an issue where disabling a compound node would not immediately refresh the viewer
( a2 Y h. N0 V% c i9 YAddressed an issue where splitting certain linked audio-video clips would not link the split components correctly) v% R5 V0 C5 O( `3 x
Addressed an issue where ResolveFX Face Refinement would stop working when a clip was moved into a compound clip
; f6 i+ _9 M" K' [9 U& L' u/ \" p# hAddressed an issue where video scopes on the Edit page would sometimes show an incorrect display
3 _) Z% P; Y2 UAddressed an issue where quitting Resolve would sometimes cause an incorrect shutdown on Linux
' U! k& d5 N3 k* v) _$ E) FAddressed an issue where horizontal scrolling in the timeline comparison dialog would sometimes not work as expected
+ S6 h# p" c# G8 X3 k- a. E0 wAddressed an issue in Project Server where clicking Enable Sharing may not work on some machines+ h3 ^3 l' c; g5 q0 m
Addressed an issue where switching between large databases would take a long time to respond0 z$ r. m$ f& U7 o. a
Addressed an issue where Resolve would show Media Offline frames when using RED Rocket-X to decode certain RED clips
& P( t* {) R7 [% U) O% pAddressed an issue where decoding some RED clips with CUDA in Resolve Color Management would show a black frame L( q [# v* U
Addressed an issue where Resolve would sometimes show the Welcome dialog on successive runs5 t8 a" W" H6 e/ j+ c
Addressed an issue where copying audio clip keyframes would not apply it properly on the target clip1 ^$ ^$ t0 Q. c4 h4 o( n$ T* _! X
Addressed an issue where rendering to DNxHD 36 would cause a slight shift in the red and blue channels
$ t# E/ m7 a6 H& T. W) K4 D$ \Addressed a potential crash when opening floating Media Pool windows and switching pages
& S x9 L, W0 H. p/ X5 q/ J V5 FAddressed an issue where the 3D qualifier would not be correctly applied for Group Pre-Clip versions
& m& I9 f. w' N2 t, qAddressed an issue where changing master bus configuration with audio FX present would result in loss of audio output for the bus
- }! ]0 M& b d+ t' zAddressed an issue where the display of track colors would go out of sync when deleting a track and undoing it
; R7 T5 L9 f, t s5 ^9 G9 qAddressed an issue where dragging a clip from the Media Pool to the Fairlight timeline would sometimes show an additional track
$ i1 j8 }4 L9 b5 c" @ XGeneral performance and stability improvements
9 K6 r0 e) w8 @- M: S6 D+ I. }5 Y0 y1 a7 W8 m+ t2 J* w* n3 o$ R: m
What's new in DaVinci Resolve 14.1
% M1 {4 }3 _' dAdded support for a new Project Server application to manage a local PostgreSQL server on macOS and Windows5 J! _9 o, ^2 l: w2 O4 l# x! q
Added support for presets for User Preferences- b, g- G+ d$ ]) o7 y5 c* L% z
Added ability to simultaneously generate cache files for multiple cache points on a clip
% Q% w9 P# o6 x' R( o& L) xAdded ability to enable/disable caching of transitions in User Mode in Project Settings
; A% g, s. ]0 hAdded ability to enable/disable caching of composites in User Mode in Project Settings
) O# W. j; e* @9 AAdded ability to retain the cache when moving clips with speed changes applied
6 q k% e+ \" kAdded support for excluding individual tracks from sequence cache in User mode
. Q% |: v- C) I N& Q+ \Added support for applying individual color attributes when dragging nodes from the Display Node Graph window
" L8 K. b' ?; }: e3 N0 S2 SAdded support for a zoom slider in the Display Node Graph window
& n9 Z# X, q3 c0 ]" M; M kAdded support for accessing both the clip and the timeline node graph for a Still in the Display Node Graph window9 o6 e1 |# d1 d! E1 B% T0 j
Addressed an issue where right clicking on a wiped still and selecting apply grade would not work9 z u: w1 a7 B. i& e# f4 Q
Added an option in the panel settings to switch between classic DaVinci and vectorscope trackball alignment
+ b* J1 g7 i( ?* r- C6 G+ oAdded support for displaying video scopes on the Edit page
. y' {: f+ S& L& p: DImproved title text rendering quality
5 r- ^6 j4 m' m( r9 MImproved playback and rendering performance on the Radeon Pro WX 9100 GPU
1 v4 V1 R( m! \2 i1 U' OAdded support for RED IPP2 color processing
8 j, u3 Y6 L( N/ D% W' _Added support for decompression and debayer options for Red Rocket cards ]( x4 G4 I! @4 L
Added initial Linked Group support for audio tracks
/ J) J& d1 d( e9 B; X9 L0 qAdded the ability to drag and drop .drp project files into the Project Manager2 |. [6 W1 I N# w- Z1 V# n0 E9 ~
Added support for a project setting to switch track metering between source and post-fader
" b A7 ~' V% `Added the ability to update the track color of multiple selected tracks on the Fairlight page
" ~4 f; q- b- f5 F% |, i" GSurround sound audio channels are now included in the downmix to stereo buses and monitors
- f f% g! b: e1 L$ h, BAdded support for a Project Setting to automatically apply convergence to windows and effects in 3D stereoscopic projects) _4 g5 x9 P# L/ w2 h4 u
Added support for groups in the Color page on collaborative projects; @" v5 y$ E6 _' \ t! I
Added support for generating and rediscovering optimized media in collaborativeprojects
- U. g+ p( B) UAdded support for viewing audio codec information in the Metadata widget* b( ^3 b T# C0 D M/ K
Added support for GoPro CineForm as a caching and optimized media format
4 D/ S/ M1 G; VAdded support for higher resolution DNxHR formats for MXF-based Fusion Connect workflows
& z2 M* w. ?6 DResolveFX Warper is now GPU accelerated9 M' w- Y) u0 L, k$ I" G
Bus section in the Fairlight page meters is now scrollable% g. A1 D* P6 B, W8 \
Added support for decoding enhanced AC-3 audio on macOS and Windows9 D9 P' L f8 e& @0 V. _
Improved performance of viewer in Fairlight page
7 ^# H9 f3 g! A8 C6 O* `* I9 YImproved behavior and interactivity of timeline and track index in the Fairlight page* x( f6 I9 V) A5 T+ K7 `
Added support for 2-D scrolling on the Fairlight page
$ N6 ]9 }* }9 @4 A+ y0 G5 z# {Added support for source audio clips at any sample rate) v) e4 ?, A+ r5 X" J/ {
Added support for Dolby Vision trim on compounds clips and Fusion Connect clips; C& C6 z, t; y" P, x$ l1 L6 U
Added ability to perform audio only insert to a tape deck: o3 o$ ?, n* B" t3 X
Added ability to capture video and audio or video only from a tape deck
" p" r W) A( ^! u; _7 _. t9 f% oAddressed an issue where the audio and video would sometimes be out of sync when capturing from a tape deck- S% M' K' j) c1 g
Addressed an issue where an incorrect frame would sometimes be inserted when performing an assemble edit on a tape deck
$ t6 G L( n1 F7 G! [2 ^2 D8 ~Addressed an issue where recording microphone input on some tracks would not persist the recorded clip5 o$ [/ F4 v' N [# b% r* L
Addressed an issue where the length of a duration marker could not be modified on the Fairlight page
* l0 {5 B1 x5 Z* I) M8 @4 M0 |Addressed an issue where deleting a bus that is being monitored would result in incorrect control room behavior7 S# L* }2 \0 k1 C/ u
Addressed an issue where Audio FX in a project would not be persisted if the the Audio FX was not installed( }) W% A# c/ E6 G5 `' K4 b
Addressed an issue where moving or pasting clips in the Fairlight page would sometimes remove the associated transitions; @# m1 M' _4 v2 G( @/ \
Addressed an issue where assigning an offline reference clip to a timeline would result in loss of audio
$ C: v! B J& |7 } FAddressed an issue where switching timelines would sometimes result in loss of audio1 }0 J. [3 U8 f& x2 ^' `
Addressed an issue where dynamics would not apply evenly across stereo and 5.1 tracks
7 @# z, y8 {- R( Z* t7 A9 tAddressed an issue where unintended audio fades would sometimes be applied& E$ v# B2 q ~4 Z; _! @
Addressed an issue where there was sometimes a change in audio level when playing back on the Edit and Fairlight page0 s% S, L( C& M1 W. y$ X4 ?
Addressed an issue when duplicating a timeline with layers would result in additional layers( P% x! i' L* w1 l/ h
Addressed an issue where layers inside a compound clip would not play the correct audio
. @( }5 |4 H1 l# F8 {& ` tAddressed an issue where moving an audio clip in subframe increments would not update waveform positions1 A6 t0 H: n! `$ P# V/ Z% _: i
Addressed an issue where playback of nested timeline clips would not honor the mute state of the track) Z4 {8 C* ]: X! y& c! M6 X5 L9 D" ]
Addressed an issue where the track volume slider in the Inspector would sometimes be disabled
- H7 V, L8 ?$ s- I: wAddressed an issue when using Alt/Option + click to switch multicam angles
$ N( O8 D1 W; o6 WAddressed an issue where trimming a freeze frame clip would sometimes crash" n4 \$ k" K; V' g x: j6 B
Addressed an issue where video only clips could sometimes not be dragged from the source viewer0 B( ?: v. x4 e! v1 X
Addressed an issue where flags and markers from existing projects would not be loaded correctly
5 N4 R- \2 u L. g1 [8 E& cAddressed an issue where a marker name change would sometimes not get saved8 A( h2 {/ z! A1 X, H7 O- M/ ^* A
Addressed an issue where importing FCPXML files with a subframe video edit would sometimes cause a crash2 x1 E' o4 q) C }2 c
Addressed an issue where exporting an XML from some timelines would cause a crash
! p* z4 m e# Q) oAddressed an issue where rendering a clip with synced audio in Individual Clips mode would not render the synced audio
2 B F6 c! r) [" xAddressed an issue where "Render at source resolution" would not apply ResolveFX Face Refinement correctly/ p9 ^3 W- Z* Q8 O5 z y
Addressed an issue where Fusion Connect clips would be rendered without temporal noise reduction applied/ P! F0 g! D2 t6 w& R
Addressed an issue where saving a project would fail in certain collaboration scenarios" h4 |- f4 c- Y: P
Addressed an issue with saving a collaboration project when overwriting a clip in certain scenarios
0 j I' r; t! Z2 P5 C& QAddressed an issue in collaboration where switching clips on the Color page would sometimes not acquire a lock; g6 s+ ^* ^ i; x& M. M
Addressed various issues with tracking of Power Windows when working in Cinemascope1 N/ t8 c; B4 G6 _" n
Addressed various issues with tracking of Power Windows when using Center crop with no resizing
5 @1 `7 c: W( E6 ]' f" ]Addressed an issue where stabilization would sometimes not work with Edit and Input sizing applied
0 {4 X# ~3 \4 M" r2 w6 E! NAddressed an issue where the tracking would be applied incorrectly when changing the timeline resolution or the clip pixel aspect ratio' m3 z. i& u s! i+ e" J
Addressed an issue the FX tracker would sometimes not work correctly when Input or Edit sizing was applied
: r6 }. S! Y$ y- a3 EAddressed issues with applying 3D LUTs when using Metal as the GPU processing mode
: d; @3 Q' C$ wAddressed an issue where some OpenFX plugins would cause flashing of grades9 ~4 i# |. i( q
Addressed a crash in certain scenarios when switching to the Key Palette on a matte node `3 N- b( P2 m8 f/ t s
Addressed issue with playback performance of large projects in the Color page; G2 f" A. ~( t c
Addressed an issue where render at source resolution would not apply stabilization
/ a# e/ n& K8 ?! L& |7 E* tAddressed an issue where some memories would show up as blank when reloading project from disk database* }& @6 g/ N. X* o
Addressed a crash when opening some stereo projects upgraded from DaVinci Resolve 12.5.60 |% i3 N; p2 \' \
Addressed an issue with importing some DaVinci Resolve 12.5 projects
8 ]2 b+ M }! ^ ]8 ^Addressed an issue where easyDCP renders would cause a crash on macOS 10.13 High Sierra5 D+ c1 b8 M& o8 S& q
Addressed an issue where the easyDCP KDM generation would not honor the validity dates specified9 ~- z7 s6 \% T9 f4 i- z
Addressed an issue where decoding certain long QuickTime clips would repeat a frame
: [1 t& j+ U; ?/ i. t g$ wAddressed an issue where QuickTime ProRes 4444 clips would sometimes lose the alpha channel during playback b" P3 v8 I* w
Addressed a crash when trimming and copying AIFF clips using Media Management
5 Q3 e3 X2 r3 C. t1 H+ E5 t; nAddressed an issue where decoding HEVC clips at 2048x858 would sometimes result in artifacts) c' a/ F0 v. Z; O5 R
Addressed an issue where certain MXF clips would show incorrect duration
% `5 c9 p4 d5 p+ Y- W2 J9 z. MAddressed an issue when decoding certain Sony clips in an ACEScc workflow2 M* h( m4 _6 b$ i' m
Addressed a performance issue when media managing a large number of clips from the same source folder
/ e5 _! D: T, P- j* V! G3 qAddressed an issue where floating Media Pool windows would not get updated correctly when performing an undo) y6 b( @) ?, Z* S' s" J
Addressed an issue where resizing the Media Pool would sometimes result in a crash8 a! i7 o1 U/ g& f" p' Z% j) V5 [
Addressed an issue where a clip with a split edit would not be stored correctly in the Media Pool
0 f" ^9 |2 |8 G+ O EAddressed some UI issues when running Resolve in full screen mode on macOS
1 J, A: H1 X0 p3 W' S2 `9 PAddressed a crash when opening the Effects Library when duplicate plugins are installed
4 y9 `! n( o3 ^Addressed connectivity issues with the DaVinci Resolve Advanced panel on Linux3 h; \7 s7 m0 O+ ]% T6 V
Addressed an issue where large projects would sometimes hang during load
8 k5 Z8 Y x. m3 n$ A, z" MGeneral performance and stability improvements$ [9 U F. `$ g# k, M+ H( d
' q" r8 q& P3 c, c& V5 xWhat's new in DaVinci Resolve 14.0.12 X p9 m- T8 r- @3 ~
Added support for HEVC decode on DaVinci Resolve on macOS High Sierra
# \/ R* ?1 j, b- C* ?Added support for hardware accelerated HEVC decode on macOS High Sierra
' g# j0 a( {2 s/ y9 jAdded support for hardware accelerated HEVC encode on macOS High Sierra on supported hardware
; h o& ?' q2 e& T/ @ z& V, IAdded support for hardware accelerated HEVC decode on supported NVIDIA GPUs on DaVinci Resolve Studio on Windows and Linux6 q6 M$ L- n# Y$ d! W9 Y7 H) F
Media Pool thumbnails now has an indicator for embedded mattes2 o3 M" s$ y8 j: U$ L2 R' d
Dragging nodes from Gallery stills now honors the “Apply Grade Using” setting. y1 j% s- W7 q6 {
Improved Loudness Metering on the Fairlight page4 `- Q/ i, R4 _* ]* P L
Added support for setting the Loudness scale in Project Settings/ M: b1 j8 F7 y- I
Added support for 7.1 audio track type on the timeline and Clip Attributes+ N$ V: p) D* l& O
Added support for automatically tagging 7.1 audio clips in Clip Attributes$ E2 t; G' q/ W; H$ a' ~
Added support for dynamics for audio buses in the Audio Mixer: u4 m- }* t" [! e7 u
Added support for navigating between previous and next key frames in the Fairlight page inspector8 O4 Q6 j T: G4 v
Added support for picker RGB values when using setting the black or white point
, W0 [! i# P! N* @2 iAdded support for picker RGB values when using the color picker in OpenFX and ResolveFX plugins
$ j; _* T6 g3 n7 X0 DAdded ability to select one or multiple tracks by Command/Ctrl+clicking from the Audio Mixer
7 B ]3 N5 ^/ A# J8 WAdded support single and multi frame nudge in the Fairlight page0 w9 |9 P" t& }! o
Added support for DNxHD and DNxHR in an MXF container for Fusion Connect
/ U0 n! \& l; _+ gAddressed an issue with audio metering of clips in the Media Page8 b; R; L! o" x$ y+ B3 O5 u, w y
Addressed an issue where the audio meters would sometimes not clear after stopping playback
$ m8 |/ ^: g) g; QAddressed an issue where enabling Dynamics on the main bus would incorrectly amplify the output audio' R' K' Z; p) m: e% G, r
Addressed a crash when opening custom UI for iZotope Ozone plugins' V/ w1 `. ~) V2 F. }. A$ U
Addressed an issue where Audio FX added to some mono clips would not be persisted when reloading the project K* v; m% `5 o2 r, t
Addressed a crash with crossfades on very small audio clips) E! Y$ [- S( g* T: Z% p4 N
Addressed an issue where the patch dialog labels were not correctly updated when changing audio track type
+ G/ d' x! R9 N( z& ]Addressed an issue where adjusting clip EQ parameters would cause playback to stutter
: R0 _7 ] `& `# uAddressed an issue where switching between Small Track Mixer and Full Track Mixer display modes would not refresh the EQ7 R! _ S1 e1 C, K! u
Addressed an issue where the Loop Playback button on the Fairlight page would not work correctly
* D" k# r) H' I( s" H- WAddressed an issue where moving an audio track would not refresh some timeline and mixer controls* t7 x$ g: ?0 B0 B
Addressed an issue where the trim-in and trim-out would not work in the Fairlight page if part of the clip was outside the visible timeline range+ c: t- u' O/ [4 D" K
Addressed an issue where creating a fade over layered clips would sometimes cause Resolve to freeze
" e1 Z: V1 f/ k1 I1 HAddressed an issue where range-selection on a compound-clip would behave incorrectly on the Fairlight page( M* A6 W* U" V' Z$ v% S
Addressed an issue where changing the order of tracks would not correctly swap the track name
9 G* [, ^3 k) E7 r- g; ` S# ?Addressed an issue where dragging an audio clip onto a new track was sometimes slow# ]( K# o! C, ?. w( @
Addressed a crash when retiming certain video clips
: `( f9 n) ^4 x1 a4 K, ^Addressed an issue where pasting text between certain title types would add a 1-pixel stroke5 p7 f' {& c) P
Addressed a crash when dragging a clip into the timeline to overwrite a clip with FX4 e+ K( ]( V" B+ ]6 Z& H
Addressed an issue where Color page stills would sometimes become black3 X" E: W4 X; x1 w% c+ x7 V% N
Addressed an issue where swapping nodes with FX applied would not work correctly
' r) P ]" @& E3 V/ u3 T% R, P- gAddressed a crash when refining upper lip parameters in ResolveFX Face Refinement9 Q" v, L$ }# X8 \7 X
Addressed stability issues with ResolveFX Face Refinement
/ Y" \: x7 b" C" lAddressed a crash when expanding compound nodes for a stereo clip and double-clicking one of the nodes
# M; j8 b, E( j8 Q8 D0 k" u- sAddressed issues with some functions relating to local/remote grade options and refreshing bins in Collaborative projects
4 d: s" t- ]8 c! `% EAddressed an issue where switching clips on the Color page would sometimes result in a critical exception when using the DaVinci Resolve Mini panel9 P3 ~* O1 |' [* J% ]% a; m6 k
Addressed an issue where using the color picker outside the image in the viewer would result in inconsistent behavior, B: t: Y7 a4 m& E: Z8 U8 d. V
Addressed colorspace conversion issues when rendering to DCP using Metal8 p# C$ G1 | s
Addressed a crash when rendering to invalid resolutions for certain Sony codecs at fractional frame rates7 Y) Z: ?$ I: `% R
Addressed an issue where rendering to DNxHR 444 with alpha output would not render the alpha channel0 `; M3 T- u# y+ M6 g+ _# ?
Addressed an issue where encoding to DNxHD or DNxHR clips in color spaces other than Rec.709 and Rec.2020 resulted in an error% ~# B( R; |: L( {2 h
Addressed an issue where decoding certain AVC Intra clips would result in banding on macOS: D7 k/ G6 C( D+ p2 q
Addressed an issue where decoding certain AVC Intra clips would result in GPU errors on Windows9 X! F7 K5 a$ u+ l
Addressed an issue where creating a stereoscopic 3D clip using the “Stereo3D Sync” option resulted in a clip with no audio$ S/ L) E9 `& h6 @9 K
Addressed an issue where Alt/Option+dragging a clip from one bin window to another would not create a copy. H- l9 g9 K" ~. U, D
Addressed an issue where spanned R3D clips would show it’s individual elements instead of a single clip! e% x1 a8 M5 T2 _! I- _' a
Addressed an issue where installing Resolve would remove any symbolic links from the LUT folder on Linux
/ T% N8 B, N3 r, V- z1 L" MAddressed an issue where “Reload Last Working Project” on startup would hang for certain projects
$ G0 x) l# R1 f9 Q: vAddressed an issue where the Track Index and meters would sometimes not be cleared when creating a new project' g) O" [" _8 K3 ]( c
Addressed a crash when using JKL keys for fast forward and rewind with DeckLink monitoring0 {0 V. M$ W' `& p0 P9 |
Addressed an issue where playing back when connected to an Intensity Shuttle USB 3 device would result in much slower performance
5 M! d( W0 i% N' `; X' Z. dAddressed an issue where Fusion Connect would not work properly for a Fusion 9 installation on Linux9 P6 I6 w8 B) M, c; I- _
Addressed a crash when starting Resolve with CUDA processing without any CUDA capable hardware5 J2 H$ {' r7 p/ I, j
Addressed an issue with H.264 decoding with certain NVIDIA driver versions; q* ^" U. D- y/ w: E* a
Addressed an issue where saving a project would sometimes increase the database connection count on PostgreSQL databases
* o7 ?1 U R0 d. M) G& M' [$ r. yGeneral performance and stability improvements
2 F3 O5 H' d' \4 |. [" O& f2 ?* F' b, |9 ?; N; J" F
Minimum system requirements for Mac7 j( `8 j8 ?$ y. @; U
macOS 10.12.6 Sierra7 M. @2 Z8 J8 I5 C
16 GB of system memory is recommended and 8 GB is the minimum supported
- d& ~! U2 A) p# b8 JBlackmagic Design Desktop Video version 10.4.1 or later
/ Z& ]& B5 v3 w' jCUDA Driver version 8.0.632 e& _! z& i7 V3 g( e9 Q; }, O
NVIDIA Driver version - As required by your GPU
G# U$ R0 u5 e) J7 V+ ?RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
; y( ^# z6 T, {" a3 K, wRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later5 h: @1 M! A/ b. Z. a# s
- q/ P( G) ?' U" X, N6 a8 e1 _: Z3 U- lMinimum system requirements for Windows" k5 X' e% n. t: v
Windows 10 Pro, Z3 v/ P3 T6 _ _7 M9 n* p- q
16 GB of system memory is recommended and 8 GB is the minimum supported
* \/ q/ X7 B% o( O! A- qBlackmagic Design Desktop Video version 10.4.1 or later
n4 Z$ X0 {3 u! u7 h) V# [: YNVIDIA/AMD/Intel GPU Driver version – As required by your GPU
6 g% U- S5 F& V- ]4 e. NRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
# F9 G$ W/ ~, h E3 a7 F) vRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
. W. [' U5 N2 ?% }. |! K/ e3 b' N. Q' w" t
Minimum system requirements for Linux
8 L7 q' Y1 Q0 \CentOS 6.8' b/ ~5 Q2 Y# L6 U' I9 Q
32 GB of system memory is recommended and 16 GB is the minimum supported
/ T7 S! B, ?( u Q0 Q5 n+ ]. WBlackmagic Design Desktop Video version 10.4.1 or later
/ K" n. `, S( c0 e3 O+ @% R l" y/ eNVIDIA/AMD Driver version – As required by your GPU) L+ V& G4 f) u
RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later" ^4 d- i5 Z- z- r
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
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+ G$ }& i% R( t& m3 DDaVinci_Resolve_14.0b1_Linux.zip
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DaVinci_Resolve_14.0b1_Windows.zip
* K5 H) U7 Q1 g7 v' r5 Y0 Z6 [' |DaVinci_Resolve_14.0b2_Linux.zip* n1 I; H* [* ~7 f" |
DaVinci_Resolve_14.0b2_Mac.zip
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DaVinci_Resolve_14.0b3_Linux.zip
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DaVinci_Resolve_14.0b3_Windows.zip
7 w: g6 s H. d: XDaVinci_Resolve_14.0b5_Linux.zip$ g# V; _4 F8 p
DaVinci_Resolve_14.0b5_Mac.zip, d& q8 P2 T9 N; R" E
DaVinci_Resolve_14.0b5_Windows.zip
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DaVinci_Resolve_14.0b6_Mac.zip
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DaVinci_Resolve_14.0b7_Linux.zip+ {" J2 o& \1 j7 a
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DaVinci_Resolve_14.0b9_Mac.zip. ~- p. `6 l' O2 e. Z
DaVinci_Resolve_14.0b9_Windows.zip# @( A" E9 a/ x/ G W" ?
DaVinci_Resolve_14.0_Linux.zip
" M8 `* L$ V8 HDaVinci_Resolve_14.0_Mac.zip
8 i) A; l9 z( z. q( N/ o9 l7 V6 _DaVinci_Resolve_14.0_Win.zip
! E! X8 c% @ u/ r; \* _3 {DaVinci_Resolve_14.0.1_Linux.zip
2 D- ^1 a% ?$ y7 H5 _DaVinci_Resolve_14.0.1_Mac.zip, T: ^2 y! _7 c- e8 Q+ T
DaVinci_Resolve_14.0.1_Windows.zip
/ ~6 k" }- B& O4 w$ n; U- N# nDaVinci_Resolve_Studio_14.0b1_Linux.zip
% b/ z$ I; J9 ?% O: {DaVinci_Resolve_Studio_14.0b1_Mac.zip: p Z4 F @; y: ^! v/ ]* }
DaVinci_Resolve_Studio_14.0b1_Windows.zip' T' Y7 \# r6 r" J$ s
DaVinci_Resolve_Studio_14.0b2_Linux.zip
# [* d, n, j' K- \6 GDaVinci_Resolve_Studio_14.0b2_Mac.zip1 [) R. s2 }+ Y9 [* i
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DaVinci_Resolve_Studio_14.0b3_Linux.zip
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DaVinci_Resolve_Studio_14.0b3_Windows.zip
% x/ z1 ]- n# Q5 C, A3 S; yDaVinci_Resolve_Studio_14.0b5_Linux.zip
. I2 I+ F3 }9 h2 Q+ H2 h0 s7 e- WDaVinci_Resolve_Studio_14.0b5_Mac.zip
% i* t9 \' g3 M$ V ]DaVinci_Resolve_Studio_14.0b5_Windows.zip3 T6 t4 D4 L& w) w- {$ Q3 u6 ^
DaVinci_Resolve_Studio_14.0b6_Linux.zip6 i0 @4 o; Y. Y2 a' k
DaVinci_Resolve_Studio_14.0b6_Mac.zip
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DaVinci_Resolve_Studio_14.0b7_Mac.zip
) [2 n; m3 d- }' c8 |/ `& d2 a% _# oDaVinci_Resolve_Studio_14.0b7_Windows.zip$ T: ~" D: W$ {4 G, @9 m7 B4 P1 c, L
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/ U9 z2 \' i' u3 IDaVinci_Resolve_Studio_14.0b9_Mac.zip
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" s/ C7 P2 d. H7 ]4 A' u1 BDaVinci_Resolve_Studio_14.0_Linux.zip
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DaVinci_Resolve_Studio_14.0_Windows.zip
& ?$ s' S( C: A) x7 p, E& pDaVinci_Resolve_Studio_14.0.1_Linux.zip, E) q: C1 ^4 n; g- w
DaVinci_Resolve_Studio_14.0.1_Mac.zip! G8 D% I* d" t0 Y- a( @2 g
DaVinci_Resolve_Studio_14.0.1_Windows.zip
% ~7 R6 n9 i1 e) m/ {: S& FDaVinci_Resolve_14.1_Linux.zip
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DaVinci_Resolve_14.1_Windows.zip j" @( p3 C/ F: Y4 P) ^6 H1 ~3 @& }
DaVinci_Resolve_14.1.1_Linux.zip
9 j! D: k# z3 ^( t2 H9 w; @6 fDaVinci_Resolve_14.1.1_Mac.zip( l a( L& q" X9 w
DaVinci_Resolve_14.1.1_Windows.zip
) p5 b9 A# \6 O8 h1 a* o. zDaVinci_Resolve_14.2_Linux.zip
7 t* I( r o8 @. ~" ZDaVinci_Resolve_14.2_Mac.zip
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DaVinci_Resolve_Studio_14.1_Linux.zip
& j. |+ l/ V& x1 n0 ^( ^" d7 yDaVinci_Resolve_Studio_14.1_Mac.zip
6 R% L) F; D5 F% v, Z1 F7 L) kDaVinci_Resolve_Studio_14.1_Windows.zip
8 ^3 V% O$ Z) [, @1 {2 d7 DDaVinci_Resolve_Studio_14.1.1_Linux.zip: d1 I- M% Q* I* v2 Q9 L
DaVinci_Resolve_Studio_14.1.1_Mac.zip
, _2 w6 O1 s( ~' CDaVinci_Resolve_Studio_14.1.1_Windows.zip
l2 }, j* c9 UDaVinci_Resolve_Studio_14.2_Linux.zip. H) p& q Y# k* r5 B
DaVinci_Resolve_Studio_14.2_Mac.zip4 T# S! b: P6 Z
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DaVinci_Resolve_14.2.1_Linux.zip
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DaVinci_Resolve_Studio_14.2.1_Linux.zip
$ {$ A- ]# R' Q E% |1 m$ T2 hDaVinci_Resolve_Studio_14.2.1_Mac.zip
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DaVinci_Resolve_14.3_Linux.zip
3 l8 q* p. z/ N, |# ^* XDaVinci_Resolve_14.3_Mac.zip
1 D) w+ C' w1 g# F+ G4 y$ X) d1 DDaVinci_Resolve_14.3_Windows.zip
8 K$ {( t* p1 i2 X+ rDaVinci_Resolve_Studio_14.3_Linux.zip9 b4 ]; T. f% c0 N% |! }2 L8 }
DaVinci_Resolve_Studio_14.3_Mac.zip
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DaVinci_Resolve_14.3.1_Linux.zip
* l) H; s2 S* R5 k8 CDaVinci_Resolve_14.3.1_Mac.zip0 U- f" s: s' U2 \# |! t
DaVinci_Resolve_14.3.1_Windows.zip
4 q+ o% z4 Y: j* ~6 x) Y( FDaVinci_Resolve_Studio_14.3.1_Linux.zip" ~ k$ v0 P3 ]. c& L+ _/ C
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发表于 2017-4-25 09:37:38