Blackmagic Design DaVinci Resolve Studio 17.4.6.0010 Win / Mac / Linux

Program Name: Blackmagic Design DaVinci Resolve Studio 17
Program Type: Color correction
Version: 17.4.2
Release Date: November 16, 2021
Homepage: https://www.blackmagicdesign.com/products/davinciresolve
Interface Language: Multlanguage
Platform: Win / Mac / Linux
File Size: 2.2 GB / 2.0 GB  / 1.6 GB
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0 ]9 k0 B( P0 D+ c7 M! `$ wDaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!
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' A+ I, e  @' _1 tDaVinci Resolve 17 is a major new release with over 100 new features and 200 improvements! The color page features new HDR grading tools, redesigned primary controls, AI based magic mask and more. Fairlight updates mouse and keyboard edit selection tools so you can work faster, along with Fairlight Audio Core and FlexBus, a next generation audio engine and busing architecture with support for 2,000 tracks! Editors get a metadata slate view with bin dividers, zoomed waveforms for audio trimming, smart reframing, a unified inspector and dozens of other time saving tools. In addition, compositions created in Fusion can now be used as an effect, title or transition on the edit and cut pages!
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: M4 [2 Q* u  W8 B' a0 ODaVinci Resolve 17 features incredible new creative tools for colorists! The new HDR palette lets you create custom color wheels for targeted corrections, primary controls have a new design that makes them easier to use, magic mask uses the DaVinci Neural Engine to automatically isolate and track objects, and the new mesh and grid based color warper lets you push and morph colors in creative new ways! Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more. Plus, the massive new DaVinci wide gamut color space enables even higher quality image processing and color management!
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Hollywood's #1 Post Solution
High end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB color science and a massive wide gamut color space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colorists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!
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What's new in DaVinci Resolve 17.4.5
" }; C5 Z' |( \5 I4 yImproved nested timeline decompose for audio, plugins and automation.
Support for decoding 6K and 8K clips from the Sony Venice 2.
Faster 12K Blackmagic RAW decode and playback on Apple silicon.
# j# W( \6 L' J3 F2 oAbility to set output colorspace in DaVinci YRGB projects.
- d7 x# X$ L$ J2 S3 KAddressed Dolby Vision tone mapping for DaVinci YRGB projects.
6 ?4 `' R: ^7 b* ZAddressed layout and refresh issues after using the cinema viewer.
+ g! S7 c6 E3 j, CAddressed an issue with missing Text+ fonts in Mac OS Monterey.
( k  o3 y* g& n6 Q1 c' b- l2 K' S$ [Addressed issues when extruding 3D text from specific TrueType fonts.
3 R4 P) H# d, [: ]3 ~# fAddressed retime and mixed frame rate issues when importing AAFs.
Addressed an issue rendering additional outputs with data burn-in.
Addressed trims not applied from imported Dolby Vision 2.9 XML metadata.
Addressed ProRes 422 artifacts for some rendered clips on Apple silicon.
. r' f1 q% }0 z% i' cAddressed playback glitches for some long GOP formats in Apple silicon.
General performance and stability improvements.

3 U3 V% C2 Q, N0 FWhat's new in DaVinci Resolve 17.4.4
& G/ ^8 O* [$ tSupport for Blackmagic RAW SDK 2.3
* R6 |, c( a9 Q" y/ \+ p: A0 OSupport for browser based authentication for Dropbox and YouTube.
3 y4 v% h4 h9 nSupport for Deep Link Hyper Encode for multiple Intel GPU systems.
) B" v- Y# e, B; {) `# IHardware accelerated VP9 decodes on Apple silicon.
Support for encoding H.265 Main10 4:2:2 on Apple silicon.
Support for generating Rec.2020 Dolby Vision IMFs.
; \/ [. l$ p/ [# `( a4 j5 IAbility to specify encoding primaries in Dolby Vision XML exports.
Improved DaVinci Neural Engine performance on Macs with AMD GPUs.
Improved performance for clips with Fusion effects.
Addressed an issue rippling speed changes in the edit timeline.
% a( E! p# M6 }/ e2 ]Addressed viewer preview when dragging a clip under the playhead.
Addressed artifacts with keys feeding layer mixer nodes on Apple silicon.
0 o7 G9 i7 P$ s/ ]2 eAddressed inconsistent edit previews for HDR in RCM projects.
" v7 C4 t! V: r8 a' UAddressed gamut compression issues for custom ACES DCTL IDTs.
1 ~5 }( r# j4 G2 f$ z+ j* UAddressed AAF export issues with crossfades and small edits.
Addressed an issue with renaming disk database projects in Linux.
Addressed an issue with printer light keyboard shortcuts in Linux.
General performance and stability improvements.
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What's new in DaVinci Resolve 17.4.3
Addressed startup crashes on some Windows systems with Intel GPUs.
8 M( ]6 u1 v8 AAddressed an issue with using styling on unstyled text fields.
6 @8 \5 u2 M- B- _' G/ V( jAddressed incorrect output blanking on Mac OS without 10-bit viewers.
! ]9 L6 Q( E1 i, i4 @4 Q* WAddressed an issue displaying key shortcuts in context menus.
% |8 t4 v. Z% KAddressed an incorrect warning for embedded LUTs in offline clips.
Addressed decoding issues for ProRes with alpha in M1 Pro and Max.
Addressed incorrect display of scopes extents on Apple Silicon.
Addressed incorrect previews for alpha outputs on Apple Silicon.
Addressed slow playback for adjustment clips with Fusion FX digital glitch.
Addressed potential freezes with Fusion fuses on Apple Silicon.
5 v. V; u+ H" w1 c) L. m* X; G! KAddressed an issue with pasting connected tools into a group.
0 A% C6 [6 T. O! `. KAddressed an issue with 3D text sometimes not rendering.
- X" d) R" h0 ?- G' Z9 ^* h' mAddressed an issue when deleting looped spline points in Fusion.
  q3 q+ p" Q! c% Z4 N6 X1 J2 h' D: m/ EAddressed a stability issue with Fusion classic optical flow on Apple Silicon.
Addressed a node editor redraw issue for instanced tools in Fusion.
Addressed trimmed media being looped in imported Fusion comps.
7 r4 |9 Q; w" q# H4 l$ ]& o# D: fAddressed an issue with renaming bounced audio clips in the media pool.
/ S3 {! Y5 f4 i0 O* TAddressed issues with crossfade behavior when editing clips in Fairlight.
Addressed a VST clip effect error when switching timelines.
Addressed Fairlight Accelerator monitoring issues for fixed bus projects.
Addressed phase alignment for certain Dolby Atmos workflows.
Addressed a frame of silence in some exported IMFs with Dolby Atmos.
Addressed display metadata for Dolby Vision tone mapping preview.
Addressed an issue with easyDCP KDMs generated from Resolve.
Faster decode performance on M1 Max for ProRes media.
General performance and stability improvements.

4 q9 S& T+ w2 ~9 y( D' gWhat's new in DaVinci Resolve 17.4.2
Improved playback performance for Fusion titles and effects.
8 q1 Y/ V) M% C* n6 XAddressed an issue with parts of H.264 clips showing offline on Windows.
Addressed an issue where changes to date created would not be saved.
  R5 r  X& k: ]2 ~( H! eAddressed display issue with installed transitions in the edit page.
Addressed rescanning on startup issue with crashed VST3 plugins.
  i9 E6 D3 N0 b7 }Addressed an issue scanning VST3 plugins on certain system languages.
& ]) i$ i9 H! w: _Addressed an issue with rescanning unlicensed audio plugins on startup.
+ {: E9 ?! _3 u+ kAddressed an issue with dynamic delay compensation with VST3 plugins.
& e; c. B5 E8 K6 E! P  VAddressed incorrect cached VST3 plugins names in the inspector.
  {; j7 g, o: u4 R9 PAddressed an issue with some plugin alliance VST3 plugins not working.
Addressed issue with retaining positions of locked Fairlight plugin windows.
Addressed an issue with EQ icon display on a track in the Fairlight page.
Addressed an issue with B-Chain groups display in the Fairlight page.
+ g% K, l/ q) M: Q: c) _+ d, B. [Addressed issue with updating the flag color selection in the Fairlight page.
Addressed issues with multichannel audio output in Linux.
Addressed an issue with project save after importing a Dolby Atmos master.
Addressed an issue exporting to Pro Tools with handles.
7 ^( u) E8 M9 l( KAddressed an issue with moving a power window after pasting attributes.
Addressed an issue with the 3D keyer when compositing multiple layers.
Addressed an issue with glow in the Resolve FX halation plugin.
Addressed issues using power windows with Resolve FX face refinement.
Addressed an issue with Canon cinema gamut in RCM.
Addressed issues with positioning text for some Fusion titles.
1 I( w7 x( L% LAddressed slow performance issues on some OpenCL Windows systems.
5 I  G  P. i: W* s% p2 T$ d( Z: {Support for latest RED SDK.
1 w1 M& ?1 O: w& oAddressed an issue with incorrect resolution display for Sony Raw clips.
2 m3 s, K& t5 V6 }Addressed issues rendering some MXF files to Windows network storage.
Addressed an issue with easyDCP composition name generator.
Addressed issue with sync of media managed audio and video clips.
7 ^6 }" ]7 Y( q) H: h! }Addressed a crash when rotating a power window with the advanced panel.
Addressed startup crash on some systems using different locales.
Addressed startup crash with old Intel graphics drivers on Windows.
) Q" M/ I8 V( n$ z) rGeneral performance and stability improvements.
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) R+ K) ]6 Z5 _, l4 pWhat's new in DaVinci Resolve 17.4.1
Improved frame based imports from Finder.
; Z2 j. |7 V: d1 S" i' e; eAddressed an issue with HDR on viewers on Mac.
Addressed an issue with banding on video clean feed on Mac.
Addressed incorrect fades when trimming in the edit timeline.
Addressed an issue displaying certain unicode characters in Text+.
Addressed an issue where Text+ expressions would not work.
6 f1 B# B6 e; H, f$ z  P" h+ XAddressed slow playback for Text+ with character styling.
Addressed retention of smart filters between projects.
Addressed nested macros not rendering or showing previews in Fusion.
Addressed incorrect Fusion viewer behavior with tablet input devices.
) Z8 T5 @, T- X& p  f! l0 tAddressed trim interpolation for imported XML Dolby Vision metadata.
Addressed incorrect PAR values on some Blackmagic RAW clips.
9 v# C2 ]8 M2 m9 q3 q/ i  eAddressed issue with lost customized subtitle backgrounds.
Addressed an issue with unintended markers on Sony MXF clips.
Addressed a decoding issue with Panasonic XAVC clips on Mac.
General performance and stability improvements.
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% l: G8 ~0 C4 G% e+ D5 kWhat's new in DaVinci Resolve 17.4
Key Features
Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.
3 N2 u* @/ U8 r3 k% Z: d+ X4 T3 D, aFaster DaVinci Neural Engine performance on Mac OS Monterey.
Native HDR viewers and 120 Hz playback on supported MacBook Pros.
Native Dropbox and Dropbox Replay integration with render presets.
Sync markers, comments, annotations with Dropbox and Dropbox Replay.
# ^: b# w$ i; Y+ V. }. kExport timeline markers as YouTube video or QuickTime chapters.
Steinberg VST3 support with access to even more audio effects.
Simplified auto color management settings with SDR and HDR selection.
Improved 3D keyer and matte finesse controls.
$ G! `0 @. I% t" q! g' ?( dNew Resolve FX including film halation and custom mixers.
Text+ support for combined glyphs, right to left text and vertical layouts.
8 N7 Y- Y2 m( MSubtitles can auto resize backgrounds and decompose to parent timeline.
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Apple M1 Pro and M1 Max
Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.
. n& Q. |* I( |7 @# C6 KFaster DaVinci Neural Engine performance on Mac OS Monterey.
# P- G! R3 D/ P- G9 n" _9 oSmoother 120 Hz UI and playback on M1 Pro and M1 Max MacBook Pros.
. U  {7 H, [$ [# Y8 |Native HDR viewers on M1 Pro and M1 Max MacBook Pros.
Native full screen mode on Mac OS.

0 \$ H! v- ~2 C' e4 L( D- DDropbox
Dropbox login within DaVinci Resolve preferences.
Render presets for Dropbox and Dropbox Replay with background uploads.
Sync comments and annotations with Dropbox Replay in Studio.
Sync markers and comments with Dropbox in Studio.
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3 G# r# s9 f7 j2 @Edit
" k* u' n7 k4 Q1 I. f1 z: J3 c# oSubtitle and caption backgrounds now auto-resize to fit text content.
Subtitle tracks in nested timelines now decompose to the main timeline.
; ^9 W- \. R0 I) _$ @% v4 [- R2 q# DAdding a new subtitle caption now auto-focuses on the text area.
* V& i2 I( L& M6 `6 ~Simple titles and subtitles are faster on Apple Silicon systems.
  g2 l8 R- F* N3 [1 ^) t1 ~9 `Improved ease in and out functionality for position curves in the timeline.
Options to include effects and grades for render in place operations.
Switch multicam angles in the edit page with the speed editor.
Ability to mark selection for timeline gaps.
+ J* X7 g( t: e- {Edit asymmetric audio transitions created in the Fairlight page.
Trim video and audio transitions asymmetrically using cmd/ctrl.
Fine audio clip gain adjustments using shift + mouse drag.
! _2 V3 k+ N4 X) C9 G2 h& ], hSupport for pasting retime attributes on audio clips.
Option to limit audio sync to the first timecode match.
* Q/ X6 r2 }: l" F- U  `Preview composite modes by hovering over each mode in the inspector.
, f3 C$ k4 i# H# w. [! dAbility to set per-clip deinterlace quality in the inspector.
New square iris transition.
Support for custom aspect ratio controls for shape transitions.
/ n0 r/ w5 ~- v- _0 [7 V1 f6 TImproved overlays for Fusion tools in the viewer.
+ N% r  Q0 L$ W7 N$ \0 O3 w- b+ F* _Improved undo support for Fusion effects and Text+ in the inspector.
7 x2 R0 `+ w: U' Y- z8 iSupport for folder based organization of effect templates.
New customizable key actions to go to previous/next timeline tabs.
Ability to close timeline tabs with middle click.
Preview generators and titles from the effects panel in the cut viewer.
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Color
Support for an automatic mode for color managed projects.
' o! R. k" k& Z% Z$ X" ^: hSupport for ACES 1.3, gamut compression and new CSC transforms.
New 3D Keyer with new modes, better selection/stroke logic, live feedback.
Improved HSL and luma keyers with updated matte finesse controls.
Track forward and back with a single action in trackers and magic masks.
, v/ b2 P. h0 J: iNode tooltips now indicate LUT and effect type present.
Dragging new links to layer and key mixers auto-creates node inputs.
# w! w7 O4 D5 s+ L: A' |! [& ?* FDragging color nodes over key links creates key-to-RGB connections.
Added individual primary and secondary tool icons for faster switching.
& `5 X: g/ n( \, p5 [Clip filters for timeline clips with Dolby Vision analysis or trim.
& {  q+ I& W0 t. `* QDisabled clips are now shown as gray in the timeline.
Support for applying camera LUTs and CDLs to ARRI MXF ProRes clips.
" q0 {6 \; q& r1 Y7 {: R; N  {The printer light state is now persisted across application restart.
Navigating to markers in the timeline now auto scrolls to center marker.
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Resolve FX
" S  C3 T: X5 E' vFilm halation emulates film stock reflections and scatter with Studio.
% m% j3 Q  O- s4 C) _0 |7 UCustom mixer to combine effects and grades with finer control.
Improved 3D, HSL and Luma keyers in edit and Fusion.
0 J* J& w) o2 G5 y: d( N7 H' zBetter noise handling and key refinement for existing keyers.
% Y: Z$ {" C# B# TImproved patch replacer with ability to align source and target.
/ C# |! s2 W$ v+ HFilm grain with interactive previews and grain freeze options.

  s# Q7 g$ V( lFairlight
Support for Steinberg VST3 audio effects on Mac OS and Windows.
- a. L, I$ _# g$ L/ rAbility to reorder, move and duplicate effects in the mixer.
. q. a# x$ T& d) V7 D. KSupport for copying clip ranges with partial fades.
Single sided audio transitions are now displayed as fades.
Support for multi channel audio outputs on Linux.
; k# x* s; x% Q  [) t; S( BWaveform displays visible at smaller track heights and lower zoom levels.
Ability to shift-click and cmd-click on keyframe selections in the timeline.
Navigating to previous or next timeline marker now selects the marker.
Improved default processing order in Fairlight mixers.
Automation curves display current values when no automation is present.
Flashing edit cursor in edit selection mode.
1 @% ~' K% E: x1 D0 W/ a1 ~6 G4 GImproved column order and search behavior in the clip index.
Improved jog, scroll and shuttle with the editor keyboard and speed editor.
Fairlight FX meters have resizable displays and improved channel labels.
% w  |4 h: o3 S3 MImproved audio performance when using Blackmagic monitoring devices.
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) \* ?- N7 J) J, G5 n4 DFusion
Text+ support for combined glyphs and right to left language layouts.
Improved vertical Text+ layout, vertical glyphs, rotation and line direction.
4 `: D9 P) {  x3 d& u' T. oImproved Text+ character grouping, spacing, underlining and borders.
Text+ supports per-character stylistic sets for supported fonts.
) r% [% A; M  `# p: M3 [Support for OpenType features, including old-style numbers in Text+.
Multiple Text+ improvements for character styling and animation.
, n% v" Q2 Y9 q0 z7 S( s/ FHover to show tool descriptions in the effects panel and add tool window.
9 T, a( R. b4 p3 v2 T# e7 O1 l3 tImproved default tracker search and pattern size for grid warps.
New search area scale slider in tracker options.
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Codecs and File I/O
( \% v6 q! P$ `  KImproved encode settings for YouTube render preset.
! K$ y! r0 F, ]. N9 k1 J3 z; v3 {Option to export a timeline marker color as YouTube video chapters.
* E, \" Y$ R3 y  Q" hOption to export a timeline marker color as QuickTime chapter markers.
Support for decoding opus audio in QuickTime and MP4 clips.
Hardware accelerated Panasonic 8K AVC decodes on Apple Silicon.
Improved decode speeds for ARRI ARX clips.
- z, T9 b8 l$ k) x" cHardware accelerated H.265 encodes on free version on Windows.
# |# x" ?8 ?8 M3 A- l" K  V8 YH.264 encode profile options on supported Nvidia systems with Studio.
H.264/H.265 encode bit rate controls on supported Windows Intel systems.
Faster hardware acceleration on Windows Intel systems with Studio.
Support for rendering EXRs with ZIP1 compression.
Ability to add custom languages in DCP/IMF composition naming options.
Ability to use approved operator / rating / region lists for DCP naming.
" M1 n0 e8 Y! b- M7 fMarker support in the IO encode plugin SDK.
8 j, M& ]. v% x1 Q1 P! KAbility to bypass re-encodes for Sony XAVC Intra clips.
Improved retention of comments metadata for third party XML workflows.
Improved display of render job names with tooltips.
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General
  B; T; O8 _! u6 p% t0 @Right click audio icon to adjust volume on media, color and deliver pages.
5 H# @& z8 [  C/ BAuto-identifying media storage sequential image formats as stills or clips.
; L& t1 M) E8 y/ TPrompt to overwrite existing projects when invoking save as.
Locked project indicator for PostgreSQL databases with usage info tooltip.
Ability to clone a PostgreSQL database from the project manager.
2 c. O: ~9 Y# n/ G; X/ MAbility to export PostgreSQL access keys from the project manager.
Option to import into current timeline when importing an AAF.
Scripting API support to access inspector properties for video clips.
Scripting API support to set playhead position on the timeline.
Scripting API support to get color version for video clips.
# c& \7 e1 I3 RScripting API support for reflecting upload status in render job APIs.
% P' q3 U/ i) sScripting API support for setting network optimization in render jobs.
Scripting API support for H.264 multi-pass encode option in Mac OS.
, s" u; X: p0 A, J9 p7 _8 cImproved scripting property set when querying MediaIn nodes.
$ Q8 T4 S( o+ \+ ~" ]: u8 @0 ^0 JAddressed an issue with Vimeo login.
General performance and stability improvements.
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0 h; Q; h: i- q3 j& F! P# j6 zWhat's new in DaVinci Resolve 17.3.2
Support for Blackmagic RAW SDK 2.2.
! b5 |( c  Y3 D. q2 a* WAddressed instability issues when using the color warper.
2 p: ^. u3 O# h! qAddressed incorrect HDR highlight when using DaVinci Wide Gamut.
2 V4 T" X7 J$ iAddressed a naming issue for recorded clips in the Fairlight timeline.
5 B& E0 u) E' x8 ?+ }/ ^) K/ eAddressed incorrect reloading of cached audio effects on linked tracks.
Addressed missing EQ and other automation issues in Fairlight.
5 Q; G7 m! P% _2 RAddressed incorrect Fairlight Spaceview display for specific AMD drivers.
Addressed potential freezes after using Fusion tracker modifiers.
Addressed a Fusion planar transform issue on small images.
Addressed an issue with uploads for renders on Apple Silicon systems.
Addressed an issue with the classic stabilizer on Apple Silicon systems.
1 X1 L9 [2 p3 fAddressed an issue with LUT generation on Apple Silicon systems.
! S7 x4 }# A; C0 C3 ^; OAddressed out of order frames when decoding certain XAVC clips.
Addressed an issue with importing malformed CLF LUTs.
General performance and stability improvements.
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What's new in DaVinci Resolve 17.3.1
, r% B4 {& R' W! Z$ f7 BAbility to combine multi source audio files to export interleaved audio.
Addressed incorrect sizing controls behavior for Advanced Panels.
Addressed an issue with signing into YouTube and Vimeo in Windows.
& `* V7 j, f: _Addressed an issue with updating LTC for some clips.
" Y7 x  T: L5 dAddressed an issue where titles with disabled stroke could not be edited.
Addressed incorrect middle click behavior in gallery using Wacom tablets.
Addressed an issue where creating memories could cause a crash.
Addressed an issue with some Dolby Atmos rendering configurations.
Addressed render glitches for ProRes 4444 in Apple Silicon systems.
Addressed an issue with audio output when switching audio devices.
$ f# W8 }8 q" x# F1 d# d8 H9 C+ nAddressed an issue with picking colors in the viewer with input scaling.
' m, g4 n/ i8 T; p1 e/ WAddressed a crash for certain renders in Apple Silicon systems.
+ y6 {6 r9 x; ^8 ]Addressed corruption when using generators on Apple Silicon.
Addressed an issue with creation of Fusion Copy Metadata.
General performance and stability improvements.

What's new in DaVinci Resolve 17.2.2
7 J  o1 S3 G$ s3 J0 D! cSupport for Blackmagic RAW SDK 2.1.
Improved Speed Editor Bluetooth support.
9 ]1 k4 c- W4 W6 A, I& V8 n, D# [Addressed an issue with configuring YouTube accounts with Resolve.
* [3 x' T6 }2 {) v7 T7 W/ z$ CAddressed clipped tone mapping of input data in color managed workflows.
Addressed an issue with missing iXML data when exporting audio AAFs.
& k6 l1 ~, b( H1 w. QAddressed clamping of extended range data in video range scopes.
Addressed intermittent source viewer lag when switching from timeline.
Addressed an issue where disarming a Fairlight track would cause a hang.
Addressed an issue with zoom blur showing repetitive patterns in playback.
Addressed dropped frames rendering some clips to slow network disks.
4 ~# S$ N! d( v) u' RAddressed an issue with incorrect channel mapping for 5.1 AAC renders.
5 u4 w5 b) Y) L+ y! y, ~; ?* L9 OAddressed an issue with 3:2 pull down clips being tagged as progressive.
Addressed an issue with decoding some 24-bit linear PCM audio files.
Addressed incorrect field dominance for scene cut clips and sub clips.
) |. x0 v! b# O% Z8 cGeneral performance and stability improvements.

What's new in DaVinci Resolve 17.2
Dramatically improved application startup performance.
Live save is now on by default.
Support for custom naming for individual timeline clips.
Support for adding transitions by double clicking or dragging to viewer.
) y  ]9 p& D8 V. S  S5 \  aSupport for decoding AV1 clips on Windows.
Accelerated AV1 decodes on supported Intel, NVIDIA and AMD platforms.
Support for decoding MKV clips.
0 U% H; T) X5 m* o) I% r4 n6 J; sSupport for exporting IMSC-1 compatible TTML captions in IMF clips.
Support for option to include project name subfolder in media management.
Support for pasting HDR and color warper attributes in the Color page.
( P0 M, Y# f& l4 T# ?8 Z) VSupport for Fusion template bundles.
! h0 v- ^4 m; C- W! W" ]Support for applying and managing crossfades in the Fairlight timeline.
; w$ f' t# D$ G5 Z" ?3 _( PSupport for a batch fade and crossfade editor in the Fairlight page.
Support for persisting Fairlight edit mode between application restarts.
" d! L) f- J' }& ?5 g( ~Support for moving audio clips to match timeline timecode position.
$ I* k: D/ B9 V9 _- p4 \! x$ |Support for setting handles when performing audio only renders.
Support for controlling track processing order in the Fairlight mixer.
Support for accessing Fairlight patch and link in the edit and deliver page.
Ability to show or hide specific audio I/O ports for patching in Fairlight.
$ M- y  k: H; w4 g% D9 H( J0 {  `" ESupport for Fairlight console firmware 1.6 with full FlexBus mixing support.
2 |: N& h1 S, {! g: [9 R5 WImproved waveform displays in the Fairlight timeline.
( t. L5 d3 D. G8 ]Improved auto scroll behavior when dragging clips in the Fairlight timeline.
Support for ACES color science 1.2.
Support for selecting per-clip ACES DCTLs from context menu.
. r6 H. j9 Y+ o0 s. m" X7 u2 pSupport for new IDTs for the Canon EOS-R5 cameras.
4 S. a: k# W% G1 Y- TOption to use white point adaptation in project settings for RCM workflows.
Option to use white point adaptation in Resolve FX color space transform.
Support for codec passthrough when rendering IMF JPEG2000 clips.
Support for trimming Sony Raw and XAVC MXF in media management.
& g8 ^+ }" F9 W9 r1 y  q5 m4 `Support for reading gyroscopic metadata on Sony Venice clips.
1 z7 s" l# s; d! k: b$ ZAbility to update RMD metadata files for R3D clips.
# P+ Y) \  h8 VImproved spatial and temporal deinterlace quality.
Improved curves range display for position and zoom on the edit timeline.
Improved color management for Blackmagic RAW Gen 5 color science.
Improved decode performance for 8K H.265 clips on Apple Silicon systems.
, P$ p2 h. X. b# f, b. j0 h( AImproved scripting API with the ability to import custom frame sequences.
' C' ~. v6 c' {# H* L, [7 iImproved scripting API with the ability to delete timelines.
# k9 V9 U* M7 g8 NImproved scripting API with the ability to query current page.
! k8 _7 `+ ]4 [6 ~Improved scripting API with the ability to add generators and titles.
) u# U8 A( M7 X' }Improved scripting API with the ability to specify render alpha options.
5 {5 Q- {  X$ G" x. ^Improved scripting API with the ability to switch layout presets.
3 T" m1 h$ @' g  ~1 @0 H1 HImproved scripting API with the ability to quit the application.
# @) ^5 a* k5 k1 Q' [Improved iXML data support with AAF export workflows.
General performance and stability improvements.

What's new in DaVinci Resolve 17.1
Support for Apple Silicon on Mac.
* B& |) @. x. AGeneral performance and stability improvements.
$ j3 {. q4 k3 ]7 @
What's new in DaVinci Resolve Studio 17.0
Color
; A* x4 T1 g* h0 r4 L: l! SDaVinci Resolve Advanced Panel keycaps kit and new optimized menus.
/ K3 @+ V# G9 ?) \, _& c/ qRCM2 with improved color tagging and smooth tone and gamut mapping.
HDR perceptually accurate primary grading tools with tonal range control.
% y$ Z  x: c$ m" p7 I) yColor warper to qualify and change hue vs saturation and luma vs chroma.
Magic mask using the DaVinci neural engine generates tracking masks.
3 l' `6 b9 i& jRedesigned primary interface to show all controls concurrently.
' z, Y3 a4 r. u$ t, x- e6 N# NGrading tools are colorspace aware in color managed timelines.
Support for user selectable colorspace and gamma for HDR grading tools.
Support for timeline clips to bypass color management.
% M; f8 I0 F* }: |- d' @Support for sat vs lum mode in the curve tool.
Support for generating a 17-point cube 3D LUT.
Support for LUTs designed for video range.
Support for saving smart filters to be shown in all projects.
8 n2 B" ~# h6 OSupport for smart filters for marker keywords added to timeline clips.
9 A3 J1 _7 R* ~Support for diagonal, venetian blinds and checkerboard reference wipes.
Support to set input colorspace, gamma and IDT on preconform timelines.
+ @0 \% H% [# d' ~& ASupport for a pop-out floating window for the curves panel.
Support for fast review from the playback menu on the color page.
Support for a 3x3 grid view and multiple GPU scopes of the same type.
7 ?9 p( X' _( i. L- t/ ?( |0 W1 ESupport for a floating video scopes window in dual screen layouts.
/ C& g) w8 f4 @/ g& e" tImproved scaling and style options for waveforms and vectorscopes.
Support for loading IDTs and ODTs as a DCTL file or ACES RRT.
) J: Z3 M( G9 f) J' SSupport for defining LUTs inside a DCTL file.
Support for multiple simultaneous client connections in remote grading.
' [% W+ g) G+ `, d  ]! R2 LSupport for advanced and mini panels networking for remote grading.
: T. C  y2 Q" QSupport for a split screen playhead viewing mode.
: K/ L4 X% [2 j) a$ `/ G. l' K" ySupport for improved split screen layouts.
Support for converting in-out ranges to duration markers.
4 m0 i$ s8 o$ _" X) B. G" P9 ]Improved behavior when drawing bezier power windows using a mouse.
1 J5 r: W4 d- g  n$ |8 E6 O% AOption to use a Rec.2020 matrix for 4:2:2 video monitoring.
& J- M+ y; s  C* ^$ L/ d8 ^; r9 r
Resolve FX
Resolve FX Smear frame blending for motion blur and other effects.
Resolve FX Motion Trails temporal motion blur, object trails, disco effects.
9 |7 f* U  j4 }/ D% C, WResolve FX Transform clip moving, stretching and rotation with motion blur.
Resolve FX False Color overlays replicating camera HUDs and other looks.
" E$ G* Z. F; nResolve FX Texture Pop for fine image detail and contrast control.
Resolve FX Detail Recovery for detail and grain recovery.
, l( i* H6 L. }# R. K1 u) g; VResolve FX Noise Reduction native noise reduction tools as Resolve FX.
( `5 `; n: X: x( a5 ?3 `$ E1 J# zResolve FX Video Collage to quickly position a stack of clips into a grid.
Resolve FX Luma, HSL and 3D native keying tools as Resolve FX.
Improved Resolve FX Film Grain with new optimized mode.
Improved Resolve FX Dead Pixel Fixer with freehand fill, softness etc.
Improved Resolve FX Dust Buster with shape drawing, clone fixes etc.
Improved Resolve FX Object Removal for scene mode, adaptive blending.
8 g: N, `- i( x7 e0 lImproved Resolve FX Blur defaults for directional, radial and zoom blurs.
8 {* [) ?& \5 B' {$ qImproved Resolve FX Tilt Shift with alpha channel support for depth masks.

, ]  o# i9 ?) m- `/ v1 i( OAudio
: I" s/ j1 i4 O) O6 c2 u5 mSupport for the Fairlight Mini Console.
3 O/ d+ p/ g& a- N% S; N0 u3 L  N( dFairlight Audio Core to natively CPU process up to 2000 audio tracks.
$ P) {3 c0 l1 z0 P- ]FlexBus routing system to permit bus to bus routing and mixing.
" n  ~3 \5 p- z% h- y. XADM import, playback and export of Dolby Atmos IMF IAB masters.
Fairlight FX Surround Analyzer meters.
Full implementation of the 9.1.6 and 22.2 surround sound bus formats.
' u  d$ `/ c, H7 sNative support for 44.1 KHz sample rate audio clips and instruments.
Analyzing and navigating to audio transients in a track.
1 R+ B4 D' q% nOffline clip-based audio loudness analyzer.
4 r6 C5 ]- F- q0 m+ {Selection of absolute or relative scales and loudness meter dialog gating.
Pro Tools keyboard customization preset.
Full range of video controls in the new unified and tabbed inspector.
Updated editing, range and selection behavior in edit selection mode.
$ Y% K. T3 a- vSupport for importing AES31 audio timelines.
$ o1 R3 z/ @& o  R  z* d; R' Q0 kSupport for pre-viewing video when sliding clips, markers and ranges.
7 d! M' x3 Z' H- w! g& z+ ]9 l3 tSupport for reversing audio clips.
* v- k/ i3 X9 t+ F1 E! zSupport for flattening audio track layers.
* d' n5 N" }) S( ?" V% i& sSupport to have automation following clip edit changes.
: r( P0 A% q% S' Z$ f  JSupport for saving, recalling, creating timelines via configuration presets.
9 ]0 c  m  r0 }Support for editing linked clips.
" X  H' r+ J0 o2 t/ _" @Support for marquee selection of multiple mixer tracks.
Support for changing the track type of multiple selected tracks.
Support to directly edit in the mixer track and VCA group names.
1 r3 P& e; k  ~4 Z+ C; NSupport for deleting multiple empty tracks from the track header.
" [( c& p4 N5 ?( JSupport for deleting marked extents on selected tracks.
9 J- @, T1 h$ d- N- U0 n: R8 wSupport for per-timeline views, selections, range and playhead location.
Support for changing clip gain using shortcuts.
Improved clip gain with change tooltips and fine control using shift.
Support for bouncing linked groups to a multi channel file.
& u( ?. L) x1 w* q4 g# d3 _8 j3 ISupport for track record, mute, solo, arm control in the application menu.
Support for viewer to be off, floating, docked or full screen.
& G5 Y& O; a  q# l# m$ [Support for toggling interface between normal and cinema viewer mode.
Support for monitoring volume dB level tooltip.
Support for selecting multiple monitor sources from Fairlight audio editors.
Support for pre & post roll control from the Fairlight audio editors.
* D9 J0 h, X' b5 A5 {: U7 pSupport for selection of Fairlight Audio Interface phantom power, gain etc.
1 \3 j. A2 K; o& u: i* |$ pImproved waveform display when zooming into a clip waveform.
Improved metering displays for timelines with lots of audio tracks.
Improved keyboard mappings for edit selection mode.
Improved MPEG-H workflow and export support.

3 z. W' Q8 @  c+ ZCut
Support for the DaVinci Resolve Speed Editor.
Full featured unified inspector with tabs and keyframe control.
  P. D3 q2 B2 r  d+ L. I# F3 E8 `% uFile tab in the inspector with camera raw settings and clip metadata.
, A- g8 E2 B, \) @. pMedia pool clip properties can now be viewed and edited in the inspector.
Media pool slate and sort view with grouping based on clip metadata.
Audio trim on the viewer and timeline.
% h. B* ~2 r9 Y; V$ V! tLive scrubbing previews for effects library transitions, titles and effects.
# m3 j& ]; i% a* O# q8 j& GSupport for a new relink icon and dialog in the cut page.
Support quickly switching source tape bins from the media pool.
Support for showing the media pool in a flattened view.
" b$ R+ e" n, q# j  m# Z8 ]7 A7 zPlayhead indicators for distance to adjacent edits when using sync bins.
Support for a change duration dialog with presets in the cut page.
. D& q4 }( m! |Support for entering the clip duration in the viewer duration field.
% x. r3 e; h- ASupport for navigating edit points and markers in the cut page.
3 r1 u# l" d  f+ FSupport for a thumbnail view in the effects library.
Support for a full screen preview icon on the viewer.
Support for selecting safe area guides and aspect ratios on the cut page.
: w0 F& ^) V, [" ]Support for a cinema viewer with sync bin multi-views.
Support for switching timelines in the viewer.
Support for importing frame sequences as individual still images.
2 [* {; s( W0 d5 X9 [1 cImproved markers entry using the DaVinci Resolve Editor keyboard.
2 f: i/ c1 O. B& p
) R. |4 w2 H, r/ @Edit
2 n% C; j* a% w) f+ O: DFull featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Significantly improved DaVinci neural engine deinterlacing quality option.
2 l/ |2 [7 U8 V* p% E  Q0 Z: `Significantly improved processing of interlaced timelines and deliveries.
, G: F- x! U( k/ W, k6 q2 ~  B5 lReal time removal of 3:2 pull down.
9 ?" V7 H5 L3 @' Q" r* ]+ Q- hScene cut detection directly on the timeline using DaVinci neural engine.
Automatically framing shots based on content using DaVinci neural engine.
1 Z- s" _1 M: Z4 d; s1 M1 h/ yQuick and clean chroma keying with Resolve FX Luma, HSL and 3D Keyer.
Resolve FX Video Collage for multiple source picture in picture grid.
3 f* a* @; n0 c% {; b5 YBurn away transition with options to control burning, melting and shriveling.
/ W1 ]- W6 k7 L* c, J5 x( ASync of multiple audio clips to a single video clip.
$ k, E- \8 A& o7 ?/ |Aligning edits on the timeline using waveform or timecode matching.
+ D# H3 p5 |/ a# R0 _5 cImporting BorisFX Continuum plugins, transitions etc. from AAFs.
5 ?# u0 f6 ~+ ~Live scrubbing previews for effects library transitions, titles and effects.
Media pool slate and sort view with grouping based on clip metadata.
, b" x5 H/ E8 c2 PDeleting gaps based on clip selection, ranges or the whole timeline.
Support for rendering sections of the timeline in place with effects baked in.
8 ?: t" m% M. Y& TSupport for motion blur controls for motion based video transitions.
/ W9 L- p* T  @Support for dragging effects directly into the inspector.
) N. r+ D6 a; K8 R4 S: u. ESupport for conversion of basic transitions into Fusion transitions.
4 f5 F, _# n/ @Support for timeline compositing using Resolve FX & OpenFX alpha.
7 [% G2 l. B8 i% G! kSupport to retain image position in the crop section of the inspector.
Support to navigate the timeline with arrow keys without affecting selection.
1 l5 v' a8 e5 [2 M, B. wSupport to change clip selection using arrow keys and command modifier.
Support for a thumbnail view in the effects library.
! f% V3 @# X! SSupport for sorting timelines alphabetically, creation date or recent use.
Support for disabling timelines within the media pool.
Improved timecode entry with multiple modes and dedicated action.
Support for copy paste of timecode or frame in viewers based on mode.
Support for compositing using track mattes or external alpha.
Support for Fusion effect templates in the edit page.
Support for viewer overlays for Fusion templates and titles.
* I9 ~, U5 W. t( h! jSupport to save and show smart bins in all projects.
Support for creating multiple multicam clips by splitting at gaps.
8 H' C" z/ g2 {' p) z3 g, n; b- \Support for compound clip or timeline conversion into multicam clips.
Support to optionally zoom timeline at the cursor or the playhead.
5 i* a/ _5 K& J5 C% q* J4 KSupport for a fast play review from the playback menu.
Support for hovering on title font names to preview on viewer.
Support for monitoring HDR and SDR outputs for Dolby Vision projects.
$ L# d/ V" O3 T; w2 ySupport for monitoring stereoscopic 3D timelines.
Support for creating DCTL based transitions.
6 ?' V% |+ g- k1 O+ e5 aSupport for importing EDL, XML etc. without media to empty media pool.
Support for floating video scopes in media view in a dual monitor mode.
+ x/ F$ b: g- Q$ USupport for closing take selector or retime using escape.
Support for creating a new timeline using an IMF composition playlist.
Improved behavior when switching between clip and edit point selections.
5 y) C7 b/ p# VImproved waveform syncing when creating multicams or aligning clips.
Improved track compositing when the media doesn't cover the full canvas.
2 Q4 H  |- k% s0 V) P7 @& @Support for independent track height and view mode options.
" Q' N9 R) e- x. j7 k) u( ?/ B
/ ~+ A( C2 u) }; A1 W9 \) d; HFusion
Audio playback along with waveform display in the keyframes panel.
4 ]  N+ Q% {& O4 v8 Y, _Viewing and editing clip and timeline markers in the keyframes panel.
3 }, ]5 c  z* P8 G' {% J, V+ kResolve FX Dead Pixel Fixer, DCTL and Patch Replacer.
Anim curves modifier for convenient easing and shaping of animations.
Support for user customization of the Fusion toolbar above the node editor.
1 R& x9 A: g3 X* l! `) K4 p; C  PSupport for auto creating a composition when adding tools or media.
7 N" j8 o; o  x5 n5 _Support for additional dual screen layouts.
Support for full featured unified inspector with tabs and keyframe control.
Initial support for a GPU accelerated 2D shapes toolkit for motion graphics.
Improved optical flow behavior.
( \1 h5 e  f- B* c! j' @' B9 kWorkflow Integrations
$ t6 O  M; J: w, V$ H+ p' kOpen toolkit to create DaVinci Resolve Studio workflow integration plugins.

Codecs
' S4 a9 ?1 l! \. X; P3 i, f5 x9 L3 e4 ODirectly uploading to Twitter from within DaVinci Resolve.
& q  p% Q1 p; E& \. _2 APer frame metadata from Blackmagic RAW clips.
Per frame metadata from ARRI, RED, Canon and Sony cameras.
4 |/ o$ F( u0 z1 z. x2 U: qDecoding and rendering per-frame EXR metadata.
# I7 S! `/ F0 ?) T- e2 L* a. d7 vUpdated metadata support for Sony MXF clips.
Open plugin SDK toolkit for encoder developers.
. b& j% e  A$ V! R4 pGrowing file support in the media pool.
! _* Y- W& k% A4 Q0 q1 a9 c5 \  _Decoding QuickTime PNG clips.
" c% R# R7 }* q1 zDecoding uncompressed RGB 8-bit and YUV 10-bit AVI clips.
/ M, A- y2 B- I$ a9 g& [. L& [Decoding spanned Panasonic 8K SHV clips.
Decoding and encoding GoPro CineForm clips with non multiple of 16 res.
3 s( s! [7 W, IDecoding and encoding mp3 audio in Linux.
Decoding and encoding high-throughput JPEG 2000 (HTJ2K).
, v, M# d& _! Q+ ]# u$ eBypass re-encodes for supported JPEG 2000 profiles on renders.
Encoding IMF MCA audio metadata.
# D( `- Z( _  q4 B" P$ CEncoding IMF and DCP as reels based on duration or edits.
" i$ X  o4 Q# x) c+ b) @% h3 `Exporting non-HDR DCP metadata option.
Exporting HDR tags in DCP workflows.
7 S8 a+ ]" @6 y# |- L2 S% s2 }Support for reading RAW clips and audio clips from Frame.io.
: s6 A4 }* L* s' G) \  BSupport for additional NVIDIA encoder parameters for H.264 and H.265.
Support for rendering 10-bit HDR IMF clips.
% h% j' Y% b" n: v" ^Support for a 16 bit SDR IMF preset.
# ]0 u+ W' @" |6 f; t+ B$ ^0 FSupport for Photon 4.8.0 for IMF validation.
! h( R* m: e8 z% \: ~9 \5 Q
General
) l) ~* I( J  V( t# ]* S8 FProxy media workflow supporting internal and externally generated media.
Optimized media is now automatically available across projects.
Generation of optimized media can now be limited to edit extents.
In and out ranges are now synchronized between pages.
Significantly improved performance with large collaboration projects.
Stability improvements with new GPU detection and initialization.
9 c  @0 R4 @  n4 M( ZBetter interactivity and playback performance on multi-GPU systems.
Consistent pan, zoom and scroll behavior with mouse and trackpads.
Support for importing and exporting individual timelines using .drt files.
% N# |! g5 Y; H) L6 W8 pSupport for importing and exporting individual bins using .drb files.
Support for exporting .drt files for media managed timelines.
Support for auto linking .drt files to source camera clips.
Support for auto linking .drt files generated using media management.
4 ~- H, x8 b8 M0 U& _2 dImproved error handling for media management jobs.
3 Y  D% x! Y/ d: C. M6 q  H" J2 I$ FSupport for a warning about media offline when creating render jobs.
) k) k% R* |( z  M# P7 a/ k# y/ wSupport for smart bins and smart filters to check if media is offline.
Support to scan all connected databases for remote rendering jobs.
Support for new resize filter options in project settings and edit inspector.
! S$ x1 M. N( ^+ j9 \: ASupport for render caching adjustment clips.
Support to adjust numeric field entries using arrow keys based on cursor.
Support to ignore unsupported OpenFX plugin packages in preferences.
/ V5 I$ h5 }/ [3 I8 uSupport for independently configuring capture and playback devices.
Support for displaying source frame number in data burn-in.
Support for adjusting text opacity for data burn-in.
. M, {/ T% i( T! gSupport for configuring multiple custom LUT paths.
+ l! m+ \5 A8 \! ~Support for Thai & Vietnamese UI localizations.
Support for a render codec tag for render path and file name.
6 v$ T$ A* |: OSupport for ITU-R BT.2111-1 HDR test bar patterns.
8 H$ d. G' i1 C% }Support for showing fast forward & rewind speed.
Support for NVLink high speed interconnect with supported NVIDIA GPUs.
Support for xGMI high speed interconnect with supported AMD GPUs.
Support for an integrated title bar in the application window on Mac OS.
Support for previous and next navigation across Frame.io markers.
Support for triggering a script at the start or end of a render.
% }5 V5 M) \: B6 Z) T3 \Multiple scripting API improvements.
Multiple performance and stability improvements.

What's new in DaVinci Resolve 17.0 Public Beta 8
; N5 ^1 n8 e3 C  m7 j6 M: d- Improved de-interlace quality.
- Improved handling of alpha channel scaling in ACES and RCM workflows.
& P. J6 W' q6 Z2 _2 A! {3 i- Copying grades and nodes in the Color page is now focus-based.
- Improved timecode navigation and display on interlaced timelines.
: s- s* c/ B0 \# O( R& h- Improved Fusion path maps with ability to open folders and expanded path displays.
- Support for the HDR grading palette in the DaVinci Resolve mini panel.
8 M- Z7 Q8 K: k% e7 f# R- Support for Netflix loudness standards in the Fairlight loudness analyzer.
- Support for non-parametric DaVinci CTL IDT and ODT formats.
- Support for dragging stills to the viewer or node graph to apply grade.
- Addressed an issue with audio recording on USB headsets when using a Blackmagic Design monitoring device.
- E6 y4 y- J- H. n( Z! m- Addressed issues with adding and navigating keyframes from the inspector.
# k' ^2 o/ E( h; p; {/ F, Z) G- Addressed an issue with revealing synced audio in media pool.
; a! i+ o+ v" Y( ]6 ~; H% Y- Addressed an issue when sorting by Scene or Camera # in the media pool.
- Addressed an update issue with clip names in the sync clips window when multiple clips from the same camera are used.
0 G9 d" Z: l: w+ M- Addressed an issue where the place on top command would not work correctly with titles on the cut page.
# K$ Z! c( K' X' N+ l- Addressed an issue with transition alignment when importing or exporting DRT files.
" W& q, a% s$ F! Q* @, V+ H. h5 b6 l- Addressed an issue with handling Fusion effects on clips inside a compound clip
- Addressed an issue where adding new Fusion templates would require an application restart.
- Addressed an issue with disappearing crossfades when trimming the in point of an audio clip.
- Addressed an issue with incorrect in-out range display on the Fairlight timeline.
( H+ Y5 j  E5 g' t, o! X# N- Addressed an issue with subclip extents created from interlaced clips.
6 K, G8 H& w. `1 Z0 K- Addressed an issue where ResolveFX Video Collage would sometimes show outlines around tiles.
6 V# {* \4 R: M0 E9 F. h- Addressed an issue with incorrect flow context menu behavior on some Linux systems in the Fusion page.
9 V$ }+ B& L- c& D- Q* Y- Addressed an issue where macros with non-image outputs would sometimes show incorrect previews.
- Addressed an issue with incorrect HDR previews when use mac display color profiles was enabled.
- Addressed an issue with incorrect scaling during playback when using optimized media in performance mode.
6 K( L# X6 A% Y" U- Addressed an issue with incorrect OpenFX settings behavior in the color page when using Resolve Live.
, D" G" O9 D  n: O+ c( P- Addressed an issue where B-chain filters and delays would not work correctly in FlexBus projects.
( F7 L3 `& O( F6 U: M1 K' H( }- Addressed an issue where using OpenCL on Linux would cause a crash.
2 W4 ^& u# c2 k- Addressed an issue where QuickTime files rendered with AAC audio would not contain audio for the first few frames.
4 R, a+ |' J. ]- Addressed an issue with missing audio transitions when importing AAFs with a timecode offset.
4 c2 i# s, g0 e6 \% M6 ]- DaVinci Resolve Project Server and PostgreSQL are now in a separate installer.
- General performance and stability improvements.
# @( }: A) z' a- a
What's new in DaVinci Resolve 17.0 Public Beta 6
( C" {, o0 e6 p, G, T- Addressed an issue with long startup time for systems with lots of audio plugins.
- Addressed an issue with jittery playback for interlaced clips with hardware decoding on Nvidia graphics cards.
- Addressed an issue with mismatching extents for interlaced subclips.
: y2 q! c/ t1 z$ m) @- Addressed an issue with thumbnail resolutions for upgraded v16 projects.
( X3 Y2 A9 s# V9 B  t- Addressed an issue with opening projects using Resolve FX 3D Keyer created in 17.0 Beta 1.
- Addressed an issue where media pool entries in the Cut page would sometimes be incorrectly sorted.
- Addressed an issue where undoing an extend edit would sometimes fail for clips with transitions.
- Addressed an issue with external clip mattes overriding media alpha in foreground composite mode.
- Addressed a performance issue with subtitle editing on timelines with lots of subtitles.
2 p) a. u* }! K' O2 x# v8 a- Addressed an issue where HDR outputs could marginally exceed maximum output luminance due to rounding errors.
- Addressed a scaling issue when decoding Sony RAW clips using SLog3 or linear gammas.
9 E, E. _; |) t# e8 o- Addressed an issue where copying compositions between Resolve and Fusion would sometimes lose Open FX nodes.
- Addressed an issue with incorrect labels for shape color controls in Fusion.
/ W- R$ i- A4 o1 P, h- Addressed issues with the getclipproperty and gettakebyIndex scripting APIs.
$ @- x# p9 ~) H; s, [" e- Updated scripting examples to use new getclipproperty APIs.
- General performance and stability improvements.
4 S; a! O7 W. q# v+ v# {
9 H9 B: N! B. g9 y5 }: s9 F3 KWhat's new in DaVinci Resolve 17.0 Public Beta 5
! w1 m7 S+ m5 X: N- Addressed an issue where clips with Resolve FX keyers would affect composition with tracks below.
- Addressed an issue where HDR media with Resolve FX Color Space Transform would cause clipping.
6 k! {* x2 l( v# x& Z( L- Addressed an issue where timeline wipes on clips with temporal processing would sometimes cause a crash.
! Y  i5 N8 ?9 O2 E5 Q7 w- Addressed an issue with jumps in some color slider values when changed.
- Addressed an issue with pasting or deleting Fusion tools when using some dual screen presets.
- Addressed an issue where deleting nodes with expressions would freeze Fusion viewer previews.
- Addressed an issue with waveform display for MediaIn nodes using the same audio track.
2 r5 `2 b* l; M/ j- n- Addressed an issue with high CPU usage when switching to the Fairlight page.
- Addressed an issue with incorrect input meter behavior in the dynamics window.
( \! ^- {. K9 T- C$ }- C- Addressed an issue with rendering multiple mono tracks to MXF Op-Atom.
- Addressed an issue with mismatched video monitoring when using custom timeline settings.
- Addressed an issue where proxy media would be rotated incorrectly for vertically captured video from phones.
' t' g+ r0 W" f" m8 N; h- R/ \* T- Addressed an issue with incorrect antivirus flagging of Resolve executables on some Windows systems.
  @) y: V" y2 H2 N  I& ^- Addressed an issue with incorrect playback frame rates for interlaced projects.
- Addressed an issue with incorrect battery indication for the Speed Editor on Linux systems.
- Addressed an issue where clips would show offline frames if proxy media was missing.
8 N% r& z* ]# p2 h' y* H- Addressed an issue where rendering in place multiple cuts from the same media would behave incorrectly.
- General stability and performance improvements.
" W" j1 i  b" M. q( m
What's new in DaVinci Resolve 17.0 Public Beta 2
9 D4 c, F/ ?, ~# z- Addressed an issue with installing from a network drive on Windows systems.
- Addressed an issue with black grades when loading projects on non-English locale systems.
- Addressed an issue with color picker behavior for color warper in highlight mode.
- Addressed an issue with interlaced clips showing watermark for basic interlace detection
- Addressed an issue with AAF exports to ProTools.
2 ?2 |; E# ~* l) J' f2 o& f5 }- Addressed an issue with Motion Trails Resolve FX.
' L* `6 x4 O! R0 B: z. w1 p* S- Addressed an issue with move action on the cut page.
- Addressed an issue with FlexBus channel mapping.
- Addressed an issue with timecode entry for custom frame rate timelines.
* S+ l/ M6 V) g7 a+ B8 P, F- Addressed an issue with tracking backwards when using optical flow in Fusion.
- Addressed an issue with pasting nodes in the Fusion page with dual screen layouts.
- Addressed an issue where using Fusion corner pinning would sometimes cause a crash.
# t: y; z( g" b. ]! t1 {9 {- Addressed an issue where rendering a shape with zero size would cause a crash in the Fusion page.
: u" i$ l2 T% p5 ~/ {- Addressed an issue when applying temporal noise reduction on clips with multiple Fusion outputs.
9 g  z; l5 n2 H- More than 50 general performance and stability improvements.

/ [- ]  A9 T, W$ e, Z0 g' @Minimum system requirements for macOS
macOS 10.14.6 Mojave
% b( P1 n* x4 U: o9 e) D16 GB of system memory. 32 GB when using Fusion
1 [+ F8 U5 t8 W0 UBlackmagic Design Desktop Video version 10.4.1 or later
( U  _5 @: Q6 X" E& V- yIntegrated GPU or discrete GPU with at least 2GB of VRAM.
* i% R* q8 j& @; R; {9 HGPU which supports Metal or OpenCL 1.2.

0 @& }; e4 H  w8 i, D$ C) pMinimum system requirements for Windows
& R! R+ Y$ ^% n$ q% N4 L4 NWindows 10 Creators Update.
16 GB of system memory. 32 GB when using Fusion
Blackmagic Design Desktop Video 10.4.1 or later
Integrated GPU or discrete GPU with at least 2GB of VRAM
% T) W6 x$ `8 L% [. A6 x. }GPU which supports OpenCL 1.2 or CUDA 11
NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
; J2 @- @7 w% ~$ nA minimum NVIDIA driver version of 451.82 is recommended.
: O7 d* J, l4 ?  y
8 i* v& N5 q8 n! c1 PMinimum system requirements for Linux
7 l$ U+ o6 j6 D6 F5 JCentOS 7.3
6 b) b  F% o$ \! h) [; a9 h$ E* P32 GB of system memory
, o% S7 [. a+ v) C, S6 }Blackmagic Design Desktop Video 10.4.1 or later
4 d! K( B; N$ G* f# T  ]) C0 iDiscrete GPU with at least 2GB of VRAM
0 k$ f8 [1 ~7 O: }- c8 |  ^; XGPU which supports OpenCL 1.2 or CUDA 11
  g$ r2 F, s) _4 q! Z, rNVIDIA/AMD Driver version – As required by your GPU
A minimum NVIDIA driver version of 450.51.06 is recommended.

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, l+ ]% ^5 B2 NDaVinci_Resolve_17.4.6_Linux.zip
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