网站全额开放，如无必要不用注册免费预览！
您需要 登录 才可以下载或查看，没有账号？立即注册
x
Program Name: Blackmagic Design DaVinci Resolve Studio 17' `1 G' L. F! f0 [( O1 J
Program Type: Color correction
$ {% @+ e, b2 R, Y2 c- ?6 j; `$ r, ^Version: 17.4.2
( h( e4 c2 a; W* z2 t, x0 @Release Date: November 16, 2021
+ t, \, I9 T ~" FHomepage: https://www.blackmagicdesign.com/products/davinciresolve
/ m; U6 `; t$ I7 t4 p( M8 ]1 ZInterface Language: Multlanguage( h3 x9 E- w, U. \
Platform: Win / Mac / Linux, ^5 D; h" H+ {3 v0 K6 R
File Size: 2.2 GB / 2.0 GB / 1.6 GB
* S$ Z1 U" m5 A7 [# ], U( s9 b9 G( ^/ P7 ?4 [! k# a) @8 \& P
DaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!
3 G/ [. C: R' O% |" Y) U' q$ n8 d" b( p2 t @- M
DaVinci Resolve 17 is a major new release with over 100 new features and 200 improvements! The color page features new HDR grading tools, redesigned primary controls, AI based magic mask and more. Fairlight updates mouse and keyboard edit selection tools so you can work faster, along with Fairlight Audio Core and FlexBus, a next generation audio engine and busing architecture with support for 2,000 tracks! Editors get a metadata slate view with bin dividers, zoomed waveforms for audio trimming, smart reframing, a unified inspector and dozens of other time saving tools. In addition, compositions created in Fusion can now be used as an effect, title or transition on the edit and cut pages!7 G. e* g$ g1 F# I- v
- l) D# c! c' [/ V ] {9 [DaVinci Resolve 17 features incredible new creative tools for colorists! The new HDR palette lets you create custom color wheels for targeted corrections, primary controls have a new design that makes them easier to use, magic mask uses the DaVinci Neural Engine to automatically isolate and track objects, and the new mesh and grid based color warper lets you push and morph colors in creative new ways! Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more. Plus, the massive new DaVinci wide gamut color space enables even higher quality image processing and color management!) A$ Y# J1 a, s7 _- m( x+ `
- G# D! W/ U' q: K: ]- k7 D V5 w
Hollywood's #1 Post Solution
/ x- A; F' n6 ~0 [High end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB color science and a massive wide gamut color space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colorists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!
& v; \8 J, t# u, N- V _' [$ Y
$ m8 Q4 J6 w* R2 F2 r5 _% uWhat's new in DaVinci Resolve 17.4.5& W; N I/ n0 T+ H3 D8 H3 a; [& p# N
Improved nested timeline decompose for audio, plugins and automation.' D$ d) C8 X3 X" s1 {! _
Support for decoding 6K and 8K clips from the Sony Venice 2.8 s4 Y6 F6 x( b! X: |$ |% @
Faster 12K Blackmagic RAW decode and playback on Apple silicon./ t7 f+ ]! g* F
Ability to set output colorspace in DaVinci YRGB projects.* {2 t% S1 p/ |& c4 m$ ^
Addressed Dolby Vision tone mapping for DaVinci YRGB projects.
0 K! G- ^/ j" o. D' PAddressed layout and refresh issues after using the cinema viewer.# D' {/ g4 r- D, p5 m, J
Addressed an issue with missing Text+ fonts in Mac OS Monterey.; C" U0 o4 L; y3 A1 L
Addressed issues when extruding 3D text from specific TrueType fonts.8 ^ w6 A3 f$ N! H
Addressed retime and mixed frame rate issues when importing AAFs.
g+ w u9 D/ t1 nAddressed an issue rendering additional outputs with data burn-in.
# g7 L+ k0 ]: i6 Q9 y; }Addressed trims not applied from imported Dolby Vision 2.9 XML metadata.
5 @+ S6 J) s6 G' h' W, O/ o6 b2 LAddressed ProRes 422 artifacts for some rendered clips on Apple silicon. h- p8 W- ]- X8 C
Addressed playback glitches for some long GOP formats in Apple silicon.
" E) e" h/ T' `. u4 d, ?General performance and stability improvements.0 {2 e& `/ S. [4 @: q
& \( W+ P5 G/ B6 k+ }4 q+ N
What's new in DaVinci Resolve 17.4.42 }" x1 L4 U1 W& I
Support for Blackmagic RAW SDK 2.3& @: M- o3 M; b( \8 k, Z" i+ g
Support for browser based authentication for Dropbox and YouTube.% \* C8 ~ t* O8 {" a
Support for Deep Link Hyper Encode for multiple Intel GPU systems.
5 T) s/ a! [5 p/ r$ ~/ JHardware accelerated VP9 decodes on Apple silicon.5 D5 ]5 n) z4 m# ?) a" B
Support for encoding H.265 Main10 4:2:2 on Apple silicon.' M+ M5 e) C7 O \ ~
Support for generating Rec.2020 Dolby Vision IMFs.+ m7 a P* I1 M6 T- M5 c; b" X3 ?2 M
Ability to specify encoding primaries in Dolby Vision XML exports.! E& ?* L! O/ ~- g! }
Improved DaVinci Neural Engine performance on Macs with AMD GPUs.
! X9 \4 w( w( E+ p4 I6 \3 yImproved performance for clips with Fusion effects., |. B# c7 E7 V! ?. r
Addressed an issue rippling speed changes in the edit timeline." r; k/ W$ {* h" z7 t: V- u
Addressed viewer preview when dragging a clip under the playhead.
( m/ b" z# Y+ y6 z' n( aAddressed artifacts with keys feeding layer mixer nodes on Apple silicon.
: b/ \$ I' _" ?! |$ q% K6 a. ~9 d6 TAddressed inconsistent edit previews for HDR in RCM projects.8 U; [7 B6 {) ]
Addressed gamut compression issues for custom ACES DCTL IDTs.
/ H( q7 ?) {- }" c% U% IAddressed AAF export issues with crossfades and small edits.9 {+ w/ O+ e/ S
Addressed an issue with renaming disk database projects in Linux.
" j2 H s1 ~7 p: }Addressed an issue with printer light keyboard shortcuts in Linux.! m+ `+ y1 O( ?, A7 Z
General performance and stability improvements.
, R7 a; \* z6 a! q. Q* p
P# M) d( g3 f/ \( UWhat's new in DaVinci Resolve 17.4.3
6 u% ]2 w) _8 vAddressed startup crashes on some Windows systems with Intel GPUs.
; P. [. ] `3 r4 C. @Addressed an issue with using styling on unstyled text fields.
. I& E+ i$ I0 P7 m: lAddressed incorrect output blanking on Mac OS without 10-bit viewers.
9 m. ^- w; J' l4 HAddressed an issue displaying key shortcuts in context menus.6 ?4 ^3 ^* e; H6 a- y6 c/ c
Addressed an incorrect warning for embedded LUTs in offline clips.: q6 _' W8 t7 N; }/ `" o
Addressed decoding issues for ProRes with alpha in M1 Pro and Max.
0 B' {, {7 X9 z ^' J5 d& t, lAddressed incorrect display of scopes extents on Apple Silicon.8 O" Z; C- u# L6 g8 ^7 B. X
Addressed incorrect previews for alpha outputs on Apple Silicon.) ~/ B, {. g# @0 }/ H
Addressed slow playback for adjustment clips with Fusion FX digital glitch.1 m W0 g4 C5 L! W2 G6 Z
Addressed potential freezes with Fusion fuses on Apple Silicon.
% P' u- F4 f1 ^) a0 ZAddressed an issue with pasting connected tools into a group.
; S8 `6 V3 X0 B* E/ G. _( t+ H7 wAddressed an issue with 3D text sometimes not rendering., [7 V- u3 C) P9 X
Addressed an issue when deleting looped spline points in Fusion.6 w" F7 J# s! v+ u; U
Addressed a stability issue with Fusion classic optical flow on Apple Silicon.3 q) i/ t0 B& \/ s
Addressed a node editor redraw issue for instanced tools in Fusion." Q+ [% X u% b8 m
Addressed trimmed media being looped in imported Fusion comps.
' [3 K, n" p, d# V6 ]7 E8 }2 k7 eAddressed an issue with renaming bounced audio clips in the media pool.( [1 R7 n7 v, F& }$ N0 s( b6 }) E4 x
Addressed issues with crossfade behavior when editing clips in Fairlight.1 I1 m- Q6 d. m
Addressed a VST clip effect error when switching timelines.
0 G' ]6 b) D Q# E; G6 sAddressed Fairlight Accelerator monitoring issues for fixed bus projects.- W9 n) b5 }" O: a
Addressed phase alignment for certain Dolby Atmos workflows.
+ L7 o, ^! m; Z W) k' k! [& a8 LAddressed a frame of silence in some exported IMFs with Dolby Atmos.- U5 S' S2 v! e, \. i7 Z3 f
Addressed display metadata for Dolby Vision tone mapping preview.
$ O$ l ~) }# f5 S: ^% j0 \: pAddressed an issue with easyDCP KDMs generated from Resolve.
, y! I7 d, ]+ F( z3 d6 eFaster decode performance on M1 Max for ProRes media.* j- r4 w, e3 q
General performance and stability improvements.4 G- {) Y% n& _& B
8 \' R7 Y0 G4 V& X3 ^
What's new in DaVinci Resolve 17.4.2
0 M8 q3 D5 U" {/ U S7 h+ qImproved playback performance for Fusion titles and effects.' R. h. O8 }8 z: s
Addressed an issue with parts of H.264 clips showing offline on Windows." Y% R6 B% Q# ]. M2 r9 f2 \. y
Addressed an issue where changes to date created would not be saved.
8 I( P+ T8 u' T0 p% \Addressed display issue with installed transitions in the edit page.
- @- I8 @: ~: `: ]! m% E2 zAddressed rescanning on startup issue with crashed VST3 plugins.4 t, s a- ~2 i' `
Addressed an issue scanning VST3 plugins on certain system languages., i& y% H: |9 r$ l# J2 y1 i
Addressed an issue with rescanning unlicensed audio plugins on startup.
& k, J" ~5 c4 I$ W- _/ sAddressed an issue with dynamic delay compensation with VST3 plugins.. y/ k& j5 P Z0 J7 b
Addressed incorrect cached VST3 plugins names in the inspector.' A. Y" N; [, B* R: y: F% n
Addressed an issue with some plugin alliance VST3 plugins not working.2 @' |; g! P, Z
Addressed issue with retaining positions of locked Fairlight plugin windows.! F: M7 p3 e2 C. ^% y8 W% ^
Addressed an issue with EQ icon display on a track in the Fairlight page.
3 J9 z! x/ g: C" YAddressed an issue with B-Chain groups display in the Fairlight page.
" y8 R" b' q" Q- _( |1 dAddressed issue with updating the flag color selection in the Fairlight page.
+ a2 B- U+ q E7 d$ m. lAddressed issues with multichannel audio output in Linux.
- D0 p) B4 Q5 }% a+ PAddressed an issue with project save after importing a Dolby Atmos master.
( Q* J5 c; f. G" h* h4 v3 \/ W) Z/ CAddressed an issue exporting to Pro Tools with handles.- b4 z$ @2 t8 e
Addressed an issue with moving a power window after pasting attributes.' Z' g3 Y% E8 y
Addressed an issue with the 3D keyer when compositing multiple layers.
! h: g ~ Y2 JAddressed an issue with glow in the Resolve FX halation plugin.% p: Q0 F0 ^' A0 ^/ o4 b
Addressed issues using power windows with Resolve FX face refinement.7 h0 p4 p" D, x' _7 `8 q
Addressed an issue with Canon cinema gamut in RCM.
) B+ D. v6 J, \: uAddressed issues with positioning text for some Fusion titles./ z% E! g) V: u8 J( [
Addressed slow performance issues on some OpenCL Windows systems.
: }' F5 o* j7 v. x2 u! ESupport for latest RED SDK.
0 e6 [& ?" i3 }( z. BAddressed an issue with incorrect resolution display for Sony Raw clips./ s& q# B, s& _! ?7 V
Addressed issues rendering some MXF files to Windows network storage.
( k# a/ Z- z4 f# nAddressed an issue with easyDCP composition name generator.
, r" l" W& d6 j5 `# e; FAddressed issue with sync of media managed audio and video clips.% Z# X n" T/ z1 i+ l$ R
Addressed a crash when rotating a power window with the advanced panel.7 L. J+ U8 o' {
Addressed startup crash on some systems using different locales.
; J6 P$ z0 V! Q# vAddressed startup crash with old Intel graphics drivers on Windows.! h6 {! N9 }7 I2 C
General performance and stability improvements.
9 S2 A; |! c% B: Y0 X$ S9 d
* M+ A( W3 A# I8 N* m" g/ @, _What's new in DaVinci Resolve 17.4.1* C6 `# t8 X1 [4 U3 s& B: @7 Y, ` K
Improved frame based imports from Finder.+ b* \( n1 g) F2 E7 }# M$ ~5 O
Addressed an issue with HDR on viewers on Mac.9 z; c; \4 {* k) Z- ^
Addressed an issue with banding on video clean feed on Mac." i/ ^. g1 x- F; S7 c5 Y
Addressed incorrect fades when trimming in the edit timeline.
+ f5 x. b# g! `! F% y6 bAddressed an issue displaying certain unicode characters in Text+.
% q' B; D+ H( e- w$ b" {' P0 JAddressed an issue where Text+ expressions would not work.4 r9 ]9 r' q* E+ V0 V: B
Addressed slow playback for Text+ with character styling.; g _6 b) u6 v; o
Addressed retention of smart filters between projects.
' Q3 x- d+ G0 ?8 CAddressed nested macros not rendering or showing previews in Fusion.
( |$ S4 z4 x# V+ DAddressed incorrect Fusion viewer behavior with tablet input devices.$ N: h$ T" l( w9 [5 q
Addressed trim interpolation for imported XML Dolby Vision metadata.
% D. N9 c% b& @2 g, f: tAddressed incorrect PAR values on some Blackmagic RAW clips.
% Y& J) d; ^6 C* x. y7 T* yAddressed issue with lost customized subtitle backgrounds.
! D& N9 B/ D. a3 W' q) `3 pAddressed an issue with unintended markers on Sony MXF clips.3 G- o4 \. t N" i/ ]
Addressed a decoding issue with Panasonic XAVC clips on Mac.7 H, N- K/ t* M$ T" p* E. E% g
General performance and stability improvements.
+ G/ s5 P) q3 e. @$ ~3 h) ]0 ~/ f. g7 n4 W
What's new in DaVinci Resolve 17.47 R9 ^$ u, \& Y3 x
Key Features
1 {) E- @- Q, [/ L) `- p* W; c* h, rHardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.
5 e) C2 R- }% xFaster DaVinci Neural Engine performance on Mac OS Monterey.' X7 H$ o* _" V
Native HDR viewers and 120 Hz playback on supported MacBook Pros.- Q1 ?' m y4 k0 s/ O/ c, |
Native Dropbox and Dropbox Replay integration with render presets.4 R, K5 E8 n' v* t
Sync markers, comments, annotations with Dropbox and Dropbox Replay.
4 ^ W! j Z& J9 m1 E \; w/ TExport timeline markers as YouTube video or QuickTime chapters.
5 C- g$ N2 p/ b5 d, U& eSteinberg VST3 support with access to even more audio effects.8 @2 {9 N+ s& _. u" U
Simplified auto color management settings with SDR and HDR selection.2 T! C# R, O- N3 J
Improved 3D keyer and matte finesse controls.: b$ `/ m7 X- S _" a
New Resolve FX including film halation and custom mixers.
( Q! Q4 A5 |. A6 hText+ support for combined glyphs, right to left text and vertical layouts.! W5 X' O5 ?6 L K/ k
Subtitles can auto resize backgrounds and decompose to parent timeline.
j' H" S: R9 W( L* j e' N: J- ~; g, K
Apple M1 Pro and M1 Max! t0 @" B* p2 ?
Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.% M7 ]6 S7 Z- I* Y. `; Y
Faster DaVinci Neural Engine performance on Mac OS Monterey.
8 W6 G: O8 y% P# A; D7 `6 H/ pSmoother 120 Hz UI and playback on M1 Pro and M1 Max MacBook Pros.
/ ?3 u7 Z" t" ^1 \6 XNative HDR viewers on M1 Pro and M1 Max MacBook Pros.
1 U- L' ~" s1 E. c" }7 cNative full screen mode on Mac OS.
/ l. { e, e. L! Q8 k2 \* ~5 ]
4 P& K6 S4 C' g2 U6 R7 ZDropbox
+ o/ [; V3 q8 ^' ^7 {: _Dropbox login within DaVinci Resolve preferences.$ w- m% |& h# y- w" i4 s% t
Render presets for Dropbox and Dropbox Replay with background uploads.
; R. B" G3 I- a( S" |5 W# a: oSync comments and annotations with Dropbox Replay in Studio.
) n l0 Q! d8 Z8 T" f- MSync markers and comments with Dropbox in Studio.# Q9 }0 _+ v3 C H2 \9 H9 p; ~2 B
$ L1 z! u) D0 |Edit
: {* Q1 O- P6 [% g" d8 OSubtitle and caption backgrounds now auto-resize to fit text content.
+ Y. m, Z: V5 q& o! [5 r7 Z, i: L% @Subtitle tracks in nested timelines now decompose to the main timeline.
7 {: Q* S9 J* u1 D# zAdding a new subtitle caption now auto-focuses on the text area.4 A+ U4 ^& r/ U! ^" B, }
Simple titles and subtitles are faster on Apple Silicon systems.$ F& ]& v6 A( P' Z6 y5 ^9 f3 p
Improved ease in and out functionality for position curves in the timeline.+ K7 `8 v1 m# M% O6 V _0 _. v
Options to include effects and grades for render in place operations.
5 M) g; ~/ O9 Q8 Y+ s+ [Switch multicam angles in the edit page with the speed editor.
5 y0 H8 h5 ^7 L1 s# O0 E$ F& x! bAbility to mark selection for timeline gaps.6 j8 A9 K) p! x" n/ K( L7 I1 J
Edit asymmetric audio transitions created in the Fairlight page.( q# A5 S! c0 \8 Q/ ? ^
Trim video and audio transitions asymmetrically using cmd/ctrl.
3 n2 A0 q, F2 w( @9 BFine audio clip gain adjustments using shift + mouse drag.
+ w( ~5 p9 v- A* }4 PSupport for pasting retime attributes on audio clips.2 C* Z8 x9 n. T9 o
Option to limit audio sync to the first timecode match.0 [% } p# i, v% x$ d
Preview composite modes by hovering over each mode in the inspector.; D" S. w: ~% P! K* b5 r4 x; T
Ability to set per-clip deinterlace quality in the inspector.
: t9 o8 q- p& n4 G- x3 gNew square iris transition.- R' C) @2 K3 O: H4 K* f# s, D! {
Support for custom aspect ratio controls for shape transitions.3 {- S8 F1 p0 V7 t# a
Improved overlays for Fusion tools in the viewer.. Q8 A# D* b K: k% m
Improved undo support for Fusion effects and Text+ in the inspector.
. a# ~0 C3 M# N- ^2 n0 MSupport for folder based organization of effect templates.
' Y7 |5 j$ _& Z `9 I0 ?New customizable key actions to go to previous/next timeline tabs.
# a0 r5 i+ g1 G4 TAbility to close timeline tabs with middle click.+ W8 D4 E6 Z, b: E7 n0 y8 S
Preview generators and titles from the effects panel in the cut viewer.% h& k+ @# x d7 J' |1 j6 i
( z( A* n$ g8 ?8 M6 V
Color
! g$ [2 W; E' X8 QSupport for an automatic mode for color managed projects.
# x: {6 @! Y8 K* r3 YSupport for ACES 1.3, gamut compression and new CSC transforms.
9 Z- J, q G& B& a5 U; iNew 3D Keyer with new modes, better selection/stroke logic, live feedback.. [* t! y+ o0 w. T* m7 |4 Z
Improved HSL and luma keyers with updated matte finesse controls.
( A5 x; Y9 ]$ [4 f x$ Q! FTrack forward and back with a single action in trackers and magic masks.$ o% _1 j- V1 v# N0 b Z
Node tooltips now indicate LUT and effect type present.
, f) N1 u8 O3 ~% m+ V: r2 xDragging new links to layer and key mixers auto-creates node inputs.7 y+ m" l# k$ z4 ]3 T' J- M
Dragging color nodes over key links creates key-to-RGB connections.
1 ^& k0 }3 G" V' j- N6 E# C4 nAdded individual primary and secondary tool icons for faster switching.: L- h: X6 L' N+ R
Clip filters for timeline clips with Dolby Vision analysis or trim.- @0 Y9 k2 F! b6 \) }' z
Disabled clips are now shown as gray in the timeline.
9 H( Z+ b! O. i+ f6 KSupport for applying camera LUTs and CDLs to ARRI MXF ProRes clips.6 g- } N# M9 V
The printer light state is now persisted across application restart.! n& i% E* _, Q( w; K. M7 g
Navigating to markers in the timeline now auto scrolls to center marker.
3 G2 w$ s% @4 l& y7 B; G
: o7 w+ i) b; T; A/ S4 V" p9 R0 a3 J& bResolve FX
3 l _. L7 i z( \Film halation emulates film stock reflections and scatter with Studio.$ s0 \4 J4 R6 [
Custom mixer to combine effects and grades with finer control.
9 c) t$ N, c. g/ OImproved 3D, HSL and Luma keyers in edit and Fusion.$ f6 t" k& C( H
Better noise handling and key refinement for existing keyers.
! |1 ^( M' n( X) }+ SImproved patch replacer with ability to align source and target.
1 D- z% ~4 _1 O* ~* BFilm grain with interactive previews and grain freeze options.' t. N0 U, l) S. ~# ~4 y7 h2 F( x
& v- m5 {6 ~8 z7 ^6 |& `8 _& i' r& ~: d
Fairlight' \2 `) h' ]+ N' _" a
Support for Steinberg VST3 audio effects on Mac OS and Windows.1 P6 }# t4 ^6 K8 y
Ability to reorder, move and duplicate effects in the mixer.
4 e3 |( S! ~+ I+ M' HSupport for copying clip ranges with partial fades.! F* m/ n/ x$ W8 g" K. k: P: @
Single sided audio transitions are now displayed as fades.* F9 ^. C7 p7 v! [; e
Support for multi channel audio outputs on Linux.
, T$ [' z! ~; [% ~' R! lWaveform displays visible at smaller track heights and lower zoom levels.$ v4 x9 V# \' [4 G) i. j) Y" N
Ability to shift-click and cmd-click on keyframe selections in the timeline., _9 U. |0 T$ u$ r. c
Navigating to previous or next timeline marker now selects the marker.
! P5 q; t% P& [) b3 g/ ^Improved default processing order in Fairlight mixers.
: k% v2 h" ]( Q& t: nAutomation curves display current values when no automation is present.$ u& Z3 N) O! Y' h/ a
Flashing edit cursor in edit selection mode.5 B& e9 j- O+ w: r! O
Improved column order and search behavior in the clip index.0 X1 [0 A0 S5 X& V! b
Improved jog, scroll and shuttle with the editor keyboard and speed editor.0 {( d* }. U$ L! f" G7 U8 k
Fairlight FX meters have resizable displays and improved channel labels.
+ I$ r% k0 O. mImproved audio performance when using Blackmagic monitoring devices.
! w1 |" b! p5 E/ o9 U/ @' G1 @) O, J6 {& @
Fusion$ P+ _3 g. q6 s; O& O# Q
Text+ support for combined glyphs and right to left language layouts.. h$ l0 ~" l# s0 k2 F/ s0 d
Improved vertical Text+ layout, vertical glyphs, rotation and line direction.3 b& \1 n# d7 N; z5 e
Improved Text+ character grouping, spacing, underlining and borders.
0 _2 i% S- j. G4 b# m. e: DText+ supports per-character stylistic sets for supported fonts.
+ w" O8 x ~# f3 Y }Support for OpenType features, including old-style numbers in Text+.! _( d1 Z/ J/ I1 r o
Multiple Text+ improvements for character styling and animation.
2 Q& p% m& T5 N5 v+ k$ j$ F; gHover to show tool descriptions in the effects panel and add tool window.- e% j1 J5 b" s z3 C' `* X, O
Improved default tracker search and pattern size for grid warps.( Z' o B: f/ ]
New search area scale slider in tracker options.4 { O" c) E: ?5 x
% O7 g2 e6 M! l( A/ {Codecs and File I/O
, P; T( N; V( w! K2 eImproved encode settings for YouTube render preset.
6 y/ s t8 P4 IOption to export a timeline marker color as YouTube video chapters.
$ y- g& X0 U* }9 u$ pOption to export a timeline marker color as QuickTime chapter markers.
* n- w: V7 z( A* m: p, ASupport for decoding opus audio in QuickTime and MP4 clips.
$ t, d, q7 B$ u& eHardware accelerated Panasonic 8K AVC decodes on Apple Silicon.
; x. `0 {5 F5 L4 mImproved decode speeds for ARRI ARX clips.( M% ?5 T' M; z9 u! S
Hardware accelerated H.265 encodes on free version on Windows./ m, I1 _' Q/ O& ]
H.264 encode profile options on supported Nvidia systems with Studio.* P" H8 o1 g# {
H.264/H.265 encode bit rate controls on supported Windows Intel systems.
k, O6 S$ W! fFaster hardware acceleration on Windows Intel systems with Studio.
& c7 R4 p' O( V) USupport for rendering EXRs with ZIP1 compression.6 w! r ?3 P6 A% [
Ability to add custom languages in DCP/IMF composition naming options.
8 t6 A) X6 A# X# |9 Y( [Ability to use approved operator / rating / region lists for DCP naming.
& ~6 Q, c( O+ I7 ?/ ~Marker support in the IO encode plugin SDK.5 Q6 I, U. S! e- E8 p% H, R
Ability to bypass re-encodes for Sony XAVC Intra clips.! M0 `) d) ?9 i" J% F9 Z+ p( R
Improved retention of comments metadata for third party XML workflows.6 r4 V; W8 V* U
Improved display of render job names with tooltips.
7 B% O c% ^8 Y1 k8 v9 n9 f7 D
' y3 O7 L1 H7 p; g+ N: YGeneral
. @# f4 q2 \# ORight click audio icon to adjust volume on media, color and deliver pages.# i! s$ r7 q) S) d- c: o' r; w
Auto-identifying media storage sequential image formats as stills or clips.
- f1 Y) a; l, K( l+ l! A! [7 g. }Prompt to overwrite existing projects when invoking save as.2 b3 L0 m/ `; D( y: b1 F) i
Locked project indicator for PostgreSQL databases with usage info tooltip.1 J9 \- f0 _. N
Ability to clone a PostgreSQL database from the project manager.- a5 P( D5 w9 M6 t9 @
Ability to export PostgreSQL access keys from the project manager.- m0 V7 v; ~; \+ G1 i( _# B7 K
Option to import into current timeline when importing an AAF.
' Q! _3 ~; f+ dScripting API support to access inspector properties for video clips.% e4 k- a% U% u6 Q8 t
Scripting API support to set playhead position on the timeline.
, f% p: E6 K7 D/ KScripting API support to get color version for video clips.
2 u& d4 D1 b# S+ dScripting API support for reflecting upload status in render job APIs.
) R }6 X( O- o; e8 FScripting API support for setting network optimization in render jobs.
* k6 u0 R6 A0 _8 z: Z6 ^$ r! A0 L, M8 ^Scripting API support for H.264 multi-pass encode option in Mac OS.( O1 J. {9 p/ v
Improved scripting property set when querying MediaIn nodes.
, F: {; T7 v1 _: O5 p: ~: QAddressed an issue with Vimeo login.
9 \$ N* y+ n' p- C$ }General performance and stability improvements.8 U" _9 }; ^4 I# d
1 F+ `* j4 Q* x& [0 y0 ~" P9 ~! m
What's new in DaVinci Resolve 17.3.21 D2 y$ l* _* |! ?2 m4 l% ^0 o0 ~% w
Support for Blackmagic RAW SDK 2.2.0 B% O( A' g4 Y) u9 [* {5 C" z
Addressed instability issues when using the color warper.
6 p3 ~" E( {/ }5 v9 j- TAddressed incorrect HDR highlight when using DaVinci Wide Gamut.% ]+ b! J3 D9 K7 B- A
Addressed a naming issue for recorded clips in the Fairlight timeline.8 d R; m) n+ M5 u7 d8 c: ]
Addressed incorrect reloading of cached audio effects on linked tracks.
! t6 f3 T* w! h9 L' yAddressed missing EQ and other automation issues in Fairlight.
0 C9 G1 a' [: M j6 K" X/ [Addressed incorrect Fairlight Spaceview display for specific AMD drivers.
4 P2 H' A, ~1 G# d4 A. o1 n1 EAddressed potential freezes after using Fusion tracker modifiers." m1 @4 [. n! t) u% r( z, `
Addressed a Fusion planar transform issue on small images.$ z- @/ h5 Y" z3 _
Addressed an issue with uploads for renders on Apple Silicon systems.
# K% b( u7 n& wAddressed an issue with the classic stabilizer on Apple Silicon systems." b& p! i% {0 \+ G
Addressed an issue with LUT generation on Apple Silicon systems.
# G \6 i1 f2 dAddressed out of order frames when decoding certain XAVC clips.
* r' K1 b+ ~( u- |1 P9 KAddressed an issue with importing malformed CLF LUTs.7 d7 z" t5 V2 x6 b, J/ T9 S
General performance and stability improvements.
# U3 N* W4 c: P/ G: A- V2 A- O5 a7 j' @' N& D1 A/ @
What's new in DaVinci Resolve 17.3.17 d; v/ R7 B0 z0 U% g7 E; Q
Ability to combine multi source audio files to export interleaved audio.( e! q& z. p5 |; c- m7 N6 s
Addressed incorrect sizing controls behavior for Advanced Panels.' P3 t4 ?" {+ @* Z5 k$ g6 i* {
Addressed an issue with signing into YouTube and Vimeo in Windows.$ h8 e4 [9 F7 j# [. [& k
Addressed an issue with updating LTC for some clips.
% G4 D' }( b1 z9 K w, F1 [# @Addressed an issue where titles with disabled stroke could not be edited.
& Y1 V0 N* O7 M% ~; fAddressed incorrect middle click behavior in gallery using Wacom tablets.* h) \0 U1 d- o9 t3 k( p! ?! `
Addressed an issue where creating memories could cause a crash., m/ h0 v6 g7 M$ q; [: f! @
Addressed an issue with some Dolby Atmos rendering configurations.6 O2 m. N# z5 }* e9 ?6 k
Addressed render glitches for ProRes 4444 in Apple Silicon systems.
7 m9 r: Z( |% q1 eAddressed an issue with audio output when switching audio devices.
; g- x( Z! @7 R+ \0 ZAddressed an issue with picking colors in the viewer with input scaling.
$ I3 ^" ]1 u7 k' lAddressed a crash for certain renders in Apple Silicon systems.! D: O: g' F( ]6 D" R
Addressed corruption when using generators on Apple Silicon.
6 e* t$ }( C6 E) n _Addressed an issue with creation of Fusion Copy Metadata.
1 d" u7 g: b$ [7 P3 t- `General performance and stability improvements.
; A6 U- Y& c. X- `0 R# J2 }5 Y2 y3 q x9 I, s& v% Q) L( m6 q; d
What's new in DaVinci Resolve 17.2.23 {# W- |. X% I# ^( j I
Support for Blackmagic RAW SDK 2.1., E, b: m! P3 c, m& _- T
Improved Speed Editor Bluetooth support.
6 h' n& }/ C/ ~1 DAddressed an issue with configuring YouTube accounts with Resolve.
& X% ?4 r- J! ~Addressed clipped tone mapping of input data in color managed workflows.1 r9 G& l1 y( p! p# q3 b
Addressed an issue with missing iXML data when exporting audio AAFs.
4 g" @" {) u3 h6 m( r2 yAddressed clamping of extended range data in video range scopes.3 e, E" U% {: }- W6 |) H; {
Addressed intermittent source viewer lag when switching from timeline.6 M% E- z M7 n9 w9 T
Addressed an issue where disarming a Fairlight track would cause a hang.. z' o, _! \0 F q' ^! ?
Addressed an issue with zoom blur showing repetitive patterns in playback.9 ]& W) v0 k5 C" r
Addressed dropped frames rendering some clips to slow network disks.0 A: d z0 P" R. ?; q l
Addressed an issue with incorrect channel mapping for 5.1 AAC renders.1 L# U) V8 [( L9 o' ~; x/ Y
Addressed an issue with 3:2 pull down clips being tagged as progressive.# b, V( \7 W* T, m! N9 a) a9 P
Addressed an issue with decoding some 24-bit linear PCM audio files.& N/ ~3 x, l$ k) l7 ]* H
Addressed incorrect field dominance for scene cut clips and sub clips.7 ^- A$ u* f1 s- N% J
General performance and stability improvements.
% G5 A# j9 n+ J6 H8 u L
% m6 v4 A) h7 [5 a* | HWhat's new in DaVinci Resolve 17.2
. d5 J" X z$ w; W B; M6 @) A6 TDramatically improved application startup performance.4 y# {* B. \8 j W( m5 F# b
Live save is now on by default.9 G$ k" m+ R& G! u
Support for custom naming for individual timeline clips.9 T; g( \2 K( \/ ~, Y
Support for adding transitions by double clicking or dragging to viewer.2 K" R& E6 m! o% w( T: E2 c
Support for decoding AV1 clips on Windows.# j: s/ W! f' r; \, `
Accelerated AV1 decodes on supported Intel, NVIDIA and AMD platforms.6 b" c" P& ]9 l) q# {
Support for decoding MKV clips. G' d4 w( {# x ^/ w
Support for exporting IMSC-1 compatible TTML captions in IMF clips.* G6 `/ h# v" d, Q0 B
Support for option to include project name subfolder in media management./ C: _9 ?$ N; A
Support for pasting HDR and color warper attributes in the Color page.
. n! f! `$ y0 c$ rSupport for Fusion template bundles.
- I5 q4 E4 E& t3 Z! y% n3 _$ d1 BSupport for applying and managing crossfades in the Fairlight timeline.6 n* f2 U& o7 B/ C4 m
Support for a batch fade and crossfade editor in the Fairlight page.' n/ _: J1 q5 q/ y; x/ i" k, \& ?
Support for persisting Fairlight edit mode between application restarts.: H1 I5 O) v/ j; I) n; l, M% g9 x
Support for moving audio clips to match timeline timecode position.
5 |6 @8 M( k1 FSupport for setting handles when performing audio only renders.
) ^9 F) }" S6 Y: ^Support for controlling track processing order in the Fairlight mixer.
" }; |+ ]/ z$ [; A* I# xSupport for accessing Fairlight patch and link in the edit and deliver page.
2 ?/ S2 J. j6 m( l% @* v! S, NAbility to show or hide specific audio I/O ports for patching in Fairlight.
% p5 f: p2 ~+ N! {* g& F3 @Support for Fairlight console firmware 1.6 with full FlexBus mixing support.. ]2 y# Y( t1 G' ^; Q; \
Improved waveform displays in the Fairlight timeline.
6 O* Q1 U* j+ k8 nImproved auto scroll behavior when dragging clips in the Fairlight timeline.0 @$ F: G% s- E4 |7 Y7 t
Support for ACES color science 1.2.
. H+ h- E3 R* y2 h! m: FSupport for selecting per-clip ACES DCTLs from context menu.& W- b, m4 ?& s* h) Y# m& \
Support for new IDTs for the Canon EOS-R5 cameras.
' A: b( N* n: n3 Z, E; Q& oOption to use white point adaptation in project settings for RCM workflows./ ] a8 I+ g% ?; f
Option to use white point adaptation in Resolve FX color space transform.1 Q" d, C! [% v" I/ ]
Support for codec passthrough when rendering IMF JPEG2000 clips. k+ m5 [$ z$ q: a; Q+ \4 `
Support for trimming Sony Raw and XAVC MXF in media management.
& ?! S$ u- z; c9 j$ oSupport for reading gyroscopic metadata on Sony Venice clips.
; J& l( @% m7 C" F/ B" D" [Ability to update RMD metadata files for R3D clips.
. ~8 b/ H9 S% j0 E. n7 O5 IImproved spatial and temporal deinterlace quality." a; Y' l: e0 ^ Y- ^
Improved curves range display for position and zoom on the edit timeline.! s+ n' }( D, ~8 z; V
Improved color management for Blackmagic RAW Gen 5 color science.6 C6 k# p, h7 y5 t7 g
Improved decode performance for 8K H.265 clips on Apple Silicon systems.
( m3 L( S- m7 pImproved scripting API with the ability to import custom frame sequences.0 Y! H1 h& w* D9 H/ f0 w
Improved scripting API with the ability to delete timelines.5 j% c( R" H; h
Improved scripting API with the ability to query current page.
: ]$ b# W6 o" o! B% q+ N) ~, p- c! GImproved scripting API with the ability to add generators and titles.& v6 a5 k7 P5 S: c, `2 @" h
Improved scripting API with the ability to specify render alpha options./ I7 E& t: m2 Y+ h0 H
Improved scripting API with the ability to switch layout presets.. M/ J* F& y3 G) I: {* x0 t
Improved scripting API with the ability to quit the application.
8 ]$ T5 k- }) bImproved iXML data support with AAF export workflows.
5 n$ R8 {4 q8 M5 \3 g3 V3 JGeneral performance and stability improvements." D9 r1 W4 s3 W. p+ v
, g+ t4 O$ H" r3 M l+ k4 VWhat's new in DaVinci Resolve 17.1 O% J& Z9 l6 I
Support for Apple Silicon on Mac.
2 @! s. M) v' ?' m% Y! N6 r' `1 V- lGeneral performance and stability improvements.
( |4 Z+ d/ }' H- v' \ O! X$ Y9 Z- n: a5 K
What's new in DaVinci Resolve Studio 17.0& D/ R ^* e5 A0 ?3 v$ L
Color
. a$ l t* h6 M, Y% z9 Y# p/ K; {4 M% xDaVinci Resolve Advanced Panel keycaps kit and new optimized menus.
1 t7 c0 L* @4 c0 q& z8 J/ XRCM2 with improved color tagging and smooth tone and gamut mapping.* S8 \$ i- I9 S# ^) z' X ]* `
HDR perceptually accurate primary grading tools with tonal range control.& n' S g+ e2 v8 T1 L
Color warper to qualify and change hue vs saturation and luma vs chroma.* Q2 S+ N. F+ z$ N8 u* R9 [
Magic mask using the DaVinci neural engine generates tracking masks.. l3 T# n9 U- N% K
Redesigned primary interface to show all controls concurrently.
! Y! Q2 V8 t; c$ d; e! v$ hGrading tools are colorspace aware in color managed timelines.2 H* T7 d( P. ^2 T' \5 U: o9 ?
Support for user selectable colorspace and gamma for HDR grading tools.
; }. n+ m/ }; x2 eSupport for timeline clips to bypass color management.
+ @- @) ^, H( M, ?8 b- t/ aSupport for sat vs lum mode in the curve tool.
% A" M) D" [" s0 S. c/ s- WSupport for generating a 17-point cube 3D LUT.2 p1 {' j, M$ q. G
Support for LUTs designed for video range.9 O6 g7 L, X! J; y
Support for saving smart filters to be shown in all projects.+ D; T& T! }& O( A' d6 o
Support for smart filters for marker keywords added to timeline clips.) E g+ x' f: @( }
Support for diagonal, venetian blinds and checkerboard reference wipes.8 k% G7 S7 ]* M- A7 \
Support to set input colorspace, gamma and IDT on preconform timelines.
9 c/ K0 G7 q2 `2 MSupport for a pop-out floating window for the curves panel.
3 p4 B/ Y, u8 o( m) P& t m$ R$ gSupport for fast review from the playback menu on the color page." T$ `' n8 s0 d7 m( ~% v" D
Support for a 3x3 grid view and multiple GPU scopes of the same type.
9 D0 A& [/ A$ l; [: J* v8 k# @0 wSupport for a floating video scopes window in dual screen layouts.
: } S4 q. P. H d( c7 RImproved scaling and style options for waveforms and vectorscopes.
' n- X; `/ t- d: @$ n( nSupport for loading IDTs and ODTs as a DCTL file or ACES RRT.
$ {; _3 u5 \5 [# ]3 x4 ?Support for defining LUTs inside a DCTL file.- u; `* t* @" f5 O! A( L
Support for multiple simultaneous client connections in remote grading.
, D: f" R+ @: y1 x; h' J9 ISupport for advanced and mini panels networking for remote grading.
! m, L1 B# K- b/ ?( kSupport for a split screen playhead viewing mode.( i w x1 e! w% Y8 a) O* N! j
Support for improved split screen layouts." O8 i0 \6 @" e V7 v0 j. F
Support for converting in-out ranges to duration markers.
0 t5 r- v+ G( J5 e/ gImproved behavior when drawing bezier power windows using a mouse.2 ?3 g6 R1 O+ j
Option to use a Rec.2020 matrix for 4:2:2 video monitoring.5 f p. }% X* P) x0 |9 a
2 O' _+ i4 j( O$ i4 U7 z& HResolve FX# C- }! Y$ K( `3 j1 R; P% U
Resolve FX Smear frame blending for motion blur and other effects.2 k3 [- v( X. p8 C& {3 F
Resolve FX Motion Trails temporal motion blur, object trails, disco effects.
5 l, u: H3 F, ^Resolve FX Transform clip moving, stretching and rotation with motion blur.9 O* ^) B: {+ j- i
Resolve FX False Color overlays replicating camera HUDs and other looks.
& e; P/ U( V1 R Y( V, |6 CResolve FX Texture Pop for fine image detail and contrast control.$ G, I3 e9 a$ l3 y& @
Resolve FX Detail Recovery for detail and grain recovery.9 r) l9 W- R2 t' z
Resolve FX Noise Reduction native noise reduction tools as Resolve FX.& c, I( J! V* P: W, A4 o
Resolve FX Video Collage to quickly position a stack of clips into a grid.
5 q% ]' }5 d7 Q0 s6 yResolve FX Luma, HSL and 3D native keying tools as Resolve FX.+ ^3 d; T$ ~, c( W3 O$ W& ~% d
Improved Resolve FX Film Grain with new optimized mode.
, {: n# D$ G* @+ NImproved Resolve FX Dead Pixel Fixer with freehand fill, softness etc.6 S6 v J0 `/ `! @' i
Improved Resolve FX Dust Buster with shape drawing, clone fixes etc.
- d6 @! n* |, q% P- `7 nImproved Resolve FX Object Removal for scene mode, adaptive blending.4 a5 s+ ?2 B7 O9 E# D: H& o
Improved Resolve FX Blur defaults for directional, radial and zoom blurs.- R' d4 [# x- L' N! Z
Improved Resolve FX Tilt Shift with alpha channel support for depth masks.
. c0 [) {4 P6 d" ]" R" n0 f" f. m5 }/ u0 C
Audio
' `# s3 `3 B& u8 V% T5 ]Support for the Fairlight Mini Console.
2 e7 j! c- E: [/ CFairlight Audio Core to natively CPU process up to 2000 audio tracks. {, E% q7 u3 Z* E {1 i. a
FlexBus routing system to permit bus to bus routing and mixing.
- R% u% ^) W' y# R+ E+ LADM import, playback and export of Dolby Atmos IMF IAB masters.
; N) w; u* P1 K' e9 Z8 UFairlight FX Surround Analyzer meters.
- r% O6 e( t8 ~! XFull implementation of the 9.1.6 and 22.2 surround sound bus formats.
1 W3 w& K9 X9 ?7 q8 eNative support for 44.1 KHz sample rate audio clips and instruments.6 g/ n$ Q" n" B0 ?9 H( O& |
Analyzing and navigating to audio transients in a track.. H) N' z `& }$ W
Offline clip-based audio loudness analyzer.
) e$ _& v. \* qSelection of absolute or relative scales and loudness meter dialog gating.% }( m8 @) }, V/ l3 d9 U3 N8 F. Y6 B
Pro Tools keyboard customization preset.
' |0 u" w1 | o, ?- O, lFull range of video controls in the new unified and tabbed inspector.! I( z0 p+ ~* Q, G
Updated editing, range and selection behavior in edit selection mode.
, Y4 `- f- u% |5 JSupport for importing AES31 audio timelines.
3 R% y- d, y: w3 a1 a# @* t2 TSupport for pre-viewing video when sliding clips, markers and ranges.) p# \% F, t0 {) _( u& V- A
Support for reversing audio clips.
Z9 a1 R1 q# j6 L& v# u& S) MSupport for flattening audio track layers./ E4 o9 \* d9 |6 b; A f% K: Z
Support to have automation following clip edit changes.4 }/ s3 ]9 P; _- n) ^! C
Support for saving, recalling, creating timelines via configuration presets.
5 s+ m0 e) Y6 r. `1 S+ E, aSupport for editing linked clips.
5 \; z0 j) {' F4 ?2 m2 OSupport for marquee selection of multiple mixer tracks.
% [3 {' P; |; ?' q) p/ l# l" @2 u0 ?Support for changing the track type of multiple selected tracks.' A2 z; Z; R3 ? D% M9 T
Support to directly edit in the mixer track and VCA group names.' c B5 w! x* a5 b, l8 {
Support for deleting multiple empty tracks from the track header.' ?( k* k% \( u1 m' s$ E! S
Support for deleting marked extents on selected tracks.
$ f6 H6 ~$ Z. iSupport for per-timeline views, selections, range and playhead location.0 [) V, G( R: h
Support for changing clip gain using shortcuts.
: s" z# f1 d$ {, Y2 E4 VImproved clip gain with change tooltips and fine control using shift.4 [: W8 B3 s f! \; q1 V
Support for bouncing linked groups to a multi channel file.
- B$ S/ Y$ P/ g4 YSupport for track record, mute, solo, arm control in the application menu.. E/ U' i2 {1 M- W1 H2 ]& e
Support for viewer to be off, floating, docked or full screen.
0 R0 |& U! n8 a! eSupport for toggling interface between normal and cinema viewer mode.+ }. g9 v0 H& _$ v/ Z+ b; P' J
Support for monitoring volume dB level tooltip./ x+ } l" k- Q s+ f
Support for selecting multiple monitor sources from Fairlight audio editors.
4 ~/ z; b6 i3 a1 t( a+ USupport for pre & post roll control from the Fairlight audio editors.
, q) Q4 ?1 C0 Z% N7 ~Support for selection of Fairlight Audio Interface phantom power, gain etc.
# ?( A& C9 G- U/ S7 }Improved waveform display when zooming into a clip waveform.7 M' J/ M' k# I. ?) F3 s( C: i
Improved metering displays for timelines with lots of audio tracks.* ?6 [9 K/ j& E/ W' L: [
Improved keyboard mappings for edit selection mode.
1 r) ]1 Q& C; x6 KImproved MPEG-H workflow and export support.4 y4 z" i/ ^# h. z; k, r
% Y# ] [$ I3 x. E
Cut# G. t8 N- x. _2 P+ ^% ?/ A2 f
Support for the DaVinci Resolve Speed Editor.
" O% _1 d' m9 v, t, IFull featured unified inspector with tabs and keyframe control.# m1 a3 t1 O( z* }, j9 Z3 D% u
File tab in the inspector with camera raw settings and clip metadata.& b; ^; F# Q$ C3 O1 |1 e1 }) X
Media pool clip properties can now be viewed and edited in the inspector.% {! j4 ]: s6 H. T7 u3 l* G- b9 e+ P
Media pool slate and sort view with grouping based on clip metadata." N9 P6 j3 D" q) H
Audio trim on the viewer and timeline.
/ O* P1 a, f& M4 E* `5 B+ xLive scrubbing previews for effects library transitions, titles and effects.& g8 ~7 p% ?( f1 W4 w
Support for a new relink icon and dialog in the cut page.
5 ^# W! ^- t: |* ZSupport quickly switching source tape bins from the media pool.
! L5 l. e; S2 z9 M; ISupport for showing the media pool in a flattened view.; y5 q0 Z& I, P8 r
Playhead indicators for distance to adjacent edits when using sync bins.
9 g5 z$ T+ r. v* Y& USupport for a change duration dialog with presets in the cut page.
b5 P" N5 |! c! n) MSupport for entering the clip duration in the viewer duration field.
- O* l4 O) ?1 L+ y$ C9 u' w! }Support for navigating edit points and markers in the cut page.6 o- w" X3 H7 _6 }
Support for a thumbnail view in the effects library.* o1 [3 M4 y8 @& H" h& _1 y
Support for a full screen preview icon on the viewer.8 n# a, ?/ ^/ ~4 l% i
Support for selecting safe area guides and aspect ratios on the cut page.
3 r. v7 W7 T8 z: u; WSupport for a cinema viewer with sync bin multi-views.# b1 n( h! o @# x4 c- W4 O
Support for switching timelines in the viewer.2 ]5 h( t8 z B$ e! ?2 N
Support for importing frame sequences as individual still images.$ {; g6 r; X$ k b1 y* S4 x6 K# r
Improved markers entry using the DaVinci Resolve Editor keyboard.
# b/ u6 u/ U/ l
" f1 W0 x, g8 C3 N4 {, m8 u, PEdit
$ D7 ]9 j! _8 K# h, c1 eFull featured unified inspector with tabs and keyframe control.9 |0 \ l7 `: R! f" E
File tab in the inspector with camera raw settings and clip metadata.( T9 ]9 X+ u+ M
Media pool clip properties can now be viewed and edited in the inspector.' | K" p! E/ v* n, E( |" \5 h
Significantly improved DaVinci neural engine deinterlacing quality option.
" e. R) t( b# fSignificantly improved processing of interlaced timelines and deliveries.- F$ M+ k8 f' o
Real time removal of 3:2 pull down." ?. j) O, w+ r. s5 E$ y) A4 L
Scene cut detection directly on the timeline using DaVinci neural engine.
% o3 r, G. O' s* j4 Y2 y. U* cAutomatically framing shots based on content using DaVinci neural engine.
# n# w) A- V; M, RQuick and clean chroma keying with Resolve FX Luma, HSL and 3D Keyer.
+ @) s2 X! E8 m6 s1 f3 ~* i6 iResolve FX Video Collage for multiple source picture in picture grid.; v0 `9 H3 T3 d4 {
Burn away transition with options to control burning, melting and shriveling.7 C9 p7 J; f6 V% ?: F. w
Sync of multiple audio clips to a single video clip.' D; W' B, E3 V# _$ O8 H
Aligning edits on the timeline using waveform or timecode matching.
6 ~4 B1 \ L0 f( s: u. X9 T, JImporting BorisFX Continuum plugins, transitions etc. from AAFs.- k) y7 ]( i M9 l
Live scrubbing previews for effects library transitions, titles and effects.6 o1 v, E" {5 _$ F* ~
Media pool slate and sort view with grouping based on clip metadata.2 h/ r, b# A1 O# X
Deleting gaps based on clip selection, ranges or the whole timeline.
; z8 I. K3 {7 eSupport for rendering sections of the timeline in place with effects baked in.+ L0 E+ B+ q5 e9 D/ S! {
Support for motion blur controls for motion based video transitions.8 ]: N C. l+ t. ^6 ~: u
Support for dragging effects directly into the inspector.
; `6 O% _9 Q2 vSupport for conversion of basic transitions into Fusion transitions.. M5 C) O' A" o
Support for timeline compositing using Resolve FX & OpenFX alpha.& H' E8 Y* g0 K7 `: k, Q# J& f
Support to retain image position in the crop section of the inspector., c* V; m& K6 e% O$ Z
Support to navigate the timeline with arrow keys without affecting selection.
/ o; z2 g- I# q3 R3 `& jSupport to change clip selection using arrow keys and command modifier.
9 z9 \; K X7 w! X. uSupport for a thumbnail view in the effects library." u$ ?& l1 M& f7 h
Support for sorting timelines alphabetically, creation date or recent use.
/ n$ H; ~& _% i kSupport for disabling timelines within the media pool.+ ^( Q2 ^) e [
Improved timecode entry with multiple modes and dedicated action.
. x) ]. \3 [# U& eSupport for copy paste of timecode or frame in viewers based on mode.2 |7 a& c. O8 o2 J1 I, j9 k
Support for compositing using track mattes or external alpha., L+ D# A; S1 }* c: y8 z7 B; d& C" a
Support for Fusion effect templates in the edit page.
B% l/ X, @" q# C! N5 oSupport for viewer overlays for Fusion templates and titles.
2 V( m* C2 J9 E; L) f( uSupport to save and show smart bins in all projects.
9 |( K `8 Q. x7 w# l5 HSupport for creating multiple multicam clips by splitting at gaps.
" n: H" Y' b* aSupport for compound clip or timeline conversion into multicam clips.
, ^9 ]4 U8 b- ?# u+ W# b% h' OSupport to optionally zoom timeline at the cursor or the playhead.
g5 h, Y9 P' l) N0 e% t1 Y! rSupport for a fast play review from the playback menu." K. h6 O' f$ m: W, |
Support for hovering on title font names to preview on viewer.
. w* ~' e, P5 b0 P8 d7 hSupport for monitoring HDR and SDR outputs for Dolby Vision projects.; [6 C% A6 t- k& T8 f; B5 I; i
Support for monitoring stereoscopic 3D timelines.
, s: m0 u O. y8 mSupport for creating DCTL based transitions.1 z6 A: y; A3 C5 u3 ~/ F
Support for importing EDL, XML etc. without media to empty media pool.: q/ R; M7 a% U! T v& Z1 R
Support for floating video scopes in media view in a dual monitor mode.! t8 |0 O1 K D& O9 B
Support for closing take selector or retime using escape.
, N5 H% \9 b6 i0 V% O4 ?Support for creating a new timeline using an IMF composition playlist.3 P0 R, {" V, k: ^: M# X
Improved behavior when switching between clip and edit point selections.
% n+ z9 d# N! Q' ~3 V; _; N$ j' CImproved waveform syncing when creating multicams or aligning clips.
4 M% j( T! `- s5 J: ~5 ?Improved track compositing when the media doesn't cover the full canvas.3 A5 Z4 ?; a5 {0 C2 E1 I9 `
Support for independent track height and view mode options.
- y j9 [/ t {$ }; S) r
( I! t2 h. t. v' ]. n7 MFusion
$ q$ f+ G' @ D# k D' `+ k5 \ ^Audio playback along with waveform display in the keyframes panel.6 l4 f: O' I8 [1 X
Viewing and editing clip and timeline markers in the keyframes panel.+ g( V+ L; t5 W. M7 n+ j7 X4 s
Resolve FX Dead Pixel Fixer, DCTL and Patch Replacer.
! g& Y' Z$ D, }7 z$ ?1 vAnim curves modifier for convenient easing and shaping of animations.( L6 i* r* `. _+ v
Support for user customization of the Fusion toolbar above the node editor.& Q0 o5 p2 _, K8 m& C7 B# T4 |, z0 c# H
Support for auto creating a composition when adding tools or media.
: Z- w# F& |, f, W; kSupport for additional dual screen layouts.
# p5 t7 C# n- }2 T( V8 `8 QSupport for full featured unified inspector with tabs and keyframe control.
2 D' o8 Y) F0 @1 E9 ]( ~Initial support for a GPU accelerated 2D shapes toolkit for motion graphics.1 \- ?1 Q9 w7 F
Improved optical flow behavior.4 @: g7 Y: ?. g0 }9 C
Workflow Integrations
- N* Q0 u; ^2 L/ o, X- Q' ?Open toolkit to create DaVinci Resolve Studio workflow integration plugins.4 r( g( ]& \! ]- x1 n' P' _! @) w
2 L, ^) d" r! w$ `8 Q+ kCodecs
) ?# @4 Z+ g+ r% I+ RDirectly uploading to Twitter from within DaVinci Resolve.: _! @% Y& W4 E1 u
Per frame metadata from Blackmagic RAW clips.
. s2 Z3 }8 [8 s2 Y) q: q, CPer frame metadata from ARRI, RED, Canon and Sony cameras.
6 M8 B6 z* p4 `9 g/ ^2 P0 v) b3 `Decoding and rendering per-frame EXR metadata.
% u6 Z0 s: z) v1 X2 h$ [" Z, EUpdated metadata support for Sony MXF clips.9 G6 A& u$ |0 e7 Z7 F
Open plugin SDK toolkit for encoder developers.
% Z9 Z2 q4 n/ h7 c2 e P5 W; NGrowing file support in the media pool.
$ r& d" j: }+ J9 \Decoding QuickTime PNG clips.! r1 A* F2 c: |' L' ]3 D
Decoding uncompressed RGB 8-bit and YUV 10-bit AVI clips., y6 L+ U o2 n1 g0 X( @% ^
Decoding spanned Panasonic 8K SHV clips.
; U# {. s( {3 Q3 T* I. ZDecoding and encoding GoPro CineForm clips with non multiple of 16 res.. `1 `, _% K3 u
Decoding and encoding mp3 audio in Linux.
1 P* i$ ~+ }2 @- _6 r6 WDecoding and encoding high-throughput JPEG 2000 (HTJ2K).
/ x+ p+ U7 U) k. z- `3 [Bypass re-encodes for supported JPEG 2000 profiles on renders.
" Y) B1 h6 t$ N, ]. tEncoding IMF MCA audio metadata.
( I7 }! l5 ]+ c' GEncoding IMF and DCP as reels based on duration or edits.- F4 N* I! }6 |5 U8 k: M; Z
Exporting non-HDR DCP metadata option.1 W/ C8 ]* e; a2 V! k- I: d
Exporting HDR tags in DCP workflows. W8 R& W, O5 r, e/ ]
Support for reading RAW clips and audio clips from Frame.io.: x3 |2 J) J! l ~) d u- S
Support for additional NVIDIA encoder parameters for H.264 and H.265.
( Y* B5 o* J7 M8 L0 eSupport for rendering 10-bit HDR IMF clips.
( P* R0 q- Y% o0 Y9 eSupport for a 16 bit SDR IMF preset.
' {$ ^/ k- q! l( ~1 r5 K4 F# nSupport for Photon 4.8.0 for IMF validation.
1 Z2 l& g- Z: s1 w+ P1 ]: x9 |0 H9 A: o, s, u, L/ P
General/ _/ k1 `4 e B+ |+ `
Proxy media workflow supporting internal and externally generated media.1 n$ r7 ^" u" E& \
Optimized media is now automatically available across projects.
: V5 m2 D! s% x- T- v" J5 x j5 dGeneration of optimized media can now be limited to edit extents.; U8 D6 F8 l% q. ~- X
In and out ranges are now synchronized between pages., w' V1 q! t+ x' t
Significantly improved performance with large collaboration projects.: G+ [: r e. E9 E: z. b6 a. q
Stability improvements with new GPU detection and initialization.4 k6 X9 v- T( m+ |
Better interactivity and playback performance on multi-GPU systems.+ C5 o& S" u( b! J3 Y
Consistent pan, zoom and scroll behavior with mouse and trackpads.- k- w! \5 j; H' O* B" {6 _
Support for importing and exporting individual timelines using .drt files.
$ C/ s) ~& O- ~" v$ x& T+ rSupport for importing and exporting individual bins using .drb files.1 ]0 S9 t8 Q( q' K& s% d
Support for exporting .drt files for media managed timelines.' H! b9 p' v, ~3 \- U. g. L
Support for auto linking .drt files to source camera clips.
, s# T9 X+ z7 f# g, z# Q- D2 _9 Z' W# {Support for auto linking .drt files generated using media management.
! e6 g4 W8 C5 v0 MImproved error handling for media management jobs.$ Z" U# c7 \: c5 p v x
Support for a warning about media offline when creating render jobs.
. O, g" D I9 eSupport for smart bins and smart filters to check if media is offline.
6 Y6 V# U- {& y6 E$ U- O" ^Support to scan all connected databases for remote rendering jobs.
8 K9 q$ Q/ [/ a# J* \1 VSupport for new resize filter options in project settings and edit inspector.
3 b6 Q- w5 G3 h2 ]; tSupport for render caching adjustment clips.% K9 U( p3 @; B. f: l3 ?8 U. z% c/ N
Support to adjust numeric field entries using arrow keys based on cursor.0 m, H4 Z3 ~& U$ a; H. M6 z
Support to ignore unsupported OpenFX plugin packages in preferences.* H- }- O* ]/ Q& a% Z+ `" O* M1 `2 i
Support for independently configuring capture and playback devices.7 `5 G8 f1 \! g% V+ d3 y) @+ c* s
Support for displaying source frame number in data burn-in.
$ Y; m( _, }3 D8 D8 o$ q) Z- MSupport for adjusting text opacity for data burn-in.' H1 d% C% ~) Z
Support for configuring multiple custom LUT paths.4 B. |6 S ?2 c- D
Support for Thai & Vietnamese UI localizations.
1 ~$ ~' Q6 Q( W4 n% ISupport for a render codec tag for render path and file name.8 h/ V6 H7 D: [! u0 e8 p
Support for ITU-R BT.2111-1 HDR test bar patterns./ ^4 y- h" z- N5 z
Support for showing fast forward & rewind speed.+ e) l p: t$ T( R9 c* _8 s% j
Support for NVLink high speed interconnect with supported NVIDIA GPUs.) S+ D& W4 k& M% t% U( F0 f! K
Support for xGMI high speed interconnect with supported AMD GPUs.
5 i3 f6 e% Z+ d( o! a2 dSupport for an integrated title bar in the application window on Mac OS.! p4 Q$ C0 A' N" o6 o
Support for previous and next navigation across Frame.io markers.
( y6 r9 `% [; w7 Q+ I+ b- sSupport for triggering a script at the start or end of a render.
" `/ W- m2 {7 zMultiple scripting API improvements.
/ V' a, L; j9 uMultiple performance and stability improvements., Q; @9 h l d3 j* r" W$ F- }
! i: V2 l. j, N: V$ X& N/ G
What's new in DaVinci Resolve 17.0 Public Beta 8/ D* m7 ]' I0 s- U% @1 r
- Improved de-interlace quality.. q) W. x) ~! }4 t3 E
- Improved handling of alpha channel scaling in ACES and RCM workflows.
+ y2 y% }$ \' i: s$ a' I# U" D- Copying grades and nodes in the Color page is now focus-based.8 B, T& g+ E* s$ F9 u, E
- Improved timecode navigation and display on interlaced timelines.
, d& d G( e% g$ y# o- Improved Fusion path maps with ability to open folders and expanded path displays.
/ F3 p; J, j& }! L: o* t+ w5 m- Support for the HDR grading palette in the DaVinci Resolve mini panel.
0 ~# W! m) E# T9 h9 F- Support for Netflix loudness standards in the Fairlight loudness analyzer.
1 O$ P& w4 o0 y7 x- Support for non-parametric DaVinci CTL IDT and ODT formats.
@6 m6 Z& b' p9 m% Z! L2 Q- Support for dragging stills to the viewer or node graph to apply grade.
* S6 L, g" b! ~. u- Addressed an issue with audio recording on USB headsets when using a Blackmagic Design monitoring device.
1 n# O: y J( g8 L3 o: g- Addressed issues with adding and navigating keyframes from the inspector.' U- H) [4 ?/ `0 w
- Addressed an issue with revealing synced audio in media pool." d, t3 G9 O4 k! a% v
- Addressed an issue when sorting by Scene or Camera # in the media pool.: W" E$ U. N, e, c: x1 F9 s
- Addressed an update issue with clip names in the sync clips window when multiple clips from the same camera are used./ A8 W, g% [9 u4 ~9 V
- Addressed an issue where the place on top command would not work correctly with titles on the cut page.# y. v! T6 A! ]/ S
- Addressed an issue with transition alignment when importing or exporting DRT files.
' ?9 w% `2 F p. I! i" E- Addressed an issue with handling Fusion effects on clips inside a compound clip
" g) Z/ h8 d; \ L7 V g- Addressed an issue where adding new Fusion templates would require an application restart.6 B) f: p8 m/ H" n+ c) N
- Addressed an issue with disappearing crossfades when trimming the in point of an audio clip.! S1 q. y. G8 y Z* P- C4 k+ C
- Addressed an issue with incorrect in-out range display on the Fairlight timeline.
+ b$ v1 |9 m+ ]6 R$ s- Addressed an issue with subclip extents created from interlaced clips.# N Y+ m4 ^$ L" Y6 \% v1 `
- Addressed an issue where ResolveFX Video Collage would sometimes show outlines around tiles.
3 ]: i+ d; R' Z `7 D3 Y$ H" n- Addressed an issue with incorrect flow context menu behavior on some Linux systems in the Fusion page.6 y) [2 C/ k1 X% s+ e5 \
- Addressed an issue where macros with non-image outputs would sometimes show incorrect previews. N* k, D9 V4 A+ x4 ~% |
- Addressed an issue with incorrect HDR previews when use mac display color profiles was enabled.' E; e/ e0 w# t$ u
- Addressed an issue with incorrect scaling during playback when using optimized media in performance mode.3 `2 h5 T' K T$ z
- Addressed an issue with incorrect OpenFX settings behavior in the color page when using Resolve Live./ m# Z" K A8 f( i& f* h2 ]
- Addressed an issue where B-chain filters and delays would not work correctly in FlexBus projects.) v: @8 y. M- V( F1 E9 b0 y/ M
- Addressed an issue where using OpenCL on Linux would cause a crash.# J ~" I4 V+ j y- O3 `' z) o: I
- Addressed an issue where QuickTime files rendered with AAC audio would not contain audio for the first few frames./ L9 C5 E; f! K" B/ f1 V5 @! T9 a0 \
- Addressed an issue with missing audio transitions when importing AAFs with a timecode offset.' z+ w6 c3 |& u1 j* r$ O
- DaVinci Resolve Project Server and PostgreSQL are now in a separate installer./ K$ s0 O" A; e( \% V
- General performance and stability improvements.* v1 b+ \0 \/ ]8 ~6 x. P7 y8 Y
/ v# C# g" j# M3 `" E+ J7 a
What's new in DaVinci Resolve 17.0 Public Beta 6; [9 a% s' X8 Q6 ~3 B
- Addressed an issue with long startup time for systems with lots of audio plugins.
9 i( }0 G+ c; U& ?- Addressed an issue with jittery playback for interlaced clips with hardware decoding on Nvidia graphics cards.
4 u8 O3 T+ H) o* H( \9 K- Addressed an issue with mismatching extents for interlaced subclips.- ]& W r G3 [" [8 \3 L' \
- Addressed an issue with thumbnail resolutions for upgraded v16 projects.+ O( Q- \+ Q; T- ]9 T4 g% P
- Addressed an issue with opening projects using Resolve FX 3D Keyer created in 17.0 Beta 1.
! K2 r$ @( G! v- Addressed an issue where media pool entries in the Cut page would sometimes be incorrectly sorted.
) | G2 W; L/ } L u+ k( S, c- Addressed an issue where undoing an extend edit would sometimes fail for clips with transitions.9 U+ W s, {3 K' {: O
- Addressed an issue with external clip mattes overriding media alpha in foreground composite mode.
; w$ B' _$ i( o# e: O9 n- Addressed a performance issue with subtitle editing on timelines with lots of subtitles.
5 f) o2 y" k0 A. t `0 J# T6 f- Addressed an issue where HDR outputs could marginally exceed maximum output luminance due to rounding errors.
/ V$ p) ^& n P1 i5 r6 U, G2 T- Addressed a scaling issue when decoding Sony RAW clips using SLog3 or linear gammas.
! y& f6 Z5 M0 F. T3 r6 n- Addressed an issue where copying compositions between Resolve and Fusion would sometimes lose Open FX nodes.$ d$ ^0 v8 H" H" I3 d l
- Addressed an issue with incorrect labels for shape color controls in Fusion.
. e" W M6 M) K2 M' z5 t- Addressed issues with the getclipproperty and gettakebyIndex scripting APIs.& W; p, }; z3 V( |7 Q' r; ?3 h
- Updated scripting examples to use new getclipproperty APIs.
/ n/ y6 Q- ?: p5 ^- General performance and stability improvements.
1 z. a3 u* l1 G ?) J- S! a3 M
4 r* ]9 `* @5 L! m; kWhat's new in DaVinci Resolve 17.0 Public Beta 5& r6 h- ^/ F4 Y9 s
- Addressed an issue where clips with Resolve FX keyers would affect composition with tracks below./ s: N0 W7 t$ V% e. i
- Addressed an issue where HDR media with Resolve FX Color Space Transform would cause clipping.* O( l5 U- Z1 Z- z5 W% F; n
- Addressed an issue where timeline wipes on clips with temporal processing would sometimes cause a crash.( C8 L, a, w( ?! G+ N1 ?: j
- Addressed an issue with jumps in some color slider values when changed.
4 }# }$ u& u9 R$ c9 V- Addressed an issue with pasting or deleting Fusion tools when using some dual screen presets.
4 o1 r8 l6 W1 n: @" {& e- Addressed an issue where deleting nodes with expressions would freeze Fusion viewer previews.
3 m6 E6 w9 M! g: w- Addressed an issue with waveform display for MediaIn nodes using the same audio track.
- k B; y' ?. R* C- Addressed an issue with high CPU usage when switching to the Fairlight page. T/ d* A3 O9 V. G4 u1 P0 A
- Addressed an issue with incorrect input meter behavior in the dynamics window.
K" Z7 M S( F3 T8 c2 _; R- Addressed an issue with rendering multiple mono tracks to MXF Op-Atom.( t1 v9 {- R" }8 F! u, F
- Addressed an issue with mismatched video monitoring when using custom timeline settings.2 G- Z' Y: O% y2 g }2 m$ p
- Addressed an issue where proxy media would be rotated incorrectly for vertically captured video from phones.
3 o9 J7 d1 f' Y- E6 d4 j- Addressed an issue with incorrect antivirus flagging of Resolve executables on some Windows systems.
* D' L4 N2 m3 v7 M2 @- Addressed an issue with incorrect playback frame rates for interlaced projects.: M5 M, X& a# x9 e$ b. Z
- Addressed an issue with incorrect battery indication for the Speed Editor on Linux systems.% A" S1 z/ V' N4 L# w
- Addressed an issue where clips would show offline frames if proxy media was missing.$ x2 G8 ^4 C' p! ?3 ^4 G1 |
- Addressed an issue where rendering in place multiple cuts from the same media would behave incorrectly.
* w- ]& @+ ]/ x M3 d- General stability and performance improvements.8 o, M$ |( w! ~1 r0 D7 a) L
0 j6 W: w# x9 z* ?1 uWhat's new in DaVinci Resolve 17.0 Public Beta 2
0 R; n( c e+ E: T* w* ]& u- Addressed an issue with installing from a network drive on Windows systems.
1 z* |4 s0 n5 |6 d( i+ e- Addressed an issue with black grades when loading projects on non-English locale systems.
l( R5 e! W& \) T: E- Addressed an issue with color picker behavior for color warper in highlight mode.3 H/ W' ^5 z& }4 e o1 m8 Z. u
- Addressed an issue with interlaced clips showing watermark for basic interlace detection
5 a- l3 [$ o+ N- Addressed an issue with AAF exports to ProTools.
' @) F# s6 }4 r2 y2 b) F K- Addressed an issue with Motion Trails Resolve FX.
# L+ t1 P7 g2 b; a) D- Addressed an issue with move action on the cut page.
: ?* a" ~7 M' W2 V+ |5 S- Addressed an issue with FlexBus channel mapping.1 t8 I5 }/ I( Q3 A/ ]
- Addressed an issue with timecode entry for custom frame rate timelines.# E2 J+ p% |1 Y0 W5 q
- Addressed an issue with tracking backwards when using optical flow in Fusion.
9 t' f' X# Y5 u' @7 O1 c9 z- ^% g5 G- Addressed an issue with pasting nodes in the Fusion page with dual screen layouts.
! P( F3 C+ K+ \3 Y- d( V- Addressed an issue where using Fusion corner pinning would sometimes cause a crash.
& K4 G; d" u5 v7 @0 v0 m# L" |- Addressed an issue where rendering a shape with zero size would cause a crash in the Fusion page.$ c; {! ]& T4 X' U9 l8 m
- Addressed an issue when applying temporal noise reduction on clips with multiple Fusion outputs.- q) p/ F/ O5 l X: t2 ~
- More than 50 general performance and stability improvements. O% g% y* K) b8 w% J
. ` k6 Z# N4 }, C2 h- _Minimum system requirements for macOS- W* x) v# m$ \" y
macOS 10.14.6 Mojave1 Y, ~) w. o" D6 D: e5 G. B5 K
16 GB of system memory. 32 GB when using Fusion8 F- X( e2 B, p+ q5 n: e8 o
Blackmagic Design Desktop Video version 10.4.1 or later
r T8 C" o! FIntegrated GPU or discrete GPU with at least 2GB of VRAM.
. Q" g6 V: r) b# t& M6 QGPU which supports Metal or OpenCL 1.2.
3 W: T, M. r1 R* B7 b0 N& h
1 [/ D& |1 t& ^% J" O7 IMinimum system requirements for Windows
- w4 A9 t2 h3 ^Windows 10 Creators Update.+ b# h! m7 `8 w" b' _, d
16 GB of system memory. 32 GB when using Fusion
5 a" D! S. ^3 G# @. E8 G9 QBlackmagic Design Desktop Video 10.4.1 or later
6 E9 _! a. z |Integrated GPU or discrete GPU with at least 2GB of VRAM- f4 _7 {) s2 v- U+ c
GPU which supports OpenCL 1.2 or CUDA 11
7 w% e9 K y; x4 ^- ]NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
3 G$ V `4 e+ NA minimum NVIDIA driver version of 451.82 is recommended.
! H; T& v* h8 G0 P
: b) a8 }: v( ?+ C4 } K2 f( sMinimum system requirements for Linux6 P2 H$ x) R/ I6 O/ F! G5 T
CentOS 7.3* r4 X0 R6 Q8 E) I4 ^ w6 z
32 GB of system memory
, N) t5 ~' J2 q3 X6 H4 K; i; ]Blackmagic Design Desktop Video 10.4.1 or later
7 M& @- k& A$ T2 D1 X, tDiscrete GPU with at least 2GB of VRAM
! y9 m6 P8 M+ F& A9 \GPU which supports OpenCL 1.2 or CUDA 11) V. P _! W% g8 O
NVIDIA/AMD Driver version – As required by your GPU. I. g _, N; W
A minimum NVIDIA driver version of 450.51.06 is recommended.9 P* j4 j _) m0 _. z, e) r
9 y- X1 B z Z2 T8 j' }3 ]
2 g# M( h+ ^4 u+ R1 ^; m& _6 n+ P
& N" V4 ^1 H' [# B# y; T
2 J$ p! E0 X5 @- T* W5 `3 l/ B( P' p; {5 `
DOWNLOAD:
0 e+ N, V4 E* C; L6 V* R* zDaVinci_Resolve_17.0b1_Linux.zip* a2 k6 T' F) N8 }. T8 A* a
DaVinci_Resolve_17.0b1_Mac.zip1 Q( g! Q# ~/ K1 m$ {, i! J6 j
DaVinci_Resolve_17.0b1_Windows.zip
) @' s+ d. k8 d! J& q e5 KDaVinci_Resolve_Studio_17.0b1_Linux.zip8 I- q% b: C! T. h; J1 A! y+ p2 u
DaVinci_Resolve_Studio_17.0b1_Mac.zip
* M& c2 A8 w0 w: @ w& Q# _- IDaVinci_Resolve_Studio_17.0b1_Windows.zip
* \& J) R7 S" O! B* P' t% nDaVinci_Resolve_Studio_17.0b1.0007_Windows.zip & r. \. z2 b6 U3 N$ `* u) B% L
DaVinci_Resolve_17.1b1_Mac.zip$ `( ?; ?: Q/ _- b
DaVinci_Resolve_Studio_17.1b1_Mac.zip
2 O7 f8 s, R! F2 K- d1 T5 b" hDaVinci_Resolve_17.0b2_Linux.zip2 _6 o @# V6 P
DaVinci_Resolve_17.0b2_Mac.zip) C( e$ l/ @- g: b0 m; v9 @- [
DaVinci_Resolve_17.0b2_Windows.zip
L4 y: [$ y. e3 dDaVinci_Resolve_Studio_17.0b2_Linux.zip" ~+ D: K# c& V; p6 c# K0 @
DaVinci_Resolve_Studio_17.0b2_Mac.zip
, } h. y$ k9 FDaVinci_Resolve_Studio_17.0b2_Windows.zip* f' D8 T$ I! }% {! X& D1 w
DaVinci_Resolve_17.1b2_Mac.zip# x2 ~: Q3 M( ]9 X# t8 ?0 B& p7 U
DaVinci_Resolve_Studio_17.1b2_Mac.zip/ k, y3 i+ R' l1 ^% r
DaVinci_Resolve_17.0b3_Linux.zip
* s/ ^% N$ t. HDaVinci_Resolve_17.0b3_Mac.zip) ^# {' M: v( B+ e/ a& ~8 I8 r
DaVinci_Resolve_17.0b3_Windows.zip
! b8 v8 o+ w* t6 WDaVinci_Resolve_Studio_17.0b3_Linux.zip! M6 F* R1 T9 D5 L
DaVinci_Resolve_Studio_17.0b3_Mac.zip
1 [* c4 g. I9 k; ^$ w: Y- cDaVinci_Resolve_Studio_17.0b3_Windows.zip' ?. T5 i: ^# n/ z3 m0 W
DaVinci_Resolve_Studio_17.0b3.0010_Windows.rar ; m$ i S/ ~9 W2 z
DaVinci_Resolve_17.1b3_Mac.zip9 n) l9 \' U5 D; ?
DaVinci_Resolve_Studio_17.1b3_Mac.zip; x2 }1 q2 A' S8 s- B1 `" I Y$ M
DaVinci_Resolve_17.0b4_Linux.zip
- D# g: p- F) W: M/ QDaVinci_Resolve_17.0b4_Mac.zip
" B( ?2 `. `! `4 TDaVinci_Resolve_17.0b4_Windows.zip
7 p' |9 ~' b+ s0 N5 H& x0 @DaVinci_Resolve_Studio_17.0b4_Linux.zip- k$ N/ i4 G! d0 d7 \% _2 e o* g8 C- `
DaVinci_Resolve_Studio_17.0b4_Mac.zip
, n h: L. o$ s8 TDaVinci_Resolve_Studio_17.0b4_Windows.zip9 q7 K9 o5 w; n
DaVinci_Resolve_17.1b4_Mac.zip: R* i6 `- ?# U
DaVinci_Resolve_Studio_17.1b4_Mac.zip
0 O; g* J! e) I% S7 GDaVinci_Resolve_17.0b5_Linux.zip
& P% A5 ?' u/ r" hDaVinci_Resolve_17.0b5_Mac.zip
$ Y e0 @) ]! w i% O0 e$ uDaVinci_Resolve_17.0b5_Windows.zip9 x1 | n1 _/ q9 |
DaVinci_Resolve_Studio_17.0b5_Linux.zip* }. ^, e$ I- j* ^
DaVinci_Resolve_Studio_17.0b5_Mac.zip- J- _& R0 A" C3 [4 h( L" k
DaVinci_Resolve_Studio_17.0b5_Windows.zip
: i& A- e9 ~3 L3 ~0 D* ~DaVinci_Resolve_17.1b5_Mac.zip& s; }) F, n0 P. I! h
DaVinci_Resolve_Studio_17.1b5_Mac.zip5 B9 ?, _$ J" p. x/ X
DaVinci_Resolve_17.0b6_Linux.zip& J3 \1 Q8 }% W6 |" v
DaVinci_Resolve_17.0b6_Mac.zip
4 ~& a, W, X6 x ~6 h* ADaVinci_Resolve_17.0b6_Windows.zip
* C D* d! l% B) ]- O9 D! ADaVinci_Resolve_Studio_17.0b6_Linux.zip
1 r! y+ M' K5 B( b! K5 GDaVinci_Resolve_Studio_17.0b6_Mac.zip6 f3 S& X' u: s/ ]6 Z' C
DaVinci_Resolve_Studio_17.0b6_Windows.zip$ g1 D8 S$ {7 a3 Q) [2 ]
DaVinci_Resolve_17.1b6_Mac.zip
* S, R5 e4 x |9 [% t* s& T$ eDaVinci_Resolve_Studio_17.1b6_Mac.zip
0 J! p$ d9 }% ODaVinci_Resolve_17.0b7_Linux.zip
' B9 U7 v7 X; P( I4 WDaVinci_Resolve_17.0b7_Mac.zip
- `) I' m ^/ O: }/ cDaVinci_Resolve_17.0b7_Windows.zip
9 {- h- Z; V V: qDaVinci_Resolve_17.1b7_Mac.zip
( m+ G, Z/ Y- ZDaVinci_Resolve_Studio_17.0b7_Linux.zip0 y9 _7 b: ?, t- d+ n: P4 D
DaVinci_Resolve_Studio_17.0b7_Mac.zip& T" G& |3 F$ M4 p
DaVinci_Resolve_Studio_17.0b7_Windows.zip9 j) w' F) e; m: L, m) B" [
DaVinci_Resolve_Studio_17.1b7_Mac.zip
; ]2 M6 v& t: |DaVinci_Resolve_17.0b8_Linux.zip( ^( t* t5 v" i0 k
DaVinci_Resolve_17.0b8_Mac.zip
1 f, ]! s; n7 H3 y0 D7 t) v/ Z2 yDaVinci_Resolve_17.0b8_Windows.zip+ T5 G: n! m* x# B4 k+ `# y, \" Y
DaVinci_Resolve_17.1b8_Mac.zip
4 a, s6 q3 `& G$ IDaVinci_Resolve_Studio_17.0b8_Linux.zip( M) o; x0 z. q% J
DaVinci_Resolve_Studio_17.0b8_Mac.zip
3 ~4 |* p3 c/ c) a' i8 C6 } j9 WDaVinci_Resolve_Studio_17.0b8_Windows.zip
3 L' u+ f- T3 s& LDaVinci_Resolve_Studio_17.1b8_Mac.zip + \( B# ^' q$ r; Q6 h+ [& x
DaVinci_Resolve_17.0b9_Linux.zip 6 w1 j# _) t$ v, g; l9 i
DaVinci_Resolve_17.0b9_Mac.zip : a8 [8 m# s2 t& _1 o$ g
DaVinci_Resolve_17.0b9_Windows.zip
7 B9 _* x6 F+ Z; c# W3 O/ [( k4 ]DaVinci_Resolve_17.1b9_Mac.zip
& c6 V) ~& E: | DaVinci_Resolve_Studio_17.0b9_Linux.zip: . d( w1 e, {/ \6 ]6 l. `
DaVinci_Resolve_Studio_17.0b9_Mac.zip: 0 t& L: \% y( T- h' j0 u- u
DaVinci_Resolve_Studio_17.0b9_Windows.zip + k3 e# J; R% x
DaVinci_Resolve_Studio_17.1b9_Mac.zip / a+ r, v* P4 f A& z5 x) \
DaVinci_Resolve_17.0_Linux.zip8 G' F! S' r5 \5 E8 ]9 H( l
DaVinci_Resolve_17.0_Mac.zip
" Z- K9 H: [3 r+ s DaVinci_Resolve_17.0_Windows.zip:
- r/ c$ f9 ?/ RDaVinci_Resolve_17.1b10_Linux.zip
# D7 I/ V, g9 K, E2 F" MDaVinci_Resolve_17.1b10_Mac.zip" h) g1 L( U1 }3 d
DaVinci_Resolve_17.1b10_Windows.zip0 p. {" O0 Y' w. c1 z9 R4 ^
DaVinci_Resolve_Studio_17.0_Linux.zip
' d- _8 c6 D q5 ]8 I. TDaVinci_Resolve_Studio_17.0_Mac.zip! y8 L% c+ b7 f* D- u. u: a* Q
DaVinci_Resolve_Studio_17.1b10_Linux.zip( q4 B- e+ O7 |. {0 T1 z
DaVinci_Resolve_Studio_17.1b10_Mac.zip. _* ~; ~# j5 q+ M( c3 p+ g
DaVinci_Resolve_Studio_17.1b10_Windows.zip% @% f% P7 g, c+ e3 |. A- I
DaVinci_Resolve_17.1_Linux.zip ! _+ H, o. {* g7 v& r: ]
DaVinci_Resolve_17.1_Mac.zip
3 D6 P/ T1 V1 y5 q5 o" k. xDaVinci_Resolve_17.1_Windows.zip: : d6 ]0 x% b* |+ U7 [- @" k# q9 ~
DaVinci_Resolve_Studio_17.1_Linux.zip 9 Q; Z2 N" f- w; |; |) R- e/ K
DaVinci_Resolve_Studio_17.1_Mac.zip: ) l: y8 X/ G, ]/ q6 t
DaVinci_Resolve_Studio_17.1_Windows.zip , O7 X% S1 O/ d
DaVinci_Resolve_17.1.1_Linux.zip
1 ]4 m1 ? x+ _ g* c. o$ G8 pDaVinci_Resolve_17.1.1_Mac.zip O1 |; ?7 w0 l0 R6 V5 f( u
DaVinci_Resolve_17.1.1_Windows.zip
+ ^4 I9 p. w: _# V8 j# F; \8 L* HDaVinci_Resolve_Studio_17.1.1_Linux.zip , I5 v0 X2 E4 v: h, C- `. d: T. P) N! Z
DaVinci_Resolve_Studio_17.1.1_Mac.zip 3 Y) z+ q0 t; [5 [) l: Z& W: r" F
DaVinci_Resolve_Studio_17.1.1_Windows.zip 2 U9 M& h* n) W. F- M. Y$ v' E% K7 ~
DaVinci_Resolve_17.2_Linux.zip) x) f) Y* {) N) H/ f5 @
DaVinci_Resolve_17.2_Mac.zip; M! n' X, x- P, f4 T
DaVinci_Resolve_17.2_Windows.zip
8 @5 e) U2 p% U$ I) c. FDaVinci_Resolve_Studio_17.2_Linux.zip
. L6 }3 M- R3 u3 g5 K- f: cDaVinci_Resolve_Studio_17.2_Mac.zip# w. w9 o& ?# a: ^+ i2 r
DaVinci_Resolve_Studio_17.2_Windows.zip+ a% V3 }! K" P5 d
DaVinci_Resolve_17.2.1_Linux.zip# C( N3 r5 S/ U* B! a+ W4 G+ ?
DaVinci_Resolve_17.2.1_Mac.zip; ?0 ^* Q" ?# `. ^
DaVinci_Resolve_17.2.1_Windows.zip
Q$ `/ z" ~0 Y5 K5 Y' h8 |DaVinci_Resolve_Studio_17.2.1_Linux.zip
# H. a# z4 H! v- e% XDaVinci_Resolve_Studio_17.2.1_Mac.zip
# c5 z5 o- P: R$ @7 ?DaVinci_Resolve_Studio_17.2.1_Windows.zip
6 T: Z8 V; j9 l- ]! a J) pDaVinci_Resolve_17.2.2_Linux.zip
! u+ z9 a# _. y# }. L( S: \DaVinci_Resolve_17.2.2_Mac.zip4 o# ]$ U: I9 P/ ?- `4 N% R
DaVinci_Resolve_17.2.2_Windows.zip% E% o3 Z. H1 F, n; j1 u6 n3 e
DaVinci_Resolve_Studio_17.2.2_Linux.zip
5 h- f$ k& o8 S( jDaVinci_Resolve_Studio_17.2.2_Mac.zip* g! B5 X2 @: Z$ A1 B/ S
DaVinci_Resolve_Studio_17.2.2_Windows.zip
& N* _! w( }5 o9 E% v" }' B4 sDaVinci_Resolve_17.3_Linux.zip
; ]/ O7 t5 x. q7 rDaVinci_Resolve_17.3_Mac.zip
& z+ o. ~! @, i+ ~5 Q6 TDaVinci_Resolve_17.3_Windows.zip/ P: |* @& M& w D, N9 A+ Q& t
DaVinci_Resolve_Studio_17.3_Linux.zip
- D$ Z: `& L. oDaVinci_Resolve_Studio_17.3_Mac.zip
( @0 N( {6 J3 `5 z+ L! w+ Y* _! VDaVinci_Resolve_Studio_17.3_Windows.zip
3 ?8 _3 v1 {4 I' L% ?9 jDaVinci_Resolve_17.3.1_Linux.zip
5 C& Z) H- r3 V$ fDaVinci_Resolve_17.3.1_Mac.zip" i" W; h5 k% b/ o- ~
DaVinci_Resolve_17.3.1_Windows.zip+ L: u6 l" y5 H
DaVinci_Resolve_Studio_17.3.1_Linux.zip
; }- r9 ]5 ]- w7 ?. yDaVinci_Resolve_Studio_17.3.1_Mac.zip
6 v+ W6 r/ k' a- t6 U$ E7 v- C+ tDaVinci_Resolve_Studio_17.3.1_Windows.zip
9 c8 ? R% p# Y. W e/ @6 Y& t3 i. EDaVinci_Resolve_17.3.2_Linux.zip
9 I$ d% `/ a" N( g7 t' I, Y. FDaVinci_Resolve_17.3.2_Mac.zip
^ [% D2 Y" n' PDaVinci_Resolve_17.3.2_Windows.zip- P+ o4 ^+ Q$ z$ \1 }# {
DaVinci_Resolve_Studio_17.3.2_Linux.zip
; s! I: y6 O. `- s3 i2 sDaVinci_Resolve_Studio_17.3.2_Mac.zip5 v! U! X# U2 o' R0 w$ Y
DaVinci_Resolve_Studio_17.3.2_Windows.zip
3 C d* A5 c& Z5 u" bDaVinci_Resolve_17.4_Linux.zip
9 I" P+ F* q" u+ Z" L0 \DaVinci_Resolve_17.4_Mac.zip/ P9 ~! R. I9 T, A# w$ k3 W3 B i
DaVinci_Resolve_17.4_Windows.zip& T. O) ^" K. \# S( E, Q( a" x0 M
DaVinci_Resolve_Studio_17.4_Linux.zip5 K( z) M2 E# c: M6 }
DaVinci_Resolve_Studio_17.4_Mac.zip% h7 X3 Q: r7 v0 ^5 {6 D0 U& n
DaVinci_Resolve_Studio_17.4_Windows.zip/ E2 G( \& h4 a3 I( O) x Z
DaVinci_Resolve_17.4.1_Linux.zip4 _" x8 R' r7 f8 v
DaVinci_Resolve_17.4.1_Mac.zip3 w2 S9 j+ d+ A0 ~
DaVinci_Resolve_17.4.1_Windows.zip# S$ b9 U2 @) Q/ }" ?+ b
DaVinci_Resolve_Studio_17.4.1_Linux.zip
6 p+ k: {7 }) q7 XDaVinci_Resolve_Studio_17.4.1_Mac.zip+ [; L) a2 |) B; ]5 J8 }' g
DaVinci_Resolve_Studio_17.4.1_Windows.zip9 |7 z6 s! U- E; b4 X
DaVinci_Resolve_17.4.2_Linux.zip
. M$ z& a0 ]2 _; x ~$ s9 `DaVinci_Resolve_17.4.2_Mac.zip
5 c7 R- s) v0 h3 E# n* LDaVinci_Resolve_17.4.2_Windows.zip$ }* y. ~! U5 |) S$ a
DaVinci_Resolve_Studio_17.4.2_Linux.zip" W5 x( m& ]8 k' {6 w
DaVinci_Resolve_Studio_17.4.2_Mac.zip3 g* g; j$ N; I8 S1 T
DaVinci_Resolve_Studio_17.4.2_Windows.zip( `2 Z( F' b: q8 i
DaVinci_Resolve_17.4.3_Linux.zip
# a: b! [! q. ^" p8 n$ o& YDaVinci_Resolve_17.4.3_Mac.zip/ y6 a' ]- q% k+ w& m6 S
DaVinci_Resolve_17.4.3_Windows.zip! V' N. N9 V+ J8 a0 y' b
DaVinci_Resolve_Studio_17.4.3_Linux.zip3 G. J* K8 o* i9 a, C5 U. i
DaVinci_Resolve_Studio_17.4.3_Mac.zip" P7 _" s5 e) c
DaVinci_Resolve_Studio_17.4.3_Windows.zip4 B* m( o) x# B: Z+ {( V
DaVinci_Resolve_17.4.4_Linux.zip; o" Z( M6 r: U
DaVinci_Resolve_17.4.4_Mac.zip
# Y/ Z' ~; x8 K8 e( R5 lDaVinci_Resolve_17.4.4_Windows.zip
( a6 r0 L5 N( r# W0 K) ]# kDaVinci_Resolve_Studio_17.4.4_Linux.zip
A+ J) X' X& G3 f }' ~: z% C" sDaVinci_Resolve_Studio_17.4.4_Mac.zip2 T! c4 L$ M0 r. D9 A! u( `; g2 Q6 `
DaVinci_Resolve_Studio_17.4.4_Windows.zip& q* l x3 E# p
DaVinci_Resolve_17.4.5_Linux.zip
" h$ @, a) V+ U- X( xDaVinci_Resolve_17.4.5_Mac.zip$ X, b; Z( K' q- F% m
DaVinci_Resolve_17.4.5_Windows.zip* B5 K2 A- l) Y- q
DaVinci_Resolve_Studio_17.4.5_Linux.zip
# |! E. I5 M8 _2 D6 `4 t4 bDaVinci_Resolve_Studio_17.4.5_Mac.zip5 }) j; `/ }# _) k. Q3 t) ~
DaVinci_Resolve_Studio_17.4.5_Windows.zip
- z7 ~/ ~& a# B5 T/ C, }# [8 aDaVinci_Resolve_17.4.6_Linux.zip/ d2 s8 p4 G3 @- a
DaVinci_Resolve_17.4.6_Mac.zip
$ t$ t, K" D2 n3 G iDaVinci_Resolve_17.4.6_Windows.zip
0 ~# E. X8 z3 k+ ]: S1 Q9 WDaVinci_Resolve_Studio_17.4.6_Linux.zip
. Q- l4 Z( I+ c: qDaVinci_Resolve_Studio_17.4.6_Mac.zip
, Y+ i4 g3 ~$ q8 ?4 u! H" a4 _$ GDaVinci_Resolve_Studio_17.4.6_Windows.zip5 s% `7 t' \' I
9 n9 N/ a) n) p' M- t1 Y1 g
- T: c0 K1 d) J2 W9 ^0 }# e& Q7 V, r/ {1 [* _
{* y5 ~0 x4 m0 |
: K6 N0 ~# ^( w0 _5 q5 [. i# `. l（如果需要访问密码，请统一为：702844）
. f. p0 b) g$ m/ L2 E. D1 H5 \3 `; y' R
# p- W/ k/ x$ |" Q$ y6 q- n6 x+ ~
|
发表于 2020-11-11 14:05:46