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Program Name: Blackmagic Design DaVinci Resolve Studio 167 K7 `9 I( Q& d; Q4 b; h1 }" V
Program Type: Color correction
0 M1 p6 J1 L; ^* O5 LVersion: v16.2& c! |- b2 H; ]) ]! H; G3 P2 I
Release Date: 09 Oct 2020. ?2 Y$ Q" `% @" k$ m" L0 [
Homepage: https://www.blackmagicdesign.com/products/davinciresolve
h2 o4 n0 V9 l- H& }Interface Language: Multlanguage l& h4 X. k6 E6 v6 Z# d' ^
Platform: Win / Mac / Linux0 Y) ?3 u J& F$ |6 l7 n
File Size: 1.58 GB / 1.38 GB / 1.58 MB4 `* Z9 @# S# \% g! I1 k. m
. A4 F% W' S- R! ^$ HDaVinci Resolve 16 includes all of the same high quality processing as DaVinci Resolve 16 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 16 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.
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If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 16 Studio.# m" F9 Y. D$ U6 A
4 T V$ t" {1 a, R7 PImportant Information regarding Database Management
3 ]& S! t" Q7 O9 u" G G! QDaVinci Resolve 16 requires a database upgrade from DaVinci Resolve 15.3.1 and previous versions. We strongly recommend that you backup your existing database (both DiskDB and PostgreSQL) before performing an upgrade.
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; k) P5 g! |- h+ M: w. X* a4 xCut% [; m; s' j8 t
Sync Bin view which shows synced clip cutaways for the current shot on the timeline in a live multi-view for up to 9 cameras
2 H- D$ r2 D% t2 I8 e; e' YSupport for automatically grouping shots from one camera by analyzing timecode and camera number metadata
+ g) U; K4 V4 o9 z! tLive overwrite from the Sync Bin multi-view where the desired camera number can be pressed on the keyboard and the cut away length can be adjusted live with the scroll dial
- \5 N4 k/ ]8 z7 W1 w" rAbility to extend the timeline from the Sync Bin view to easily find the next edit for your timeline
; w3 [. C% }& D; zSync Clip window to perform timecode based, audio waveform based and in or out point based syncing for clips, V+ a+ s3 }* H# c) P% [" F! V
Smart Indicators on the timeline which show where the closest edit points are based on the playhead position8 h8 h6 E+ l) U T' t$ }* z- F
Boring detector with timeline indicators to detect edits which are running too long* y) W1 [6 M2 T( j
Jump cut detector with timeline indicators for flash frames and jump cuts
. p* ?0 ?6 ]% GClose Up is now powered by the DaVinci Neural Engine to automatically identify faces in the clip and reframe the shot for a close up on the subject% P$ t Z8 l3 r
Support for a blade action in the toolbar
m o9 }* S" o! E1 k# |/ ?1 i/ z2 oSupport for a new blended scroll mode in the DaVinci Resolve Editor Keyboard that dynamically toggles between scroll and jog based
9 ?4 M" J5 Q; r$ E! I! iSupport for a new transition dialog to quickly find and apply the desired transition to the closest edit point using the scroll dial on the DaVinci Resolve Editor Keyboard: {& V& ~9 [( G" P" n
Support for a new picture in picture mode to quickly apply a picture in picture edit by easily selecting the image quadrant using the scroll dial in the DaVinci Resolve Editor Keyboard
& s' h9 f, m0 ^6 bSupport for performing a slide edit by Alt/Option + dragging the timeline clip overlay9 T2 K3 r3 D% B- s7 u+ z
Support for adding bins and moving clips between bins in the media pool6 D2 h3 y/ L. l5 q! w9 B
Improved thumbnail clip hover behavior when selecting and previewing source media in the viewer. x2 c: \0 w5 K" d
/ Q3 ]9 o3 H5 U% i3 X" P) vEdit4 H, n& u% E& K: d1 ]* v. r
Support for always using embedded timecode for clip based formats even when using frame count timecode project setting( t* w! {6 [' L1 i7 ^) _# G7 n
Ability to copy and paste transitions across multiple edit points in the timeline
7 {: P0 w% J3 U% ISupport for track name and track number burn-in and render tags
2 w2 a3 f: b. [Support for dragging adjustment clips to media pool3 w4 D) D# ?- U; _& e3 o- y
Support for renaming adjustment clips in the inspector* H/ L, [0 v% O+ G5 m- l
Support for showing or hiding individual panels using keyboard shortcuts- i9 c* ]6 ]) K' D* s4 k
Support for opening Final Cut Pro 7 XML files from Finder or Explorer to import media or timelines) C! n2 |, L3 K/ M" L
Improved performance when analyzing clips for detecting and classifying people4 Z- m/ x3 d' o+ s, H9 G3 |1 F
Improved easing behavior when applying smoothness to position keyframes2 M8 j: P4 s/ y! J" c
Improved results when syncing multicam clips and syncing video and audio clips using audio waveforms*, c& R/ e% H- w
Improved blade behavior when there is a clip selection" n f% F4 C8 L3 j
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Fusion9 \1 L) Z9 ]4 d" s
Support for reading media with super scale applied in the Media Pool
, {! ?( s6 O; _# `% B( wImproved memory management on compositions with multiple input layers
0 |5 o$ o" ^5 ]Improved memory management on multi-GPU systems
+ A7 o5 g+ h) ^! lImproved viewer interactivity and playback performance on single GPU systems/ _+ ?. L3 x! d" n* B
Improved render all savers status display' E& m' ]; k1 i
Support for ACEScg as a gamut option
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ResolveFX
9 U/ J: R1 D' o. XResolveFX Stop Motion
, R- G3 m3 z2 l ?6 TResolveFX and OpenFX plugins can now process and modify the alpha channel3 z! D. o3 r: t; X e% ~3 }
4 [ A0 G: A4 u, I4 p9 GColor7 z7 J% M" v$ f4 [
Support for viewing flags applied on the current clip on the video monitoring output** Z' C1 ?3 Q; d( n
Support for an option to update the shared node grade from a version stored in a gallery still
4 n( c4 p- F2 p" RAbility to paste a power window by appending to the existing windows from the Power Windows option menu7 r1 L* B3 D7 _* t1 \) J7 L
Support for a user preference under Color to restrict node navigation to color corrector nodes and avoid mixer nodes and splitter and combiner nodes
2 t1 k, i& N* p' d/ U* j) YImproved CIE scopes with a 1976 u’v’ view and the ability to show an additional reference gamut
! k$ p" ?# y( O Z: F! j$ O: ?Improved color match processing powered by the DaVinci Neural Engine
1 |/ L6 P; w% `% ]Ability to step the timeline wipe frame forward and back from the view menu and using the relevant shortcuts5 Q' Y+ }2 t- e9 @6 H+ Q ]
Support for previewing timeline clip grades from the gallery when live preview is enabled
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Fairlight
* j6 P6 U3 D: I! P; ySupport for 96 KHz and 192 KHz sample rates at a project level for DaVinci Resolve Studio
; l @1 [, K% {3 l" \9 Q& RSupport for clipping indicator for main buses on the Fairlight mixer
( M# P5 P: N& @; z5 }Support for enabling extended bounce tail durations from the option menu for audio clips with reverb and other tail effects& T7 ~" k* |3 H, c8 x
Support for customizing the tail duration threshold for reverb and other tail effects7 G/ |" k9 W- T. G( J$ K
Support for automatically enabling Insert In for an audio track when manually patching track inputs% T4 Q- C. f7 B: O& n/ C: P$ A
Improved performance when loading and switching timelines4 p8 k! M( _% k0 ~% q' {+ G; ]2 A* P0 |
Improved performance when generating waveform profiles for nested timelines
9 W; f1 J% Y% jImproved peak hold and decay behavior for meters in FairlightFX plugins
8 l+ M6 {1 }" D$ ^Support for displaying and persisting individual audio effect windows on top of other windows8 s: Z8 a7 E3 [7 J2 z8 z1 w9 ?0 S" w
6 F3 ^" \) a/ S
Media and Delivery
- W- u1 G4 S6 L3 NAbility to preserve video essence for faster rendering of uncompressed clips without content changes- w4 M o3 k! ~( x, {5 B! M
Support for decoding and encoding ProRes IMFs9 o: A: _& S6 `
Support for decoding and encoding DNxUncompressed half float formats7 Q- m; l, }5 ^
Support for decoding IMA4 format audio in QuickTime clips
& u- t1 Q V- I! {, n/ KSupport for a preference to stop renders when a frame or clip cannot be processed
8 m! D$ u& s0 Q% L& g# d TSupport for decoding floating point TIFF images
& `. {0 ~* {- ]# oSupport for decoding DPX 10-bit RGBA files" \# {( r: }/ Q; o7 d
Improved performance when decoding H.264 and H.265 clips using GPU acceleration on AMD graphics cards
3 |# P& |2 K: f2 s2 V; C1 |3 pImproved encoding to Panasonic SHV 8K with support for 50fps in DaVinci Resolve Studio
# p! Z& ^ F# QAbility to disable video on Pro Tools and audio only exports7 w; @9 n% P4 H/ D- u7 l
Ability to render adaptive audio tracks as discrete mono channels' X8 y- K2 ?( t. ?+ ~
Ability to export subtitles when exporting a timeline to Pro Tools using the Deliver page preset0 E3 x7 v6 f& e- a- g% w
Support for rendering embedded audio timecode for synced audio clips when using the Pro Tools export preset
% c- o/ ?+ N/ g1 J% Q6 NSupport for GPU accelerated debayering on CUDA systems when decoding ARRIRAW clips using the ARRI SDK Full Res debayer( b$ _: g% D4 j$ y7 L- y
Improved Vimeo render settings with options for setting description, visibility and password for the uploaded video
9 i; H7 H* V5 h! f4 P, ] PSupport for a warning when exporting an IMF or DCP package with an incorrect audio track setup
% W2 m+ r% j; B6 j. V* BSupport for decoding spanned AVCHD MTS clips/ Z) s! v3 l3 K- b' d
Improved playback speed when decoding JPEG 2000 clips
, f+ S6 |0 z1 h# |2 MImproved performance when media managing long wav files
' V( s" O* N+ u w; x5 f% G* @Improved behavior when rendering a single multi-channel audio track as individual wav files$ a) Q" k: |5 w) j5 ?" Z4 R0 A
Improved ProRes 4444 playback performance6 G! c3 P2 S. w, k4 k# O
Support for identifying and importing multiple Panasonic P2 shots in a single folder as separate clips3 w+ ?9 ~: W# ^
+ i) h g- v5 V* ]7 f
What's new in DaVinci Resolve 16.3 Beta 3
7 ^+ T+ t7 w; y) @; ?; ]) ySupport for Blackmagic RAW SDK 2.0 beta.; x1 A! V0 |& j# j) h1 q
General performance and stability improvements.
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What's new in DaVinci Resolve 16.3 Beta 2
5 u$ o: H; a! O3 _4 t% @" MSupport for Blackmagic RAW SDK 2.0 beta.# J# H9 T0 z2 a* g( m7 w: z& V/ n
General performance and stability improvements.
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% d' [2 n" r! R$ K% L. { nWhat's new in DaVinci Resolve 16.3 Public Beta 1
! R& W$ l( ?: g; ZSupport for Blackmagic RAW SDK 2.0 beta.% G: H: F0 h$ i; p! t3 q
General performance and stability improvements.! q/ U" V9 A D
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What's new in DaVinci Resolve 16.2.7" R+ a8 Q( B6 L6 Z
Support for NVIDIA Ampere GPUs on Linux and Windows systems.
7 M9 `! e4 @ h. d0 |+ U jAddressed an issue with importing 23.976 fps ATEM ISO projects.1 z+ ?+ m4 ]% C8 X* y1 z- o& @
General performance and stability improvements.# M+ z* H w4 f. H7 T
0 w' R3 I6 z2 i2 O
What's new in DaVinci Resolve 16.2.6
1 n! r8 w8 {8 @Support for Blackmagic RAW SDK 1.8.1.% b" W# J9 ]( T0 T
Support for Final Cut Pro X XML Version 1.9.% W& _$ N1 `4 Y
Multiple performance and stability improvements.
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7 o) l% d% B! F# ~" [What's new in DaVinci Resolve 16.2.5
! E; P8 e1 |: d* `Support for importing ATEM Mini Pro ISO projects in DaVinci Resolve.
7 ?/ T) t1 S" g6 C* gImproved listing of numbered still frames in the media pool. g8 J/ i1 {, M0 T
Addressed flashing offline frame issues for some H.264 clips on Windows.
, H8 l/ g" {, Z3 u$ t1 UAddressed an issue with relinking AAF clips in different folders.; Q5 a+ e, u3 C3 F7 x0 H# }
Addressed issues with syncing playhead in the sync bin and timeline.2 ^% d3 L, _* S1 U' a, Z/ c/ n' x
Multiple performance and stability improvements.
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What's new in DaVinci Resolve 16.2.4! y! N. g4 [# R+ G
Support for Blackmagic RAW SDK 1.8.
$ \4 p6 R) [* V, ?( IImproved debayering support for EOS-1D X Mark III and EOS R5 raw clips.4 L# W8 Y. s0 ?" W
Improved syncing of playhead between timeline and viewer in the sync bin.& \ C4 i: x( W9 z* B- y. c
Improved tone mapping behavior when performing wipes in HDR projects.
$ G! ~" e* b7 lImproved Kakadu JPEG 2000 decode performance on Linux and Windows.
4 T$ m) I# J. ~9 N& P% mAddressed an issue with cropping the upper track in some scenarios.5 ?: c' s, V; b3 L' m1 m
Addressed an issue with removing freeze frames in retimed clips.
q2 U3 y% G9 B+ |" R. I2 fAddressed an issue with adjusting volume on a multi-track audio clip.
+ w* r, g- P7 E* ` w- U1 V! eAddressed an issue with saving the project after moving audio keyframes.# h, t5 q2 R8 T
Addressed an issue with waveform displays when scrolling the timeline.
) x: ]4 o4 K9 _$ ?Addressed issues with audio waveforms in sync bin and sync clip window.1 _# W+ \- Q- |6 w8 y
Addressed an issue with resetting the MediaIn node in the inspector.% e0 l6 }+ x0 w; @* j; Z
Addressed an issue with trimming still images in the Fusion page.! v9 T9 D" ?4 ]+ z" I) U
Addressed an issue with flashing alpha on EXR clips with Fusion comps.+ M4 B' }; l0 o F- U8 Y! C
Addressed a preview issue with aux channels and combiner nodes.
) P4 f. R" ]2 d! ?' YAddressed an issue with slow renders for Fusion custom tools.
1 [/ [ D3 Q! r0 t7 `, `- FAddressed an issue with gradient modifiers applied on color controls.
% X& E* ?* t0 n( a* H$ @ o% fMultiple performance and stability improvements.
c7 _. \2 _; _4 o9 ^0 q; l7 p* W# L- P% m* b' S8 S1 G. {5 f
What's new in DaVinci Resolve 16.2.3( i1 t: h% l. M5 E V* d
Support for Dolby Vision 4.1 CM algorithm to generate v2.9 trims from v4.
9 z2 e* C# w% S g& MOption to export a Dolby Vision v2.9 XML from a v4 project.
( h4 l" N7 X+ l" a8 iSupport for RED SDK 7.3.2.
+ C y ]( o6 o. I S2 }9 |9 JFaster Metal decoding for Canon EOS-1D X Mark III and EOS R5 clips." H! @0 h- i9 K! B+ w. M/ l$ @
Addressed incorrect playback for some ARRIRAW clips.( H' v* d4 q8 x6 |
Addressed an issue with ACES IDTs for some ARRI MXF clips.7 \0 N3 w( H& a# d# F7 Z, ~
Addressed a focus and text entry issue for editable media pool fields.
6 X+ H* Q O/ ^9 GAddressed an issue rippling audio extend edits in trim mode.5 P. z3 y H. m S ?* W4 o
Addressed display issues with track and edit index in Fairlight page.5 P' _4 {) @/ e0 u- ^
Addressed a layered editing issue when cloning audio clips.5 \6 U& x: s1 o- q: E9 N
Addressed incorrect behavior moving tracks over linked audio tracks.+ F+ c& Q% B- o# Q- o b" _
Addressed incorrect masking in Text+ when using image shading.6 c. }9 [" ^- I6 C& g4 I9 D* k3 m
Addressed incorrect behavior deleting gradient points in inspector.
2 @2 ~! L& [& D6 ` I1 y9 \) OAddressed multiple issues with blank Fusion previews.
; F! m2 b2 ~4 B) [' BAddressed an issue persisting viewer LUTs with comps in Fusion page.7 \2 Y; t% X! m1 i
Addressed an issue with offline reference wipe sizing in the viewer.& F) @" n% w9 J" Q
Multiple performance and stability improvements.
$ C% q' }$ }/ ~3 l* Z2 x# K# f# D* G3 @% q7 I# I: d4 e
What's new in DaVinci Resolve 16.2.29 n1 ]# _- I0 ~$ Z! p
Hardware accelerated H.265 Main10 renders on supported Macs.
) z' b! f5 V9 V s1 z9 mBlackmagic RAW clip LUT name can now be viewed in clip metadata.
% f0 ?. D% t' I* m8 q0 ZAbility to assign frame rate in YouTube, Vimeo and Frame.io renders.
4 c B9 |# }* @8 SSupport for marking Frame.io comments in markers as complete.% ]; |2 h3 z, N9 z. I& ~
Nudge keyboard actions can be used in the sync clip dialog.3 f. {$ a1 s, z
Support for exporting .srt files without formatting.
3 ~& e6 a8 Y2 T( h* y% r" wSupport for RED 7.3.1 SDK., Q% d9 U3 W# a* @5 Z _1 i
Support for Rec.709-A gamma option for QuickTime player compatibility.+ G* _1 m) }5 U2 ^* C
Preference to automatically tag Rec.709 clips as Rec.709-A.9 h c, a2 ^; f$ o8 z, e
Addressed level shifts playing some short H.264 clips on Mac systems.7 `6 x" K3 b9 y* ~7 M7 \: J) ~6 i
Addressed loss of audio transition when trimming clips in the timeline.
0 } l. y; Q! ~% R; \& O' CAddressed issues with stabilization not being available in the inspector.
+ O0 R+ T1 g" F7 L! wAddressed issues with incorrect channel order for audio waveform display.9 D5 C8 q2 ^& d
Addressed an issue with previewing in Fusion when in proxies mode.' {- X- ~9 e3 @+ r7 g
Addressed an issue with using reference sizing with timeline wipe. x T& M7 W) F* g0 B
Addressed an issue with aspect ratio metadata in some MXF renders.* D& H- m0 `! R' ~# z0 ?3 q
Multiple performance and stability improvements./ n8 O% G1 D; v) I
7 Q: @5 M4 |3 o4 g* v5 {' ]: rWhat's new in DaVinci Resolve 16.2.1- o; L' f- _+ U0 Y) H" B2 n
Support for decoding H.265 4:4:4 12-bit on supported NVIDIA GPUs.+ h$ M* F% K5 r9 Y2 a: S
Support for encoding H.265 4:4:4 10-bit on supported NVIDIA GPUs.
; P" T0 ]3 f4 T& zSupport for encoding 32 bit float audio in QuickTime clips.6 [/ v3 h2 A, C( }% n
Support for trimming QuickTime audio clips during media management.
0 o; U6 F Y b/ Q: S# h+ w( gSupport for Metal based R3D decode with the RED 7.3 RC SDK.+ M6 U8 `+ m6 K, m& ]( O0 }
Support for double clicking drp files in Windows and Linux.
0 c5 ?: B) ]. R; ~/ ]Support for performing open with on FCP7 XML files on Windows.3 T' j+ J' f1 B' g+ v8 G% c& {+ B
Improved decode support of H.265 4:4:4 clips up to 10-bit.0 @) l6 S' l2 f! X% O5 J
Improved performance with ProRes clips on high end CPUs.
% ^1 K# w1 C8 S7 G3 H% \/ p# G* u( W2 AImproved performance with DNxHR clips on high end CPUs.
. \3 Y* h: K6 tImproved playback performance with compressed OpenEXR clips.9 ^& h, _ o. u: P- y8 n5 E4 M3 |
Improved performance for Dolby Vision analysis.0 b( d) y" N% `7 h' }1 i
Improved stability on Windows systems with Intel graphics.
6 y) [2 c3 K5 t$ S9 i; U3 m0 \Addressed an issue with clean feed previews in Mac 10.15.4.9 k7 V/ J% @" }+ p- a
Addressed an issue with decoding phone camera clips with AAC audio., h! z' D% P- u6 T
Addressed an issue with truncated node labels on some displays.+ }1 X1 W$ Q# f* E/ ~; x
Addressed issues with HDR tone mapping when using adjustment layers.9 d+ N; F b% ]$ k0 b
Addressed an issue with the sync bin work working with an empty timeline.
/ t+ h" x( l' y( S4 kAddressed an issue with transitions when dragging clips across timelines.- o6 l. B+ }3 N$ G
Multiple performance and stability improvements.' B8 v" S, n* u; E
/ ]3 Z7 L: `) r/ f. k4 T0 ~What's new in DaVinci Resolve 16.2
* l. T* m4 V6 _ q5 S% oFairlight timeline editing toolset improvements.5 `+ I. `6 x }7 q
New mouse and keyboard based editing toolset.3 r! d" M1 f) | B+ y! t
User adjustable per track scalable waveform display./ B$ E% h2 q. x% `- a% x2 Q3 _
Keyboard shortcut editing actions now include fade, cut, select and move.
& ~7 L( [6 p' O3 D: X7 a% [Support for alt/option dragging clips to create a clip copy. l* V) T; Y3 i- c& i
Support for pasting clips across timelines.
' ?. G Z8 V& e- ?$ eSupport for bouncing individual audio clips to files.
) a4 r( o. l; I% H+ E' ^* qSupport for dragging audio clips to separate tracks using modifiers.5 {5 D$ K$ ]# Z' A% Q
Support for dragging audio clips to specific positions using modifiers.
+ u% V# o2 U# a4 l$ r4 z3 `Support for converting multichannel tracks into linked groups.9 U; L J) L& r2 w0 D7 [. _
Support for a user preference to align audio edits to frame boundaries.9 J% `" J' [. t5 E2 z" `8 e
Support for an action to trim all audio edits to frame boundaries.
# N% a5 ~/ I aFairlight sound library.
# g& ^1 Z, \, M$ @2 r; U1 ?Release of the Fairlight sound library installer for foley effects.
/ Z9 o/ A! [ T+ ?+ @Support for searching and displaying sound library description metadata.: O, x" ] d! ^$ K6 l9 ^$ l
Effects and plugin management improvements.
6 T4 k3 | G6 zAutomatic sorting of AU and VST audio effects into types and categories.* M! @: W: C5 ~8 |/ T
Favorite audio plugins are now displayed at the top of the mixer plugin list.5 R) F2 N2 M, ?" _. G
Additional immersive audio support." k7 ]' c* { O. G
Support for MPEG-H bussing and monitoring in DaVinci Resolve Studio.- f9 H5 T6 X( C
Improved pan and balance including the ability to constrain panning.
/ p7 \" D7 \+ KTrack Index improvements.
2 v1 `) K5 I* USupport for the edit index in the Fairlight page.
5 G* ?7 L% X9 h# Y: }Drag selection of tracks, mute, solo and record controls in the track index./ }+ c0 R- z; _0 w9 {* c
Drag and drop reordering of audio tracks in the track index.5 A7 G5 x0 v, |! `1 d
AAF import/export improvements.5 d7 \ ?9 X; m$ I6 q1 l) |
Support for importing AAF sequences as new tracks in an existing timeline.
+ x+ n2 Q/ ]" Q: E3 mSupport for importing AAF sequences with an offset to an existing timeline.* D* |/ w' z( B+ m0 d/ u
Support for importing multichannel tracks from an AAF as linked groups.
$ a8 U. S5 H) r2 f0 GSupport for broadcast wave files when exporting an embedded AAF.
- D+ @, [! i6 D0 E9 B4 ISupport for exporting audio cross fades and fade handles in AAF files.3 `" o) ~3 @: @
Audio mixing improvements.
* {) J; Q& d) E6 t; a9 T: n1 TSupport for additional notch filters in clip EQ./ r5 v5 ?2 |5 J. d7 S6 X. K
Support for new FairlightFX Meters.$ v, L# x( p- S& ]0 H. h% _* \
Support for new FairlightFX LFE Filter.1 P: X0 Q" X: I* I; Q; [
Fairlight Audio Editor improvements.: F! R/ e+ O) Z' r6 @6 t
Support for dedicated controls for panning up and down.' O8 d- s9 h' m8 W# B5 l
Support for editing clip EQ.
; l, d7 [' Z( O. o/ zSupport for copying and pasting clip EQ.. S. w) T4 w' X& @: \8 r
Support for creating and applying presets for clip EQ.) \" R6 I Y0 n4 G, a! ~' o
Support for adding, managing and custom mapping of plugin parameters.' j, p3 W* m3 l8 }& s2 P7 ]
Support for changing relative clip levels.
% g7 n z! r2 ]$ @Support for resetting clip levels to unity.
8 c; S* m: @# k/ a! {- t7 z% S8 y! @% nSupport for editing fade shapes and deleting fades.
3 p7 k9 v% M( @1 y2 \. ?, {" QSupport for saving and recalling user defined track view presets.8 t2 f( I* ^* s6 ^' D
Support for enabling layered audio editing from the desktop audio editor. J% L/ A9 } i9 V, k4 b" k
Support for choosing automation curves from the editor panel or console.
: |/ j7 a& c0 K( A$ F+ y+ ]8 e# |Improved behavior when moving track selection with no tracks selected.
" I- a) {; X* D! R+ |, GSupport for improved timecode entry and high frame rate timecode.
; f5 C! n! V7 M& T0 ISupport for entering relative timecode values.
2 }5 P& M3 {' M; s7 nSupport for inserting 00 in timecode entry by using the colon key.0 ~6 j! i$ l0 A9 Y a% E* X
Support for master spill on console faders.
! K$ u0 x8 S/ d2 \5 c: Y! m( G, J6 ASupport for finer adjustment of controls using the mouse or audio editor.
* K( I5 V) q6 \) L( {( J5 j4 _1 nSupport for media left and media right selection keys.
; Y5 s- d, I: N* w0 ?Support for a text-only labels mode.
( e; W1 B3 N# G! PSupport for a traditional Fairlight keyboard layout. p$ r7 \. F' G. w" \
Improved support for legacy Fairlight project import.
; J8 m7 s. r9 ~: y5 XImproved import of EQ, automation and fade from legacy Fairlight projects.4 s) Q7 x0 M" ^# S: y! ]
Improved speed when importing large legacy Fairlight projects.2 C) U2 Z) X7 _8 l& a) w2 J7 i) x0 ^
Editing improvements.
+ Q+ C$ P+ `+ U$ t! h4 ^Improved performance when switching to large timelines with many tracks.
* m" l0 a; l! i: |$ p b( WSupport for creating a compound clip from an in-out range in the timeline. S p( n; Y: M# ^. d( G
Support for previewing timeline audio during live overwrites of video edits.+ C7 h9 C) l) n, s
Support for editing individual angles to the timeline from a multi-cam viewer.- k7 a/ U# q7 z& }' K
Support for updating clip duration display while editing in the cut page.
- e+ m! p6 G9 |. BSupport for a change transition duration dialog.
) l" n, u4 B9 Z- A4 e$ W! G3 ASupport for viewing duration in frames or timecode format in the viewers.
( v& e2 W! S, H" rSupport for Fusion transition templates in the edit page.% H! z8 T: D+ ]4 p* t' f1 m
Support for Fusion generator templates in the edit page.1 y7 u# K, n4 k4 l' n' K! ?
Support for timeline view options per system in collaborative projects.
6 }3 H! W/ o/ g6 P% \: A0 Z% U% NMedia Pool improvements.. E9 k4 p% B: r1 O7 q. b8 p2 I
Improved audio track metadata support with support for up to 24 tracks.
3 ?$ F7 M- o# i" T. n$ WSupport for duplicated clips and timelines being placed in the source bin.
5 Y* m6 I+ O1 [, pSupport for sorting media pool clips by date added.! ~3 z o+ h# t# ^; K
Support for showing synced audio filenames in the media pool list view.
& X# M! r- G y, i' RSupport for revealing the media pool location of a clip from a smart bin.# a7 m C# p8 M
Support for a media pool context menu to duplicate clips and timelines.
8 T' o! v6 ?9 E* ^ |" F! CSupport for only additional files when repeating media management copies.
0 o* Z: l& i6 S1 UColor grading improvements.* ?' U$ }! b# ~3 E# d
Multiple stability and usability improvements for collaborative projects.- m# L C4 p( U; i
Support for smart filters based on keywords and people metadata tags.
! b5 h) i3 Y7 O+ w; iSupport for modifying primary grade values using numerical values.) q2 X: S. g$ X- l: O7 v
Support for retaining out of range data when monitoring at video levels." O4 s7 _& a2 Z* R
Support for Fusion MediaOut name tooltips on the node graph inputs.
/ R+ [. u# a( L* j* X+ q" [" \2 E0 LSupport for feet and frames data burn-in options.
/ m$ E- ~: J; c0 F; Q; uSupport for disabling output sizing and blanking for individual clip renders.* T' {- J. y7 K( O2 [
Scopes improvements.
, M1 V; H2 c9 U% [8 iSupport option for showing scopes at video level and data level.# P6 O+ V @8 S
Support for HLG gamma when using HDR scopes.3 Y: P6 y5 H: W8 c- Q
Support for highlighting the color viewer qualifier position in the scopes.. G; b1 P, Z' r# m
Codec improvements.
; N. u1 D) Z' ?) s( ], M8 x' jSupport for Blackmagic RAW SDK 1.7.
* ]" M% ?/ U1 l) \6 FSupport for rendering audio only timelines.
! h, r2 v8 Z7 f+ F7 X* k% F/ hSupport for decoding 32 bit floating point audio.
+ I- n0 a0 a, S$ g5 T BImproved support for color space and gamma when decoding H.265 clips.' v% i# q/ R7 |1 @
Support for displaying EXR codec name based on compression method.
! X" `/ T# l! h3 e+ q; Q' jSupport for overriding the color space and gamma tags in render settings.
: y9 u) r" ?7 d2 _Support for RED SDK 7.2.1 and decoding clips from the Komodo camera.3 _8 C# ^+ e; t! |8 l
Support for two new parameters in the RED camera raw settings.' n! R! R* A, D& |' b, C
Support for REDWideGamut Log3G10 IDT for ACES projects." [, f) K# Z& g! ]$ ]4 I
Support for the Canon EOS-1D X Mark III camera.
, y8 I, W6 z5 y. i' ^Support for decoding u-Law Audio in QuickTime clips.5 W* r8 e8 k+ G' \' C
Support for alpha channel clips with the bypass re-encode option.
, I9 q" b% |# e$ S$ ^Scripting, API and general improvements.% `0 e& e; a I0 R( m6 E7 F s( U
Support for running the primary screen as a window in dual screen mode.
& ~0 f/ I6 p! E0 _Improved scripting API with the ability to close an open project.
* p% N+ P* z) X4 L; e5 HImproved scripting API to set frame rate for media pool clips.3 k* l" J' ~$ Y, v( Q
Support for new scripting functions to return ordered lists.
; m& t4 N4 K' A3 ZSupport for video monitoring advance and delay on the Fairlight page.4 K5 F+ C4 y% Q
Support for GPI/GPO control on the Fairlight Audio Interface.3 r8 y6 y+ G1 p4 [3 w4 y- J( D
Multiple performance and stability improvements.5 G' |" ^) o, K! v3 w
( p8 R+ z3 ~- T9 KWhat's new in DaVinci Resolve 16.1.2
7 v# x$ m5 d3 }* V$ M: uSupport for additional audio track formats for IMF and DCP renders, t& _' b+ b( H; U K: b
Improved decode and encode performance for Kakadu DCP and IMF formats
8 g2 V, h4 ]- Q8 d$ Y5 L cSupport for CUDA based R3D with the latest RED SDK on Windows and Linux5 i. ~! N7 H5 b
Adds Blackmagic RAW support for latest Blackmagic URSA Broadcast update4 f' m; q5 B: h$ o, j+ z p( G8 Y/ }
Support for new audio only and video only editing modes on the cut page
* i* N" l% J5 v( oAdded in and out buttons in the user interface on the cut page
5 a% Y1 R! e: `Support for audio playback when trimming on the cut and edit pages
# h5 T2 {: O4 ~" ^9 L& A( ?Improved zoom buttons for the timeline on the edit page
$ A7 U) m0 z% [+ i$ Q uImproved smart indicator in the cut page for when using in and out points
4 s. L, }( S4 P }/ fViewer resize icon on the cut page now correctly resizes the whole viewer2 K2 V2 ~% f1 ~. z
Cut page divider between timeline and viewer can now be moved via the divider5 o5 R( @* c+ [
Close up edits in the cut page now vary the close up from 20% to 40% randomly4 m3 ?5 Q. y. ~8 @+ o
Search dial is more responsive when using the DaVinci Resolve Editor Keyboard
$ t$ A, a/ j, J5 f4 q& ERemoved auto jog mode on scroll with the DaVinci Resolve Editor Keyboard
: [8 I2 [5 K K4 _( T, N" q sBetter responsiveness using shuttle with the DaVinci Resolve Editor Keyboard
. H2 K2 f9 o dDouble press to clear in and out on the DaVinci Resolve Editor Keyboard
! V8 x$ d0 {$ N8 Y7 e1 lImproved performance in collaborative projects with multiple DaVinci systems
0 V8 y& K K& F* f! CSupport for monitor name in the workspace menu display options9 i9 g) t& l( V" p
Support for copy/paste in Dolby Vision mid tone offset values between clips
) O! O) \* s. d; sNew scripting APIs to move media items, LUTs, markers, copy grades and more
- m0 {! ]- h6 _; e1 ]% PNow uses 2 up view in sync bin when using live overwrite editing3 y& q: A$ @+ M# z5 W
Fixes a bug that caused the clip dividers in the source tape to scroll with audio# j: J! R0 f( s: ]6 T" R7 M- f1 @
Opening the media folder in the cut page will re-sync to that folder contents( Y& W9 P' l/ k% p% z2 q
Multiple performance and stability improvements: c3 A ~, d, ^, Z* ~4 x" F) ~' v, b
' z+ E/ M; N3 z8 w16.1.1.5
4 R. ` W( u: F' J& o' @% ?9 Q2 j$ T- Improved behavior when navigating to previous or next multicam angles by looping around to the last or first angle ) e6 G1 u- H! ]5 N* n! Z$ o2 u
- Addressed an issue where performing a replace with a multicam clip in the source viewer would not select the correct angle / O3 ]. \- _) M) M+ f
- Addressed an issue where shift-dragging a gain keyframe in an audio clip would not work correctly on the edit timeline 9 D: S0 W3 }4 F
- Addressed an issue where H.264 clips would be rendered incorrectly if network optimization was enabled
7 A. k8 V* P( p' A- Addressed an issue where render jobs would sometimes fail on some systems 4 e( c* V x6 c0 V1 s7 i
- Addressed an issue where archived projects would not include mattes for stereoscopic 3D clips M/ J9 h; R% B
- Addressed an issue where playback for 4K DNG clips would be slow# @5 }2 S% o* a
- Addressed an issue where some DNG clips would be decoded with an incorrect color science - ~0 t8 X; u/ ^0 `" ?' G7 D
- Addressed an issue where rendering to MXF XDCAM formats would sometimes show artefacts
6 H1 m. O$ g: A4 a- Addressed an issue where minimizing the application would not hide the video clean feed 5 Y2 m+ r9 l, @- G
- Addressed an issue where setting in and out points from a timeline duration marker would sometimes not work correctly in the edit page 8 n) }) {, o. P- [
- Addressed an issue where the show picker RGB value context option in the color viewer could not be toggled off
! a% u. N* [- H# x- Addressed an issue where AAFs with multiple embedded audio channels would be decoded incorrectly
1 h0 g, @( u p( @/ e- Addressed an issue related to decoding Blackmagic RAW on macOS Catalina 3 y/ ]! q. w* P" }
- General performance and stability improvements
- n+ u6 {% m" h: n! f: S) S: ^% W K8 _* P+ i* l% X$ l( b1 N7 C. L
General
+ T+ I2 `- S8 a- B" a6 ~. tSupport for a full-screen viewer on an additional display on DaVinci Resolve Studio
0 T. Y X) o8 R4 Y0 t$ p, Q" aAbility to halve the current playback speed as well as playback at half, quarter and 1/8th speed using the Play Slow command2 }- r T# o- Q
Ability to repeat alternate frames for 48fps clips in Clip Attributes to emulate 24fps capture and playback
6 X. O3 f" M! a7 i; e& BImproved playback quality for variable frame rate QuickTime files+ e& g. R) o- e; h: ?$ C
Support for disabling unbuffered I/O for any Media Storage location on Mac systems
1 M+ R: U4 H6 gSupport for decoding ALAC files on Windows and Linux systems
& n& e3 q6 N5 j7 \- B% ySupport for an option to optimize projects in disk databases by Option/Alt right clicking a project in the project manager
4 w( P. K* ?; X9 f) H/ ESupport for accessing and editing project notes from the File menu
- \4 I$ C1 x- Y# LSupport for choosing the preferred network interface from the project server application when sharing databases and generating access keys8 E1 D' d8 P9 ]; }( Y; v
General performance and stability improvements
0 m( ~& v/ s V
4 {; l$ a" _: cMinimum system requirements for macOS
' v' l4 Q a* V. z( s" M6 R5 nmacOS 10.13.6 High Sierra" B1 w6 ?4 }. p5 F r
16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion% ~: q6 w2 Z* w6 c
Blackmagic Design Desktop Video version 10.4.1 or later
. L0 g& n) S- |' t2 w0 Q" v6 @: ^CUDA Driver version 418.105 ~! i2 S$ o0 W0 W+ |6 {
NVIDIA Driver version - As required by your GPU
, ^, _9 u$ X% H1 BRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
% [% L, D2 H8 O2 } tRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
! _1 M/ A$ M: D3 ?$ V# N8 i+ A3 ] o$ w% P
Minimum system requirements for Windows
) _: E8 i; o3 w X4 Y" \4 |Windows 10 Update' g! ] R& H1 [4 u* x
16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion
' v; B+ X7 }3 X7 M/ J6 y* SBlackmagic Design Desktop Video version 10.4.1 or later
. G7 y2 o3 y9 iNVIDIA/AMD/Intel GPU Driver version – As required by your GPU
! m1 u0 z# Y4 A1 V. [RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
+ }( e2 k, l" ?: RRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later! B: \& h7 f8 H Q
" c9 }0 a, O/ G' g* |+ kMinimum system requirements for Linux) R/ F% E* }/ x$ A5 A/ g$ [+ Y
CentOS 7.3
# }0 v$ E* V+ ~/ A3 E( ]2 j32 GB of system memory is recommended minimum
* E( h5 O+ o5 o2 O& aBlackmagic Design Desktop Video version 10.4.1 or later
; l; T# s5 m+ M5 h7 \1 ]8 qNVIDIA/AMD Driver version – As required by your GPU
3 U1 ^1 i4 M! E: N" ]4 Z. q/ [8 dRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later2 B8 z, H# y! s7 V4 E& s o
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
1 I1 O4 y' c* v% M: b* b* g' w% B
6 i+ ^! i0 d- X/ I: L4 K" N9 {$ ^, {& J; ^
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; H8 Z% i/ H+ _, G+ h9 G- F+ oDownload:
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% U& n0 Y6 R0 TDaVinci_Resolve_16.0b1_Windows.zip
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; r5 P1 H& p' @5 jDaVinci_Resolve_16.0b3_Linux.zip
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' h% R+ v+ P$ k$ }Blackmagic Design DaVinci Resolve Studio 16.2.1.17.exe
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Blackmagic Design DaVinci Resolve Studio 16.2.5.15.exe |
发表于 2019-4-9 08:39:38